Author: Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 904
Book Description
The Voice of the Negro
The Voice of the Negro 1919
Author: Robert Thomas KerlinPublisher:
ISBN:
Category : African Americans
Languages : en
Pages : 214
Book Description
"A compilation from the colored press of America for the four months immediately succeeding the Washington riot. It is designed to show the Negro's reaction to that and like events following, and to the World War and the Discussion of the Treaty." -- Preface.
A Voice from the South
Author: Anna Julia CooperPublisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 322
Book Description
The Voice of the Negro, 1919
Author: Robert Thomas KerlinPublisher:
ISBN:
Category : African Americans
Languages : en
Pages : 188
Book Description
Lift Every Voice and Sing
Author: Julian BondPublisher: Random House
ISBN: 0375506462
Category : Social Science
Languages : en
Pages : 304
Book Description
"A group of young men in Jacksonville, Florida, arranged to celebrate Lincoln's birthday in 1900. My brother, J. Rosamond Johnson, and I decided to write a song to be sung at the exercise. I wrote the words and he wrote the music. Our New York publisher, Edward B. Marks, made mimeographed copies for us and the song was taught to and sung by a chorus of five hundred colored school children. "Shortly afterwards my brother and I moved from Jacksonville to New York, and the song passed out of our minds. But the school children of Jacksonville kept singing it, they went off to other schools and sang it, they became teachers and taught it to other children. Within twenty years it was being sung over the South and in some other parts of the country. Today, the song, popularly known as the Negro National Hymn, is quite generally used. "The lines of this song repay me in elation, almost of exquisite anguish, whenever I hear them sung by Negro children." —James Weldon Johnson, 1935 Pasted into Bibles, schoolbooks, and hearts, "Lift Every Voice and Sing," written by J. Rosamond Johnson and James Weldon Johnson in 1900, has become one of the most beloved songs in the African American community—taught for years in schools, churches, and civic organizations. Adopted by the NAACP as its official song in the 1920s and sung throughout the civil rights movement, it is still heard today at gatherings across America. James Weldon Johnson's lyrics pay homage to a history of struggle but never waver from a sense of optimism for the future—"facing the rising sun of our new day begun, let us march on till victory is won." Its message of hope and strength has made "Lift Every Voice and Sing" a source of inspiration for generations. In celebration of the song's centennial, Julian Bond and Sondra Kathryn Wilson have collected one hundred essays by artists, educators, politicians, and activists reflecting on their personal experiences with the song. Also featuring photos from historical archives, Lift Every Voice and Sing is a moving illustration of the African American experience in the past century. With contributors including John Hope Franklin, Jesse Jackson, Maya Angelou, Norman Lear, Maxine Waters, and Percy Sutton, this volume is a personal tribute to the enduring power of an anthem. "Lift Every Voice and Sing" has touched the hearts of many who have heard it because its true aim, as Harry Belafonte explains, "isn't just to show life as it is but to show life as it should be."
Voices of Black Folk
Author: Terri BrinegarPublisher: Univ. Press of Mississippi
ISBN: 1496839269
Category : Biography & Autobiography
Languages : en
Pages : 262
Book Description
In the late 1920s, Reverend A. W. Nix (1880–1949), an African American Baptist minister born in Texas, made fifty-four commercial recordings of his sermons on phonographs in Chicago. On these recordings, Nix presented vocal traditions and styles long associated with the southern, rural Black church as he preached about self-help, racial uplift, thrift, and Christian values. As southerners like Nix fled into cities in the North to escape the rampant racism in the South, they contested whether or not African American vocal styles of singing and preaching that had emerged during the slavery era were appropriate for uplifting the race. Specific vocal characteristics, like those on Nix’s recordings, were linked to the image of the “Old Negro” by many African American leaders who favored adopting Europeanized vocal characteristics and musical repertoires into African American churches in order to uplift the modern “New Negro” citizen. Through interviews with family members, musical analyses of the sounds on Nix’s recordings, and examination of historical documents and relevant scholarship, Terri Brinegar argues that the development of the phonograph in the 1920s afforded preachers like Nix the opportunity to present traditional Black vocal styles of the southern Black church as modern Black voices. These vocal styles also influenced musical styles. The “moaning voice” used by Nix and other ministers was a direct connection to the “blues moan” employed by many blues singers including Blind Willie, Blind Lemon, and Ma Rainey. Both Reverend A. W. Nix and his brother, W. M. Nix, were an influence on the “Father of Gospel Music,” Thomas A. Dorsey. The success of Nix’s recorded sermons demonstrates the enduring values African Americans placed on traditional vocal practices.
The Voice of the Negro
Author: Robert T. KerlinPublisher: CreateSpace
ISBN: 9781451543414
Category : Social Science
Languages : en
Pages : 204
Book Description
The Voice of The Negro by Robert T. Kerlin (1919). This is an intriguing book that brings out the importance of the African American press. The book gives detailed and descriptive accounts of the African American perspective in the press on issues such as lynching, race riots, labor, violent resistance, and more.
The Negro Speaks of Rivers
Author: Langston HughesPublisher: Jump At The Sun
ISBN:
Category : Juvenile Fiction
Languages : en
Pages : 40
Book Description
Langston Hughes has long been acknowledged as the voice, and his poem, The Negro Speaks of Rivers, the song, of the Harlem Renaissance. Although he was only seventeen when he composed it, Hughes already had the insight to capture in words the strength and courage of black people in America. /DIVDIV Artist E.B. Lewis acts as interpreter and visionary, using watercolor to pay tribute to Hughes’s timeless poem, a poem that every child deserves to know.
The Voice of the Negro
Author: A Voice of Thunder
Author: George StephensPublisher: University of Illinois Press
ISBN: 9780252067907
Category : Biography & Autobiography
Languages : en
Pages : 400
Book Description
Stephens was a black reporter for the black newspaper Weekly Anglo-African when the Civil War broke out. He joined the 54th Massachusetts, the first black Union regiment. Promoted to sergeant, he stormed Battery Wagner with his regiment. Surviving the Union defeat, Stephens served with the 54th through the end of the war.