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The Wooster Group Work Book

The Wooster Group Work Book PDF Author: Andrew Quick
Publisher: Taylor & Francis US
ISBN: 9780415353342
Category : Drama
Languages : en
Pages : 287

Book Description
This book accesses, often for the first time, the company's rehearsal methods and source materials, as well as the creative thinking and reflections of director Elizabeth LeCompte.

The Wooster Group Work Book

The Wooster Group Work Book PDF Author: Andrew Quick
Publisher: Taylor & Francis US
ISBN: 9780415353342
Category : Drama
Languages : en
Pages : 287

Book Description
This book accesses, often for the first time, the company's rehearsal methods and source materials, as well as the creative thinking and reflections of director Elizabeth LeCompte.

The Wooster Group Work Book

The Wooster Group Work Book PDF Author: Andrew Quick
Publisher:
ISBN: 9780415353335
Category : Drama
Languages : en
Pages : 287

Book Description
This book accesses, often for the first time, the company's rehearsal methods and source materials, as well as the creative thinking and reflections of director Elizabeth LeCompte.

Breaking the Rules

Breaking the Rules PDF Author: David Savran
Publisher: Theatre Communications Group
ISBN: 1559367091
Category : Performing Arts
Languages : en
Pages : 240

Book Description
Through interviews and descriptions of methodology, Breaking the Rules captures the essence of major works by the internationally acclaimed avant-garde company.

The Mother

The Mother PDF Author: Bertolt Brecht
Publisher: Grove Press
ISBN: 9780802131607
Category : Drama
Languages : en
Pages : 164

Book Description
Bertolt Brecht's play The Mother is freely adapted from Gorky's world-famous novel of the same name. Brecht tells the story of a working-class mother who is drawn into the struggle for a Bolshevik revolution; in the character of Pelagea Vlassova, the mother of the title, Brecht draws a richly human figure who emerges as the single entirely positive major hero in all of Brecht's dramatic works. This edition has an extensive introduction by the translator, Lee Baxandall, which gives a detailed history of the play and its first production. In addition, there are twenty-five pages of notes by Brecht himself.

Art Into Theatre

Art Into Theatre PDF Author: Nick Kaye
Publisher: Routledge
ISBN: 1134370466
Category : Performing Arts
Languages : en
Pages : 301

Book Description
Art Into Theatre investigates the processes of hybrid forms of performance developed between 1952 and 1994 through a series of interviews with key practitioners and over 80 pieces of documentation, many previously unpublished, of the works under discussion. Ranging from the austerity of Cage's 4'33" through the inter-species communication of Schneeman's Cat Scanand the experimental theatre work of Schechner, Foreman, and Kirby, to the recent performances of Abramovic, Forced Entertainment and the Wooster Group, Art Into Theatre offers a fascinating collection of perspectives on the destabilizing of conventional ideas of the art "object" and the theatrical "text". Nick Kaye's introductory essay to the volume offers a useful context for the reader and each interview is preceded by an informative biographical sketch.

Ron Vawter's Life in Performance

Ron Vawter's Life in Performance PDF Author: Theresa Smalec
Publisher:
ISBN: 9780857425522
Category : Actors
Languages : en
Pages : 0

Book Description
From 1974 to 1994, Ron Vawter was a staple of New York's downtown theater scene, first with the Performance Group and later as a founding member of the Wooster Group. Ron Vawter's Life in Performance is the first book focused on this incomparable actor's specific contributions to ensemble theater, while also covering his solo projects. Through a combination of archival research and oral testimony--including interviews with Willem Dafoe, Spalding Gray, Elizabeth LeCompte, Gregory Mehrten, Richard Schechner, and Marianne Weems--Vawter emerges as an unsung innovator whose metamorphosis from soldier to avant-garde star was hardly accidental. Theresa Smalec reconstructs Vawter's years in amateur theater, his time in the National Guard, and his professional body of work. Partly recuperative history, Ron Vawter's Life in Performance explores the complex intersections of individual and group biography. It also offers a unique perspective on an era that spanned from the Vietnam War to the AIDS crisis, putting Vawter's own activism at the forefront. This volume's broad historical and cultural reach, coupled with its careful study of a beloved yet enigmatic performer, will make it a tremendous resource for theater scholars and practitioners.

