Author: Mary Elizabeth BraddonPublisher:
ISBN:
Category :
Languages : en
Pages : 284
Book Description
Thou Art the Man
Author: Mary Elizabeth BraddonPublisher:
ISBN:
Category :
Languages : en
Pages : 284
Book Description
Thou Art the Man
Author: Ruth Mazo KarrasPublisher: University of Pennsylvania Press
ISBN: 0812253027
Category : History
Languages : en
Pages : 314
Book Description
"This book is a work of medieval history and the history of gender and sexuality. It looks at the biblical King David, who has multiple paradigmatic identities in the Middle Ages: king, military leader, adulterous lover, sinner. It views David primarily from the perspective of medieval European Christian society but also from the medieval European Jewish viewpoint"--
Thou Art the Man
Author: Edgar Allan PoePublisher: Lindhardt og Ringhof
ISBN: 8726644177
Category : Fiction
Languages : en
Pages : 22
Book Description
Poe is the master of unreliable narration and deceptive oratory. So, should we believe him when he professes to exonerate the innocent and illuminate the guilty? "Thou Art the Man" (1844) is an early detective story by the man who is often accredited with inventing the detective fiction genre. Alarm spreads when Barnabas Shuttleworthy’s horse returns home without him. A search is commenced and soon follows an accusation. The tribulations of the accused man and his road to redemption are depicted in a macabre way inviting a good dose of gallows humour into the narrative mix. This macabre Poe concoction has received little attention and less praise. "Thou Art the Man" clearly shows that artful rhetoric ultimately – and always – leads to truth. Edgar Allan Poe (1809-1849) was an American poet, author, and literary critic. Most famous for his poetry, short stories, and tales of the supernatural, mysterious, and macabre, he is also regarded as the inventor of the detective genre and a contributor to the emergence of science fiction, dark romanticism, and weird fiction. His most famous works include "The Raven" (1945), "The Black Cat" (1943), and "The Gold-Bug" (1843).
Thou Art That
Author: Joseph CampbellPublisher: ReadHowYouWant.com
ISBN: 1458757730
Category : Religion
Languages : en
Pages : 238
Book Description
Thou Art That is a compilation of previously uncollected essays and lectures by Joseph Campbell that focus on the Judeo-Christian tradition. Campbell explores common religious symbols, reexamining and reinterpreting them in the context of his remarkable knowledge of world mythology.Campbell believed that society often confuses the literal and metaphorical interpretations of religious stories and symbols. In this collection, he eloquently reestablishes these symbols as a means to enhance spiritual understanding and mystical revelation. With characteristic verve, he ranges from rich storytelling to insightful comparative scholarship. Included is editor Eugene Kennedy's classic interview with Campbell in the New York Times Magazine, which originally brought the scholar to the attention of the public.
Thou Art the Man
Author: Edgar Allan PoePublisher: Createspace Independent Publishing Platform
ISBN: 9781545598061
Category :
Languages : en
Pages : 28
Book Description
"Thou Art the Man" is a short story by Edgar Allan Poe, first published in 1844. It is an early experiment in detective fiction, like "The Murders in the Rue Morgue," though it is generally considered an inferior story. The plot involves a man wrongfully accused of murdering his uncle Barnabas Shuttleworthy, whose corpse is missing. An unnamed narrator finds the body, suspects the victim's good friend Charles Goodfellow, and sets up an elaborate plot to expose him. The corpse appears to come back to life and points to the best friend, exclaiming "Thou art the man!" The title and the climactic line refer to the second Book of Samuel and also echo a line from the "Great Moon Hoax."
Thou Art the Man
Author: Ruth Mazo KarrasPublisher: University of Pennsylvania Press
ISBN: 0812297997
Category : History
Languages : en
Pages : 315
Book Description
"How do we approach the study of masculinity in the past?" Ruth Mazo Karras asks. Medieval documents that have come down to us tell a great deal about the things that men did, but not enough about what they did specifically as men, or what these practices meant to them in terms of masculinity. Yet no less than in our own time, masculinity was a complicated construct in the Middle Ages. In Thou Art the Man, Karras focuses on one figure, King David, who was important in both Christian and Jewish medieval cultures, to show how he epitomized many and sometimes contradictory aspects of masculine identity. For late medieval Christians, he was one of the Nine Worthies, held up as a model of valor and virtue; for medieval Jews, he was the paradigmatic king, not just a remnant of the past, but part of a living heritage. In both traditions he was warrior, lover, and friend, founder of a dynasty and a sacred poet. But how could an exemplar of virtue also be a murderer and adulterer? How could a physical weakling be a great warrior? How could someone whose claim to the throne was not dynastic be a key symbol of the importance of dynasty? And how could someone who dances with slaves be noble? Exploring the different configurations of David in biblical and Talmudic commentaries, in Latin, Hebrew, and vernacular literatures across Europe, in liturgy, and in the visual arts, Thou Art the Man offers a rich case study of how ideas and ideals of masculinity could bend to support a variety of purposes within and across medieval cultures.
