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Author: Elsie M. Walker Publisher: Oxford University Press, USA ISBN: 0199896321 Category : Literary Criticism Languages : en Pages : 449
Book Description
Understanding Sound Tracks Through Film Theory analyzes all aural aspects of cinema using several approaches: feminism, genre studies, post-colonialism, psychoanalysis, and queer theory. In her analysis of each sound track, Walker brings together film studies, musicology, history, politics, and culture in an accessible yet rigorous way.
Author: Elsie M. Walker Publisher: Oxford University Press, USA ISBN: 0199896321 Category : Literary Criticism Languages : en Pages : 449
Book Description
Understanding Sound Tracks Through Film Theory analyzes all aural aspects of cinema using several approaches: feminism, genre studies, post-colonialism, psychoanalysis, and queer theory. In her analysis of each sound track, Walker brings together film studies, musicology, history, politics, and culture in an accessible yet rigorous way.
Author: Elsie M. Walker Publisher: ISBN: 9780190217433 Category : Motion pictures Languages : en Pages :
Book Description
Until recently, there was a lack of scholarly attention to the power of hearing cinema as well as seeing it. 'Understanding Sound Tracks Through Film Theory' breaks new ground by redirecting the arguments of foundational texts within film theory to sound tracks. The book includes sustained analyses of particular films according to a wide range of theoretical approaches: feminism, genre studies, postcolonialism, psychoanalysis, and queer theory.
Author: Giorgio Biancorosso Publisher: Oxford University Press ISBN: 0190493194 Category : Music Languages : en Pages : 320
Book Description
Screenwriters and film directors have long been fascinated by the challenges of representing the listening experience on screen. While music has played a central role in film narrative since the conception of moving pictures, the representation of music listening has remained a special occurrence. In Situated Listening: The Sound of Absorption in Classical Cinema, author Giorgio Biancorosso argues for a redefinition of the music listener as represented in film. Rather than construct the listener as a reverential concertgoer, music analyst, or gallery dweller, this book instead shows how films offer a new way of thinking about listening as distributed experience, an activity made public and shareable across vast cultural spaces rather than an insular motion. It shows how cinema functions as not only a reservoir of established modes of listening, but also an agent in the development of new listening practices. As Biancorosso argues, many films have perpetuated a long-existing paradox of music as a means of silencing. Consider an aggressive score overlaying battle scenes or a romantic scene conveying unspoken intimacy. In the place of conversational exchange exists a veil of sound in the form of music, and Situated Listening explains why this function influences both the course of interpretation and empathy experienced by film spectators. By focusing on cinematic, physical, and emotional scenery surrounding a character, viewers can recognize aspects of their own lives, developing a deeper empathy for each fictional character through real and shared listening practices.
Author: James Buhler Publisher: Oxford Music/Media ISBN: 0199371075 Category : Music Languages : en Pages : 337
Book Description
A theory of the soundtrack is concerned with what belongs to the soundtrack, how a soundtrack is effectively organized, how its status in a multimedia object affects the nature of the object, the tools available for its analysis, and the interpretive regime that the theory mandates for determining the meaning, sense, and structure that sound and music bring to film and other audiovisual media. Beyond that, a theory may also delineate the range of possible uses of sound and music, classify the types of relations that films have used for image and sound, identify the central problems, and reflect on and describe effective uses of sound in film. This book summarizes and critiques major theories of the soundtrack from roughly 1929 until today. Rather than providing an exhaustive historical survey, it sketches out the range of theoretical approaches that have been applied to the soundtrack since the commercial introduction of the sound film. The basic theoretical framework of each approach is presented, taking into account the explicit and implicit claims about the soundtrack and its relation to other theories. The organization is both chronological and topical, the former in that the chapters move steadily from early film theory through models of the classical system to more recent critical theories; the latter in that the chapters highlight central issues for each generation: the problem of film itself, then of image and sound, of adequate analytical-descriptive models, and finally of critical-interpretative models.