Vieux Carre

Vieux Carre PDF Author: Tennessee Williams
Publisher: New Directions Publishing
ISBN: 0811225933
Category : Drama
Languages : en
Pages : 116

Book Description
Born out of the journals the playwright kept at the time, Tennessee Williams's Vieux Carré is not emotion recollected in tranquility, but emotion re-created with all the pain, compassion, and wry humor of the playwright's own 1938-39 sojourn in the New Orleans French Quarter vividly intact. The drama takes it form from the shifting scenes of memory, and Williams's surrogate self invites us to focus, in turn, on the various inhabitants or his dilapidated rooming house in the Vieux Carré: the comically desperate landlady, Mrs. Wire; Jane, a properly brought-up young woman from New York making at last grab at pleasure with Tye, the vulgar but appealing strip-joint barker; two decayed gentlewomen politely starving in the garret; and the dying painter Nightingale, who tries to teach the young writer something about love--both of the body and of the heart. This is a play about the education of the artist, and education in loneliness and despair, in giving and not giving, but most of all in seeing, hearing, feeling, and learning that "writers are shameless spies," who pay dearly for their knowledge and who cannot forget. Building on two decades of Williams scholarship since Vieux Carré was originally published, Robert Bray, editor of The Tennessee Williams Annual Review, has provided a new introduction for this edition, giving the most authoritative account yet of its background and genesis.

Theatre and Performance in Digital Culture

Theatre and Performance in Digital Culture PDF Author: Matthew Causey
Publisher: Routledge
ISBN: 1134205694
Category : Performing Arts
Languages : en
Pages : 252

Book Description
Theatre and Performance in Digital Culture examines the recent history of advanced technologies, including new media, virtual environments, weapons systems and medical innovation, and considers how theatre, performance and culture at large have evolved within those systems. The book examines the two Iraq wars, 9/11 and the War on Terror through the lens of performance studies, and, drawing on the writings of Giorgio Agamben, Alain Badiou and Martin Heidegger, alongside the dramas of Beckett, Genet and Shakespeare, and the theatre of the Kantor, Foreman, Socíetas Raffaello Sanzio and the Wooster Group, the book positions theatre and performance in technoculture and articulates the processes of aesthetics, metaphysics and politics. This wide-ranging study reflects on how the theatre and performance have been challenged and extended within these new cultural phenomena.

Certain Fragments

Certain Fragments PDF Author: Tim Etchells
Publisher: Psychology Press
ISBN: 9780415173827
Category : Art
Languages : en
Pages : 240

Book Description
An exploration of what lies at the heart of contemporary theatre. Written by the artistic director of Forced Entertainment, it investigates the process of devising performance, theatre's interdisciplinary role, and the city's influence.

The Death of Character

The Death of Character PDF Author: Elinor Fuchs
Publisher: Indiana University Press
ISBN: 0253113474
Category : Performing Arts
Languages : en
Pages : 238

Book Description
"Extremely well written, and exceedingly well informed, this is a work that opens a variety of important questions in sophisticated and theoretically nuanced ways. It is hard to imagine a better tour guide than Fuchs for a trip through the last thirty years of, as she puts it, what we used to call the 'avant-garde.'" —Essays in Theatre ". . . an insightful set of theoretical 'takes' on how to think about theatre before and theatre after modernism." —Theatre Journal "In short, for those who never experienced a 'postmodern swoon,' Elinor Fuchs is an excellent informant." —Performing Arts Journal ". . . a thoughtful, highly readable contribution to the evolving literature on theatre and postmodernism." —Modern Drama "A work of bold theoretical ambition and exceptional critical intelligence. . . . Fuchs combines mastery of contemporary cultural theory with a long and full participation in American theater culture: the result is a long-needed, long-awaited elaboration of a new theatrical paradigm." —Una Chaudhuri, New York University "What makes this book exceptional is Fuchs' acute rehearsal of the stranger unnerving events of the last generation that have—in the cross-reflections of theory—determined our thinking about theater. She seems to have seen and absorbed them all." —Herbert Blau, Center for Twentieth Century Studies, University of Wisconsin, Milwaukee "Surveying the extraordinary scene of the postmodern American theater, Fuchs boldly frames key issues of subjectivity and performance with the keenest of critical eyes for the compelling image and the telling gesture." —Joseph Roach, Tulane University " . . . Fuchs makes an exceptionally lucid and eloquent case for the value and contradictions in postmodern theater." —Alice Rayner, Stanford University "Arguably the most accessible yet learned road map to what remains for many impenetrable territoryan obligatory addition to all academic libraries serving upper-division undertgraduates and above." —Choice "A systematic, comprehensive and historically-minded assessment of what, precisely, 'post-modern theatre' is, anyway." —American Theatre In this engrossing study, Elinor Fuchs explores the multiple worlds of theater after modernism. While The Death of Character engages contemporary cultural and aesthetic theory, Elinor Fuchs always speaks as an active theater critic. Nine of her Village Voice and American Theatre essays conclude the volume. They give an immediate, vivid account of contemporary theater and theatrical culture written from the front of rapid cultural change.