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Author: Philip Furia Publisher: Oxford University Press ISBN: 0198022883 Category : Music Languages : en Pages : 335
Book Description
From the turn of the century to the 1960s, the songwriters of Tin Pan Alley dominated American music. Irving Berlin, Cole Porter, George and Ira Gershwin, Rodgers and Hart--even today these giants remain household names, their musicals regularly revived, their methods and styles analyzed and imitated, and their songs the bedrock of jazz and cabaret. In The Poets of Tin Pan Alley Philip Furia offers a unique new perspective on these great songwriters, showing how their poetic lyrics were as important as their brilliant music in shaping a golden age of American popular song. Furia writes with great perception and understanding as he explores the deft rhymes, inventive imagery, and witty solutions these songwriters used to breathe new life into rigidly established genres. He devotes full chapters to all the greats, including Irving Berlin, Lorenz Hart, Ira Gershwin, Cole Porter, Oscar Hammerstain II, Howard Dietz, E.Y. Harburg, Dorothy Fields, Leo Robin, and Johnny Mercer. Furia also offers a comprehensive survey of other lyricists who wrote for the sheet-music industry, Broadway, Hollywood, and Harlem nightclub revues. This was the era that produced The New Yorker, Don Marquis, Dorothy Parker, and E.B. White--and Furia places the lyrics firmly in this fascinating historical context. In these pages, the lyrics emerge as an important element of American modernism, as the lyricists, like the great modernist poets, took the American vernacular and made it sing.
Author: Philip Furia Publisher: Oxford University Press ISBN: 0198022883 Category : Music Languages : en Pages : 335
Book Description
From the turn of the century to the 1960s, the songwriters of Tin Pan Alley dominated American music. Irving Berlin, Cole Porter, George and Ira Gershwin, Rodgers and Hart--even today these giants remain household names, their musicals regularly revived, their methods and styles analyzed and imitated, and their songs the bedrock of jazz and cabaret. In The Poets of Tin Pan Alley Philip Furia offers a unique new perspective on these great songwriters, showing how their poetic lyrics were as important as their brilliant music in shaping a golden age of American popular song. Furia writes with great perception and understanding as he explores the deft rhymes, inventive imagery, and witty solutions these songwriters used to breathe new life into rigidly established genres. He devotes full chapters to all the greats, including Irving Berlin, Lorenz Hart, Ira Gershwin, Cole Porter, Oscar Hammerstain II, Howard Dietz, E.Y. Harburg, Dorothy Fields, Leo Robin, and Johnny Mercer. Furia also offers a comprehensive survey of other lyricists who wrote for the sheet-music industry, Broadway, Hollywood, and Harlem nightclub revues. This was the era that produced The New Yorker, Don Marquis, Dorothy Parker, and E.B. White--and Furia places the lyrics firmly in this fascinating historical context. In these pages, the lyrics emerge as an important element of American modernism, as the lyricists, like the great modernist poets, took the American vernacular and made it sing.
Author: Tighe E. Zimmers Publisher: McFarland ISBN: 078643905X Category : Music Languages : en Pages : 212
Book Description
Best known as the writer of the lyric for the popular Disney song "Who's Afraid of the Big Bad Wolf?" as well as the American standard "Willow Weep for Me," Ann Ronell was also a translator and orchestrator for operatic works. This biography traces Ronell's life from her early days in Omaha, Nebraska, and recounts her marriage to producer Lester Cowan and her friendships with George Gershwin, Kurt Weill and the baritone John Charles Thomas. Includes more than 40 photographs, a chronology, family tree and film credits.
Author: Kathleen E.R. Smith Publisher: University Press of Kentucky ISBN: 9780813129051 Category : History Languages : en Pages : 422
Book Description
"Neither group, however, could foresee to what extent the war effort would be defined by advertisers and merchandisers. One advertiser described morale as "a lot of little things," and those little things included beer, chewing gum, tobacco, breakfast cereal - virtually every product on the American market. Selling merchandise was always the first priority of Tin Pan Alley, and the OWI never swayed them from this course."--BOOK JACKET.
Author: John Shepherd Publisher: Routledge ISBN: 1317227522 Category : Music Languages : en Pages : 158
Book Description
In Tin Pan Alley we see the beginnings of the pop world as we now know it: commercial, constantly capturing, exploiting or even occasionally creating a public mood. The Alleymen were workers as much as artists. This book, first published in 1982, explores how the change occurred, the ways in which songwriters organised themselves to get greater control over their products, the social circumstances that influenced their choice of subject-matter, the new forms, such as the integrated musical, developed for maximum appeal, the vast publicity structure built to market the merchandise, and, of course, the many stars who came to fame by taking a walk down the Alley.
