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Author: Bonnie Gordon Publisher: University of Chicago Press ISBN: 0226825140 Category : History Languages : en Pages : 429
Book Description
"The castrato phenomenon stretched from the late sixteenth century, when castrati first appeared in Italian courts and churches, through the eighteenth century, when they occupied a celebrity status on the operatic stage. Throughout this time, the voice of the castrato--hailed as uniquely strong, flexible and expressive--contributed to a dramatic expansion of the musical vocabulary and to finding new ways to embody the poetic text. For us today, the castrato also highlights the porous relationship of voices and instruments/machines and the inherent materiality of sound. In her revealing study, Bonnie Gordon asks what it meant that the early-modern period produced a caste of technologically altered male singers and she uses the castrato as a critical provocation for asking questions about the interrelated histories of music, technology, sound, the limits of the human body, and what counts as human"--
Author: Bonnie Gordon Publisher: University of Chicago Press ISBN: 0226825140 Category : History Languages : en Pages : 429
Book Description
"The castrato phenomenon stretched from the late sixteenth century, when castrati first appeared in Italian courts and churches, through the eighteenth century, when they occupied a celebrity status on the operatic stage. Throughout this time, the voice of the castrato--hailed as uniquely strong, flexible and expressive--contributed to a dramatic expansion of the musical vocabulary and to finding new ways to embody the poetic text. For us today, the castrato also highlights the porous relationship of voices and instruments/machines and the inherent materiality of sound. In her revealing study, Bonnie Gordon asks what it meant that the early-modern period produced a caste of technologically altered male singers and she uses the castrato as a critical provocation for asking questions about the interrelated histories of music, technology, sound, the limits of the human body, and what counts as human"--
Author: Roberto Pieraccini Publisher: MIT Press ISBN: 0262016850 Category : Computers Languages : en Pages : 355
Book Description
An examination of more than sixty years of successes and failures in developing technologies that allow computers to understand human spoken language. Stanley Kubrick's 1968 film 2001: A Space Odyssey famously featured HAL, a computer with the ability to hold lengthy conversations with his fellow space travelers. More than forty years later, we have advanced computer technology that Kubrick never imagined, but we do not have computers that talk and understand speech as HAL did. Is it a failure of our technology that we have not gotten much further than an automated voice that tells us to "say or press 1"? Or is there something fundamental in human language and speech that we do not yet understand deeply enough to be able to replicate in a computer? In The Voice in the Machine, Roberto Pieraccini examines six decades of work in science and technology to develop computers that can interact with humans using speech and the industry that has arisen around the quest for these technologies. He shows that although the computers today that understand speech may not have HAL's capacity for conversation, they have capabilities that make them usable in many applications today and are on a fast track of improvement and innovation. Pieraccini describes the evolution of speech recognition and speech understanding processes from waveform methods to artificial intelligence approaches to statistical learning and modeling of human speech based on a rigorous mathematical model--specifically, Hidden Markov Models (HMM). He details the development of dialog systems, the ability to produce speech, and the process of bringing talking machines to the market. Finally, he asks a question that only the future can answer: will we end up with HAL-like computers or something completely unexpected?
Author: Bonnie Gordon Publisher: University of Chicago Press ISBN: 0226825159 Category : Music Languages : en Pages : 429
Book Description
An exploration of the castrato as a critical provocation to explore the relationships between sound, music, voice instrument, and machine. Italian courts and churches began employing castrato singers in the late sixteenth century. By the eighteenth century, the singers occupied a celebrity status on the operatic stage. Constructed through surgical alteration and further modified by rigorous training, castrati inhabited human bodies that had been “mechanized” to produce sounds in ways that unmechanized bodies could not. The voices of these technologically enhanced singers, with their unique timbre, range, and strength, contributed to a dramatic expansion of musical vocabulary and prompted new ways of imagining sound, the body, and personhood. Connecting sometimes bizarre snippets of history, this multi-disciplinary book moves backward and forward in time, deliberately troubling the meaning of concepts like “technology” and “human.” Voice Machines attends to the ways that early modern encounters and inventions—including settler colonialism, emergent racialized worldviews, the printing press, gunpowder, and the telescope—participated in making castrati. In Bonnie Gordon’s revealing study, castrati serve as a critical provocation to ask questions about the voice, the limits of the body, and the stories historians tell.
