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Theatricalities of Power

Theatricalities of Power PDF Author: Steven T. Brown
Publisher: Stanford University Press
ISBN: 9780804740708
Category : Literary Criticism
Languages : en
Pages : 256

Book Description
Through an extended reading of the noh play Aoi ne Ue, as well as briefer examinations of several other plays, this book sheds new light on the circulation of power and desire in the middle and late medieval periods in Japan. It argues that these plays constituted an active force in the theater of the medieval cultural imaginary by engaging specific sociopolitical issues and problems.

Theatricalities of Power

Theatricalities of Power PDF Author: Steven T. Brown
Publisher: Stanford University Press
ISBN: 9780804740708
Category : Literary Criticism
Languages : en
Pages : 256

Book Description
Through an extended reading of the noh play Aoi ne Ue, as well as briefer examinations of several other plays, this book sheds new light on the circulation of power and desire in the middle and late medieval periods in Japan. It argues that these plays constituted an active force in the theater of the medieval cultural imaginary by engaging specific sociopolitical issues and problems.

Theatrical Jazz

Theatrical Jazz PDF Author: Omi Osun Joni L. Jones
Publisher: Black Performance and Cultural
ISBN: 9780814252079
Category : Literary Criticism
Languages : en
Pages : 0

Book Description
The first full-length study of the theatrical jazz aesthetic, that draws on the jazz principles of ensemble--the break, the bridge, and the blue note.

Actors in the Audience

Actors in the Audience PDF Author: Shadi Bartsch
Publisher: Harvard University Press
ISBN: 9780674003576
Category : Foreign Language Study
Languages : en
Pages : 332

Book Description
Tacitus, Suetonius, and Juvenal all figure in Bartsch's shrewd analysis of historical and literary responses to the brute facts of empire; even the Panegyricus of Pliny the Younger now appears as a reaction against the widespread awareness of dissimulation.

Theatre and the English Public from Reformation to Revolution

Theatre and the English Public from Reformation to Revolution PDF Author: Katrin Beushausen
Publisher: Cambridge University Press
ISBN: 1316856739
Category : Literary Criticism
Languages : en
Pages : 313

Book Description
This book presents new and overarching perspectives on the relationship between theatre and public from the Henrician Reformation through the interregnum to the Restoration, combining vivid case studies with discussion of theatre's continued importance in shaping the early modern public. Considered from the vantage point of theatre, the early modern public becomes visible as an unruly agent of political change, a force that authorities both feared and appealed to, and one that proved ultimately beyond control. It was through theatrical strategies that rulers and their opposition addressed the early modern public, and in turn it was theatre's public potential that shaped the development of the stage during the revolutionary years of the seventeenth century. In this volume, Katrin Beushausen examines sources including irreverent satirical pamphlets, regal spectacles, anti-theatrical polemic and visions of state theatres, casting new light on the development of the early modern public and theatre.

The Place of the Stage

The Place of the Stage PDF Author: Steven Mullaney
Publisher: University of Michigan Press
ISBN: 9780472083466
Category : History
Languages : en
Pages : 196

Book Description
Probes English society in the age of Shakespeare

Meyerhold on Theatre

Meyerhold on Theatre PDF Author: Edward Braun
Publisher: Bloomsbury Publishing
ISBN: 1474230229
Category : Drama
Languages : en
Pages : 432

Book Description
Meyerhold on Theatre brings together in one volume Vsevolod Meyerhold's most significant writings and utterances, and covers his entire career as a director from 1902 to 1939. It contains a comprehensive selection from all published material, unabridged and translated from the original Russian, updated and supplemented with a critical commentary relating Meyerhold to his period and eye-witness accounts describing all his productions. The book is illustrated with photographs of Meyerhold's designs and productions. Within this diverse collection of sometimes dense, sometimes lyrical, and always fascinating writings, Meyerhold emerges from this book as a forerunner of such directors as Brecht, Piscator, Planchon and Brook, a relentless enemy of naturalism and a supreme exponent of total theatre whose influence continues to be felt throughout the theatre of today. This fourth edition features a new introduction by Prof. Jonathan Pitches, which helps to demystify some of the terminology Meyerhold and his associates used, and indicates the fundamental connection between culture and politics represented in his life and art.

New Historicism and Renaissance Drama

New Historicism and Renaissance Drama PDF Author: Richard Wilson
Publisher: Routledge
ISBN: 131550443X
Category : Literary Criticism
Languages : en
Pages : 213

Book Description
New Historicism has been one of the major developments in literary theory over the last decade, both in the USA and Europe. In this book, Wilson and Dutton examine the theories behind New Historicism and its celebrated impact in practice on Renaissance Drama, providing an important collection both for students of the genre and of literary theory.