Author: Elsie M. Walker Publisher: Oxford University Press ISBN: 0190495901 Category : Art Languages : en Pages : 233
Book Description
Hearing Haneke: The Sound Tracks of a Radical Auteur' is the first book devoted to the sound tracks of Michael Haneke. Despite his notorious preoccupation with violence, this book shows how Haneke uses sound to reawaken our capacity for hearing the world with greater compassionate understanding.
Author: Publisher: ISBN: 9780965311496 Category : Motion picture producers and directors Languages : en Pages :
Book Description
Nicholas Pasquariello's book Sounds of Movies is an invaluable document of pragmatic and aesthetic solutions provided by leading sound mixers and designers of big budget films. It should be of interest both to students who wish to appreciate the creative potential of the sound track and to non-sound film professionals who are less than fully aware of the contributions of their colleagues in post production. Elizabeth Weiscoeditor Film Sound: Theory and Practice(Columbia University Press)
Author: Liz Greene Publisher: Springer ISBN: 1137516801 Category : Performing Arts Languages : en Pages : 468
Book Description
This book bridges the existing gap between film sound and film music studies by bringing together scholars from both disciplines who challenge the constraints of their subject areas by thinking about integrated approaches to the soundtrack. As the boundaries between scoring and sound design in contemporary cinema have become increasingly blurred, both film music and film sound studies have responded by expanding their range of topics and the scope of their analysis beyond those traditionally addressed. The running theme of the book is the disintegration of boundaries, which permeates discussions about industry, labour, technology, aesthetics and audiovisual spectatorship. The collaborative nature of screen media is addressed not only in scholarly chapters but also through interviews with key practitioners that include sound recordists, sound designers, composers, orchestrators and music supervisors who honed their skills on films, TV programmes, video games, commercials and music videos.
Author: Emilio Audissino Publisher: Springer ISBN: 3319616935 Category : Performing Arts Languages : en Pages : 245
Book Description
This book offers an approach to film music in which music and visuals are seen as equal players in the game. The field of Film-Music Studies has been increasingly dominated by musicologists and this book brings the discipline back squarely into the domain of Film Studies. Blending Neoformalism with Gestalt Psychology and Leonard B. Meyer's musicology, this study treats music as a cinematic element and offers scholars and students of both music and film a set of tools to help them analyse the wide ranging impact that music has in films.
Author: Ruth Doughty Publisher: Bloomsbury Publishing ISBN: 1350306460 Category : Performing Arts Languages : en Pages : 426
Book Description
This essential core textbook provides an approachable and extensive introduction to film theory, written by two highly experienced senior lecturers. Bringing a fresh, contemporary and accessible approach to what is often perceived to be a challenging and old-fashioned area of film studies that requires time and effort to grasp, the text illustrates why theory is important and demonstrates how it can be applied in a meaningful way. The book's sixteen chapters are clear and comprehensive and provide an insight into the main areas of debate, using clear definitions and explaining complex ideas succinctly. The ideal entry point for any student studying film, the book is designed for use on courses on film theory on undergraduate and postgraduate degree programmes within film, cinema, media and cultural studies. New to this Edition: - An expanded introduction, plus a new chapter looking at Adaptation - Contemporary case studies exploring popular and topical films, such as The Hunger Games (2012), Blue is the Warmest Colour (2013) and The Lego Movie (2014) - An expanded introduction, plus a new chapter looking at Adaptation - Additional genre-based case study on the British Gangster film - Additional actor-basedcase study on Ryan Gosling - A greater focus throughout on the relevance of film theory to students undertaking practical film degrees and units
Author: Elsie M. Walker
Author: Elsie M. Walker
Author: Elsie M. Walker
Author: Giorgio Biancorosso
Author: James Buhler
Author: Elsie M. Walker
Author: 
Author: Liz Greene
Author: Emilio Audissino
Author: Rick Altman
Author: Ruth Doughty