Author: for the National Academy of Sciences Publisher: National Academies Press ISBN: 9780309049887 Category : Technology & Engineering Languages : en Pages : 562
Book Description
Science fiction has long been populated with conversational computers and robots. Now, speech synthesis and recognition have matured to where a wide range of real-world applicationsâ€"from serving people with disabilities to boosting the nation's competitivenessâ€"are within our grasp. Voice Communication Between Humans and Machines takes the first interdisciplinary look at what we know about voice processing, where our technologies stand, and what the future may hold for this fascinating field. The volume integrates theoretical, technical, and practical views from world-class experts at leading research centers around the world, reporting on the scientific bases behind human-machine voice communication, the state of the art in computerization, and progress in user friendliness. It offers an up-to-date treatment of technological progress in key areas: speech synthesis, speech recognition, and natural language understanding. The book also explores the emergence of the voice processing industry and specific opportunities in telecommunications and other businesses, in military and government operations, and in assistance for the disabled. It outlines, as well, practical issues and research questions that must be resolved if machines are to become fellow problem-solvers along with humans. Voice Communication Between Humans and Machines provides a comprehensive understanding of the field of voice processing for engineers, researchers, and business executives, as well as speech and hearing specialists, advocates for people with disabilities, faculty and students, and interested individuals.
Author: Liz W. Faber Publisher: U of Minnesota Press ISBN: 1452964130 Category : Performing Arts Languages : en Pages : 232
Book Description
A deconstruction of gender through the voices of Siri, HAL 9000, and other computers that talk Although computer-based personal assistants like Siri are increasingly ubiquitous, few users stop to ask what it means that some assistants are gendered female, others male. Why is Star Trek’s computer coded as female, while HAL 9000 in 2001: A Space Odyssey is heard as male? By examining how gender is built into these devices, author Liz W. Faber explores contentious questions around gender: its fundamental constructedness, the rigidity of the gender binary, and culturally situated attitudes on male and female embodiment. Faber begins by considering talking spaceships like those in Star Trek, the film Dark Star, and the TV series Quark, revealing the ideologies that underlie space-age progress. She then moves on to an intrepid decade-by-decade investigation of computer voices, tracing the evolution from the masculine voices of the ’70s and ’80s to the feminine ones of the ’90s and ’00s. Faber ends her account in the present, with incisive looks at the film Her and Siri herself. Going beyond current scholarship on robots and AI to focus on voice-interactive computers, The Computer’s Voice breaks new ground in questions surrounding media, technology, and gender. It makes important contributions to conversations around the gender gap and the increasing acceptance of transgender people.
Author: Bridget Sweet Publisher: Oxford University Press ISBN: 0190916397 Category : Education Languages : en Pages : 256
Book Description
The changing adolescent voice counts among the most awkward of topics voice teachers and choir directors face. Adolescent voice students already find themselves at a volatile developmental time in their lives, and the stresses and possible embarrassments of unpredictable vocal capabilities make participation in voice-based music an especially fraught event. In this practical teaching guide, author Bridget Sweet encourages a holistic approach to female and male adolescent voice change. Sweet's approach takes full consideration of the body, brain, and auditory system; vocal anatomy and physiology in general, as well as during male and female voice change; and the impact of hormones on the adolescent voice, especially for female singers. Beyond the physical, it also addresses the emotional and psychological components: ideas of resolve and perseverance that are essential to adolescent navigation of voice change; and exploration of portrayals and stereotypes in pop culture that influence how people anticipate voice change experiences for teens and 'tweens, from The Brady Bunch to The Wonder Years to The Simpsons. As a whole, Teaching Outside the Voice Box encourages music educators to more effectively and compassionately assist students through this developmental experience.
Author: Janis L Dunbar Publisher: Page Publishing Inc ISBN: 1662437854 Category : Biography & Autobiography Languages : en Pages : 286
Book Description
This book is about a prophecy given to me about three people, one famous who walked their life for me. I battled the devil himself in this book with the help of a practicing witch. I am Holy Ghost–filled, fire-baptized, and speak the heavenly language. I am prepared for this walk during my years. This is a true story. Nothing is fictional. In this book, I’m being stalked by a famous rapper’s baby mother and his girlfriend, together with friends, because of who I am. They are also thieves online and use stars for credit card info money pages. Their mistake is coming directly for me as him. All names were changed until they came off the Internet for me and real life began for them. The moral of this story is, the devil is real, and so is Jehovah God.
Author: Bonnie Gordon
Author: Bonnie Gordon
Author: Roberto Pieraccini
Author: Bob Edwards
Author: Bonnie Gordon
Author: for the National Academy of Sciences
Author: Liz W. Faber
Author: Bridget Sweet
Author: Maureen Muldoon
Author: 
Author: Janis L Dunbar