Author: David A. Jasen Publisher: Routledge ISBN: 1135949018 Category : Music Languages : en Pages : 492
Book Description
For nearly a century, New York's famous "Tin Pan Alley" was the center of popular music publishing in this country. It was where songwriting became a profession, and songs were made-to-order for the biggest stars. Selling popular music to a mass audience from coast-to-coast involved the greatest entertainment media of the day, from minstrelsy to Broadway, to vaudeville, dance palaces, radio, and motion pictures. Successful songwriting became an art, with a host of men and women becoming famous by writing famous songs.
Author: Keith Hayward Publisher: Soundcheck Books ISBN: 0957144202 Category : Biography & Autobiography Languages : en Pages : 117
Book Description
This unique book tells the story of two stars. One is Sir Elton John and his career up to the breakthrough gigs at the LA Troubadour in 1970. The other is Tin Pan Alley itself.
Author: R. Grant Smith Publisher: Wayne State University Press ISBN: 9780814326589 Category : Biography & Autobiography Languages : en Pages : 210
Book Description
From Saginaw Valley to Tin Pan Alley documents the work of more than sixty popular songwriters who hailed from Saginaw, and provides background information and anecdotes about the most famous songwriters and their most famous songs. Among the greatest of the Saginaw songwriters were Charles K. Harris ("After the Ball'), Dan Russo ("Toot, Toot, Tootsie, Goo'Bye!"), Gerald Marks ("All of Me"), Ange Lorenzo ("Sleepy Time Gal"), Isham Jones ("It Had to Be You"), and Ben Weisman ("Paper Roses", "Honey in the Horn"). More than seventy sheet music covers dating from between 1890 and 1955 are interposed with the narrative, adding to the book's charm and historic value.
Author: Isaac Goldberg Publisher: New York : F.Ungar Publishing Company ISBN: Category : Jazz Languages : en Pages : 416
Book Description
The author looks at the history of Tin Pan Alley, the name given to the collection of New York City music publishers and songwriters who dominated popular music in the late 19th century and early 20th century.
Author: David A. Jasen Publisher: Dutton Adult ISBN: Category : Popular music Languages : en Pages : 376
Book Description
For nearly a century, New York's famous Tin Pan Alley was the center of popular music publishing in this country. It was where songwriting became a profession, and songs were created-to-order for the biggest stars. This is the first resource tool that identifies the major publishers, composers, lyricists, singers, dances and jazz bands. It covers the entire history of Tin Pan alley, from its humble beginnings in the 1860s to its demise following world War II. Arranged in an A-Z format, each entry includes name, birth and death dates and a short biography and bibliography. Music teachers, students, professors, musicians, writers and fans will find this eminently useful, and even a bit addictive.
Author: Kathleen E.R. Smith Publisher: University Press of Kentucky ISBN: 0813185386 Category : History Languages : en Pages : 412
Book Description
After Pearl Harbor, Tin Pan Alley songwriters rushed to write the Great American War Song—an "Over There" for World War II. The most popular songs, however, continued to be romantic ballads, escapist tunes, or novelty songs. To remedy the situation, the federal government created the National Wartime Music Committee, an advisory group of the Office of War Information (OWI), which outlined "proper" war songs, along with tips on how and what to write. The music business also formed its own Music War Committee to promote war songs. Neither group succeeded. The OWI hoped that Tin Pan Alley could be converted from manufacturing love songs to manufacturing war songs just as automobile plants had retooled to assemble planes and tanks. But the OWI failed to comprehend the large extent by which the war effort would be defined by advertisers and merchandisers. Selling merchandise was the first priority of Tin Pan Alley, and the OWI never swayed them from this course. Kathleen E.R. Smith concludes the government's fears of faltering morale did not materialize. Americans did not need such war songs as "Goodbye, Mama, I'm Off To Yokohama", "There Are No Wings On a Foxhole", or even "The Sun Will Soon Be Setting On The Land Of The Rising Sun" to convince them to support the war. The crusade for a "proper" war song was misguided from the beginning, and the music business, then and now, continues to make huge profits selling love—not war—songs.
Author: Philip Furia
Author: Philip Furia
Author: Tighe E. Zimmers
Author: Kathleen E.R. Smith
Author: John Shepherd
Author: David A. Jasen
Author: Keith Hayward
Author: R. Grant Smith
Author: Isaac Goldberg
Author: David A. Jasen
Author: Kathleen E.R. Smith