Aurora Floyd (Complete)
Author: Mary Elizabeth BraddonPublisher: Library of Alexandria
ISBN: 1465605320
Category :
Languages : en
Pages :
Book Description
ÊFaint streaks of crimson glimmer here and there amidst the rich darkness of the Kentish woods. Autumn's red finger has been lightly laid upon the foliageÑsparingly, as the artist puts the brighter tints into his picture: but the grandeur of an August sunset blazes upon the peaceful landscape, and lights all into glory. The encircling woods and wide lawn-like meadows, the still ponds of limpid water, the trim hedges, and the smooth winding roads; undulating hill-tops, melting into the purple distance; labouring men's cottages gleaming white from the surrounding foliage; solitary roadside inns with brown thatched roofs and moss-grown stacks of lop-sided chimneys; noble mansions hiding behind ancestral oaks; tiny Gothic edifices; Swiss and rustic lodges; pillared gates surmounted by escutcheons hewn in stone, and festooned with green wreaths of clustering ivy; village churches and prim school-houses: every object in the fair English prospect is steeped in a luminous haze, as the twilight shadows steal slowly upward from the dim recesses of shady woodland and winding lane, and every outline of the landscape darkens against the deepening crimson of the sky. Upon the broad fa�ade of a mighty red-brick mansion, built in the favourite style of the early Georgian era, the sinking sun lingers long, making gorgeous illumination. The long rows of narrow windows are all a-flame with the red light, and an honest homeward-tramping villager pauses once or twice in the roadway to glance across the smooth width of dewy lawn and tranquil lake, half fearful that there must be something more than natural in the glitter of those windows, and that maybe Maister Floyd's house is a-fire. The stately red-brick mansion belongs to Maister Floyd, as he is called in the honest patois of the Kentish rustics; to Archibald Martin Floyd, of the great banking-house of Floyd, Floyd, and Floyd, Lombard Street, City. The Kentish rustics know very little of this City banking-house, for Archibald Martin, the senior partner, has long retired from any active share in the business, which is carried on entirely by his nephews, Andrew and Alexander Floyd, both steady, middle-aged men, with families and country houses; both owing their fortune to the rich uncle, who had found places in his counting-house for them some thirty years before, when they were tall, raw-boned, sandy-haired, red-complexioned Scottish youths, fresh from some unpronounceable village north of Aberdeen. The young gentlemen signed their names McFloyd when they first entered their uncle's counting-house; but they very soon followed that wise relative's example, and dropped the formidable prefix. "We've nae need to tell these sootherran bodies that we're Scotche," Alick remarked to his brother, as he wrote his name for the first time A. Floyd, all short.
Poems and Miscellanies
Author: Edgar Allan PoeLatter-Day Saint Biographical Encyclopedia
Author: Andrew JensonPublisher:
ISBN:
Category : Latter Day Saints
Languages : en
Pages : 842
Book Description
From Boys to Men
Author: Ruth Mazo KarrasPublisher: University of Pennsylvania Press
ISBN: 9780812218343
Category : History
Languages : en
Pages : 258
Book Description
While the social identity of women in medieval society hinged largely on the ritual of marriage, identity for men was derived from belonging to a particular group. Knights, monks, apprentices, guildsmen all underwent a process of initiation into their unique subcultures. As From Boys to Men shows, the process of this socialization reveals a great deal about medieval ideas of what it meant to be a man—as distinguished from a boy, from a woman, and even from a beast. In an exploration of the creation of adult masculine identities in the fourteenth and fifteenth centuries, From Boys to Men takes a close look at the roles of men through the lens of three distinct institutions: the university, the aristocratic household and court, and the craft workshop. Ruth Mazo Karras demonstrates that, while men in the later Middle Ages were defined as the opposite of women, this was never the only factor in determining their role in society. A knight proved himself against other men by the successful use of violence as well as by successful control of women. University scholars proved themselves against each other through a violence that was metaphorical and against other men by their Latinity and their use of the tools of logic and rationality. Craft workers proved their manhood by achieving independent householder status. Drawing on sources throughout Northern Europe, including court records and other administrative documents, prescriptive texts such as instructions for dubbing to knighthood, biographies, and imaginative literature, From Boys to Men sheds new light on how young men were trained to take their place in medieval society and the implications of that training for the construction of gender in the Middle Ages. Rescuing maleness from its classification as an ungendered category, From Boys to Men unravels what it meant to be men in a womanless context, revealing the common threads that emerge from the study of young manhood in various disparate institutional settings.