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Author: Aoife Monks Publisher: Methuen Drama ISBN: 9781350110793 Category : Performing Arts Languages : en Pages : 224
Book Description
Costume is the glue that brings workers at the theatre together. To think deeply about working with and making costume at the theatre is to trace a map of social relations – between designer and maker, maker and actor, actor and dresser, dyer and tailor, tailor and designer. This book offers a detailed account of how costume is made, worn, used and designed backstage at the National Theatre, London, and in doing so, suggests that performance can be newly understood once we take account of the people who make it. Drawing on interviews with a wide range of 'costume workers' – tailors, dyers, buyers, managers, dressers, actors, designers, stage-managers, critics – this book argues that thinking about how costume is made and worn can offer us new paradigms for thinking about the theatre event more generally. Arising from the author's role as the curator of an exhibition on costume and a book of photography for the National Theatre (September 2019), the book benefits from Monks's collaboration with the NT and her access to its production teams and processes, including the workshops, rehearsals, wardrobe department, technical rehearsals, hire department and presence in the wings during a show. For students and fans of theatre and fashion, this is a book that draws back the curtain on processes rarely seen to illuminate the role of collaboration, of experimentation and technique, of the institution, and of culture and memory in the creation of costume.
Author: Aoife Monks Publisher: Methuen Drama ISBN: 9781350110793 Category : Performing Arts Languages : en Pages : 224
Book Description
Costume is the glue that brings workers at the theatre together. To think deeply about working with and making costume at the theatre is to trace a map of social relations – between designer and maker, maker and actor, actor and dresser, dyer and tailor, tailor and designer. This book offers a detailed account of how costume is made, worn, used and designed backstage at the National Theatre, London, and in doing so, suggests that performance can be newly understood once we take account of the people who make it. Drawing on interviews with a wide range of 'costume workers' – tailors, dyers, buyers, managers, dressers, actors, designers, stage-managers, critics – this book argues that thinking about how costume is made and worn can offer us new paradigms for thinking about the theatre event more generally. Arising from the author's role as the curator of an exhibition on costume and a book of photography for the National Theatre (September 2019), the book benefits from Monks's collaboration with the NT and her access to its production teams and processes, including the workshops, rehearsals, wardrobe department, technical rehearsals, hire department and presence in the wings during a show. For students and fans of theatre and fashion, this is a book that draws back the curtain on processes rarely seen to illuminate the role of collaboration, of experimentation and technique, of the institution, and of culture and memory in the creation of costume.
Author: Sofia Pantouvaki Publisher: Bloomsbury Publishing ISBN: 1350098817 Category : Design Languages : en Pages : 425
Book Description
Costume is an active agent for performance-making; it is a material object that embodies ideas shaped through collaborative creative work. A new focus in recent years on research in the area of costume has connected this practice in vital and new ways with theories of the body and embodiment, design practices, artistic and other forms of collaboration. Costume, like fashion and dress, is now viewed as an area of dynamic social significance and not simply as passive reflector of a pre-conceived social state or practice. This book offers new approaches to the study of costume, as well as fresh insights into the better-understood frames of historical, theoretical, practice-based and archival research into costume for performance. This anthology draws on the experience of a global group of established researchers as well as emerging voices. Below is a list of just some of the things it achieves: 1. Introduces diverse perspectives, innovative new research methods and approaches for researching design and the costumed body in performance. 2. Contributes towards a new understanding of how costume actually 'performs' in time and space. 3. Offers new insights into existing practices, as well as creating a space of connection between practitioners and researchers from design, the humanities and social sciences.
Author: Maaike Bleeker Publisher: Bloomsbury Publishing ISBN: 1472579623 Category : Performing Arts Languages : en Pages : 336
Book Description
Thinking Through Theatre and Performance presents a bold and innovative approach to the study of theatre and performance. Instead of topics, genres, histories or theories, the book starts with the questions that theatre and performance are uniquely capable of asking: How does theatre function as a place for seeing and hearing? How do not only bodies and voices but also objects and media perform? How do memories, emotions and ideas continue to do their work when the performance is over? And how can theatre and performance intervene in social, political and environmental structures and frameworks? Written by leading international scholars, each chapter of this volume is built around a key performance example, and detailed discussions introduce the methodologies and theories that help us understand how these performances are practices of enquiry into the world. Thinking through Theatre and Performance is essential for those involved in making, enjoying, critiquing and studying theatre, and will appeal to anyone who is interested in the questions that theatre and performance ask of themselves and of us.
Author: Amiria Henare Publisher: Routledge ISBN: 1135392722 Category : Social Science Languages : en Pages : 248
Book Description
Drawing upon the work of some of the most influential theorists in the field, Thinking Through Things demonstrates the quiet revolution growing in anthropology and its related disciplines, shifting its philosophical foundations. The first text to offer a direct and provocative challenge to disciplinary fragmentation - arguing for the futility of segregating the study of artefacts and society - this collection expands on the concerns about the place of objects and materiality in analytical strategies, and the obligation of ethnographers to question their assumptions and approaches. The team of leading contributors put forward a positive programme for future research in this highly original and invaluable guide to recent developments in mainstream anthropological theory.