Performance, Theatre, and Society in Contemporary Nicaragua

Performance, Theatre, and Society in Contemporary Nicaragua PDF Author: Alberto Guevara
Publisher:
ISBN: 9781604978612
Category : Performing Arts
Languages : en
Pages : 184

Book Description
Since coming to power in 2007, the Sandinista Front of National Liberation (FSLN) has proclaimed itself the "government of the poor" and the "government of peace and reconciliation." Accordingly, the regime has endeavoured to control and manipulate the symbols, social images, important spaces, and situations of popular struggles for social justice in the country. Under the watch of Daniel Ortega's administration, Nicaragua has become a country where an extraordinary effort is put into social spectacles, propaganda, and theatricality to create the impression of social and economic transformation. While the current regime orchestrates impressive social performances in support of its power, there are other social spectacles marking Nicaragua's urban landscape that tell a different story. performances in support of its power, there are other social spectacles marking Nicaragua's urban landscape that tell a different story. These mine the gap between experiences and promises in today's Nicaragua. The exhibit of suffering bodies in public national spaces as political weapons by pesticide victims, as well as a transvestite circus spectacle in Managua redefine spaces and states of "invisibility" and "visibility" by articulating social positions through performance. The bodies of these Nicaraguans--refusing to be invisible--show Nicaragua's ongoing social drama of a predominant social power relation of inclusion and exclusion within a narrative intersected by political power, marginality and theatricality. As spectacularized bodies, they become avenues for showing processes of structural violence. Although there has been some excellent academic research focusing on performance or/and theatre in Nicaragua, such scholarship seldom attends to the very important connections between daily staged public social acts and local, national/global politics that deal directly and indirectly with marginalized social/cultural landscapes in this country. This book fills the gap by examining the connections between Nicaragua's marginalized landscapes and bodies, between social/political visibility and invisibility, and the relationship between social abandonment and social encompassment in the nation. This is an important book for performance studies, social cultural anthropology, theatre studies and Latin American studies. This book is in the Cambria Contemporary Global Performing Arts Series (general editor: John Clum, Duke University) and includes rare images.

Intermediality in Theatre and Performance

Intermediality in Theatre and Performance PDF Author:
Publisher: BRILL
ISBN: 940121008X
Category : Drama
Languages : en
Pages : 266

Book Description
Intermediality: the incorporation of digital technology into theatre practice, and the presence of film, television and digital media in contemporary theatre is a significant feature of twentieth-century performance. Presented here for the first time is a major collection of essays, written by the Theatre and Intermediality Research Group of the International Federation for Theatre Research, which assesses intermediality in theatre and performance. The book draws on the history of ideas to present a concept of intermediality as an integration of thoughts and medial processes, and it locates intermediality at the inter-sections situated in-between the performers, the observers and the confluence of media, medial spaces and art forms involved in performance at a particular moment in time. Referencing examples from contemporary theatre, cinema, television, opera, dance and puppet theatre, the book puts forward a thesis that the intermedial is a space where the boundaries soften and we are in-between and within a mixing of space, media and realities, with theatre providing the staging space for intermediality. The book places theatre and performance at the heart of the ‘new media’ debate and will be of keen interest to students, with clear relevance to undergraduates and post-graduates in Theatre Studies and Film and Media Studies, as well as the theatre research community.

Twentieth Century Theatre: A Sourcebook

Twentieth Century Theatre: A Sourcebook PDF Author: Richard Drain
Publisher: Routledge
ISBN: 1134864744
Category : Performing Arts
Languages : en
Pages : 410

Book Description
Twentieth Century Theatre: A Sourcebook is an inspired handbook of ideas and arguments on theatre. Richard Drain gathers together a uniquely wide-ranging selection of original writings on theatre by its most creative practitioners - directors, playwrights, performers and designers, from Jarry to Grotowski and Craig. These key texts span the twentieth century, from the onset of modernism to the present, providing direct access to the thinking behind much of the most stimulating theatre the century has had to offer, as well as guidelines to its present most adventurous developments. Setting theory beside practice, these writings bring alive a number of vital and continuing concerns, each of which is given full scope in five sections which explore the Modernist, Political, Inner and Global dimensions of twentieth century theatre. Twentieth Century Theatre: A Sourcebook provides illuminationg perspectives on past history, and throws fresh light on the sources and development of theatre today. This sourcebook is not only an essential and versatile collection for students at all levels, but also directed numerous devised shows which have toured to theatres, schools, community centres and prisons.