Author: Agnès Rocamora Publisher: Bloomsbury Publishing ISBN: 0857726625 Category : Social Science Languages : en Pages : 320
Book Description
Learning how to think through fashion is both exciting and challenging, being dependent on one s ability to critically engage with an array of theories and concepts. This is the first book designed to accompany readers through the process of thinking through fashion. It aims to help them grasp both the relevance of social and cultural theory to fashion, dress, and material culture and, conversely, the relevance of those fields to social and cultural theory. It does so by offering a guide through the work of selected major thinkers, introducing their concepts and ideas. Each chapter is written by an expert contributor and is devoted to a key thinker, capturing the significance of their thought to the understanding of the field of fashion, while also assessing the importance of this field for a critical engagement with these thinkers ideas. This is a guide and reference for students and scholars in the fields of fashion, dress and material culture, the creative industries, sociology, cultural history, design and cultural studies."
Author: Deborah Nadoolman Landis Publisher: Harper Collins ISBN: 0060816503 Category : Photography Languages : en Pages : 596
Book Description
From the lavish productions of Hollywood's Golden Age through the high-tech blockbusters of today, the most memorable movies all have one thing in common: they rely on the magical transformations rendered by the costume designer. Whether spectacular or subtle, elaborate or barely there, a movie costume must be more than merely a perfect fit. Each costume speaks a language all its own, communicating mood, personality, and setting, and propelling the action of the movie as much as a scripted line or synthetic clap of thunder. More than a few acting careers have been launched on the basis of an unforgettable costume, and many an era defined by the intuition of a costume designer—think curvy Mae West in I'm No Angel (Travis Banton, costume designer), Judy Garland in A Star is Born (Jean Louis and Irene Sharaff, costume designers), Diane Keaton in Annie Hall (Ruth Morley, costume designer), or Harrison Ford as Indiana Jones in Raiders of the Lost Ark (Deborah Nadoolman Landis, costume designer). In Dressed: A Century of Hollywood Costume Design, Academy Award-nominated costume designer Deborah Nadoolman Landis showcases one hundred years of Hollywood's most tantalizing costumes and the characters they helped bring to life. Drawing on years of extraordinary research, Landis has uncovered both a treasure trove of costume sketches and photographs—many of them previously unpublished—and a dazzling array of first-person anecdotes that inform and enhance the images. Along the way she also provides and eye-opening, behind-the-scenes look at the evolution of the costume designer's art, from its emergence as a key element of cinematic collaboration to its limitless future in the era of CGI. A lavish tribute that mingles words and images of equal luster, Dressed is one book no film and fashion lover should be without.
Author: Erhard Klepper Publisher: Courier Corporation ISBN: 048613685X Category : Antiques & Collectibles Languages : en Pages : 128
Book Description
Detailed drawings in continuous chronological format provide a history of costume design from the first century A.D. to 1930. More than 1,400 illustrations, from Roman noble to Jazz Age schoolboy.
Author: Publisher: Little, Brown ISBN: 0316042838 Category : Pets Languages : en Pages : 121
Book Description
Hilarious, charming, and inventive, Indognito is Karen Ngo's visual treat for today's breed of dog lovers. A whimsical collection of stylishly photographed dog portraits, it affectionately embraces the quirky spirit of the primped pooch. Including humorous quotations, this book is sure to delight and inspire dog lovers of every age!
Author: James St.Andre Publisher: Routledge ISBN: 131764008X Category : Language Arts & Disciplines Languages : en Pages : 328
Book Description
Thinking through Translation with Metaphors explores a wide range of metaphorical figures used to describe the translation process, from Aristotle to the present. Most practitioners and theorists of translation are familiar with a number of metaphors for translation, such as the metaphor of the bridge, following in another's footsteps, performing a musical score, changing clothes, or painting a portrait; yet relatively little attention has been paid to what these metaphorical models reveal about how we conceptualize translation. Drawing on insights from recent developments in metaphor theory, contributors to this volume reveal how central metaphorical language has been to translation studies at all periods of time and in various cultures. Metaphors have played a key role in shaping the way in which we understand translation, determining what facets of the translation process are deemed to be important and therefore merit study, and aiding in the training of successive generations of translators and theorists. While some of the papers focus mainly on past metaphorical representations, others discuss recent shifts in both metaphor and translation theory, while others still propose innovative metaphors in a bid to transform translation studies. The volume also includes an annotated bibliography of works centrally concerned with metaphors of translation.
Author: Christopher Tilley Publisher: Oxbow Books ISBN: 1789257026 Category : Social Science Languages : en Pages : 580
Book Description
This book provides a general self-reflexive review and critical analysis of Scandinavian rock art from the standpoint of Chris Tilley’s research in this area over the last thirty years. It offers a novel alternative theoretical perspective stressing the significance of visual narrative structure and rhythm, using musical analogies, putting particular emphasis on the embodied perception of images in a landscape context. Part I reviews the major theories and interpretative perspectives put forward to understand the images, in historical perspective, and provides a critique discussing each of the main types of motifs occurring on the rocks. Part II outlines an innovative theoretical and methodological perspective for their study stressing sequence and relationality in bodily movement from rock to rock. Part III is a detailed case study and analysis of a series of rocks from northern Bohuslän in western Sweden. The conclusions reflect on the theoretical and methodological approach being taken in relation to the disciplinary practices involved in rock art research, and its future.
Author: Aoife Monks
Author: Aoife Monks
Author: Sofia Pantouvaki
Author: Maaike Bleeker
Author: Amiria Henare
Author: Agnès Rocamora
Author: Deborah Nadoolman Landis
Author: Erhard Klepper
Author: 
Author: James St.Andre
Author: Christopher Tilley