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Author: Christopher GoGwilt Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110728427 Category : History Languages : en Pages : 270
Book Description
The word "West" is omnipresent and often unquestioned. The goal of this volume is to elaborate a critical reflection on this concept and make these implicit processes explicit. The articles focus on spatio‐temporal practices regarding the production and representation of westernness. Taking critical perspectives, which view the West from the inside and the outside, they address issues of highest political and social relevance.
Author: Christopher GoGwilt Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110728427 Category : History Languages : en Pages : 270
Book Description
The word "West" is omnipresent and often unquestioned. The goal of this volume is to elaborate a critical reflection on this concept and make these implicit processes explicit. The articles focus on spatio‐temporal practices regarding the production and representation of westernness. Taking critical perspectives, which view the West from the inside and the outside, they address issues of highest political and social relevance.
Author: William Deverell Publisher: John Wiley & Sons ISBN: 1405138483 Category : History Languages : en Pages : 584
Book Description
A Companion to the American West is a rigorous, illuminating introduction to the history of the American West. Twenty-five essays by expert scholars synthesize the best and most provocative work in the field and provide a comprehensive overview of themes and historiography. Covers the culture, politics, and environment of the American West through periods of migration, settlement, and modernization Discusses Native Americans and their conflicts and integration with American settlers
Author: Linda Scarangella McNenly Publisher: University of Oklahoma Press ISBN: 0806149809 Category : Social Science Languages : en Pages : 199
Book Description
Now that the West is no longer so wild, it’s easy to dismiss Buffalo Bill Cody’s world-famous Wild West shows as promoters of stereotypes and clichés. But looking at this unique American genre from the Native American point of view provides thought-provoking new perspectives. Focusing on the experiences of Native performers and performances, Linda Scarangella McNenly begins her examination of these spectacles with Buffalo Bill’s 1880s pageants. She then traces the continuing performance of these acts, still a feature of regional celebrations in both Canada and the United States—and even at Euro Disney. Drawing on interviews with contemporary performers and descendants of twentieth-century performers, McNenly elicits insider perspectives to suggest new interpretations of their performances and experiences; she also uses these insights to analyze archival materials, especially photographs. Some Native performers saw Wild West shows not necessarily as demeaning, but rather as opportunities—for travel, for employment, for recognition, and for the preservation and expression of important cultural traditions. Other Native families were able to guide their own careers and even create their own Wild West shows. Today, Native performers at Buffalo Bill Days in Sheridan, Wyoming, wear their own regalia and choreograph their own performances. Through dancing and music, they express their own vision of a contemporary Native identity based on powwow cultures. Proud of their skills and successes, Native performers at Euro Disney are establishing promising careers. The effects of colonialism are undeniable, yet McNenly’s study reveals how these Native peoples have adapted and re-created Wild West shows to express their own identities and to advance their own goals.
Author: Jeff Roche Publisher: University Press of Kansas ISBN: 0700616144 Category : History Languages : en Pages : 400
Book Description
From wildcatting Texas oilmen to Colorado rock climbers, from hipster capitalists to populist moralizers, westerners have proven themselves to be a highly individualistic breed of American-as much in their politics as in their vocations or lifestyles. This first book on the landscape of the American West's politics looks beyond red state/blue state assumptions to explore how westerners have expanded the boundaries of the political and emerged as a harbinger of America's electoral future. Representing a wide range of specialties-popular culture, business history, the environment, ethnic history, agriculture, and more-these authors portray a politically heterogeneous region and show how its multiple traditions have strongly shaped the nation's body politic. Viewing politics as more than cyclical electioneering, they draw on historical evidence to portray westerners imaginatively rethinking democratic practice and constantly forging new political publics. These twelve essays move western political history beyond the usual discussions of elections and parties and the standard issues of water, progressivism, and states' rights. Some explore claims to western authenticity among those associated with western conservatism-not just regional heroes like Barry Goldwater and Ronald Reagan, but farmers and evangelicals as well. Others examine the transformation of the West's minority communities to reveal a liberalism that celebrates diversity and articulates claims for social justice. The final chapters reveal the complexity of contemporary western political culture, challenging longstanding assumptions about such notions as space, nature, and the liberal-conservative divide. Here then is the paradox of western politics in all its enigmatic glory, with frontier individualism going head-to-head with multiethnic diversity in debates over divergent views of "western authenticity," and wild cards put into play by counterculturists, cyber-libertarians, fiscally conservative gun-toting Democrats, and environmentalists. The Political Culture of the New West shows how westerners have expressed themselves within a complex, often contradictory, and constantly changing political culture-and helps explain why no electoral outcome in this part of America can be predicted for certain.
Author: Alan Bacher Williamson Publisher: University of Virginia Press ISBN: 9780813925110 Category : Art Languages : en Pages : 220
Book Description
A first-person meditation on the literary and visual arts of the American West, Westernness: A Meditation explores how this region has developed its own distinct culture, in literature and painting, from the point of view of someone who has been, at different times in his life, both a westerner and an easterner. An engaging and astute reader and observer, Alan Williamson uses his poetic lens to examine the new connections, notably with the Far East, that have been forged in the West, but also the fear, anxiety, and sense of cultural vacancy that western artists have had to overcome in confronting their new landscape, much as the writers of the American Renaissance did a century earlier. Writing as a displaced easterner with significant western roots, Williamson looks at writers and poets such as Cather, Lawrence, Steinbeck, Jefferes, Silko, and Snyder, as well as artists such as the Yosemite painters, Georgia O'Keeffe, and Wayne Thiebaud, to show how, despite the inflated optimism of many western patriots, the work of these individuals relates to the anxieties suffered by their eastern predecessors. By revealing what he sees as the repetition of the evolution of American literature in the rise of western literature, Williamson provides us with a fresh vantage point from which we can appreciate western literature, art, and culture and simultaneously dismantle the literary war between East and West. A tribute to the author's lifelong engagement with a particular landscape and its writers, Westernness speaks to the general reader who is curious about his or her native place and relationship to it, as well as to scholars in literary and ecocritical studies.
Author: Salvador Munoz-Vinas Publisher: Taylor & Francis ISBN: 1000883477 Category : Art Languages : en Pages : 218
Book Description
A Theory of Cultural Heritage provides a structured and comprehensive picture of the concept of cultural heritage (CH) and its theoretical and practical derivatives. Arguing that the expanded notion of CH brings with it a number of unresolved conceptual tensions, Muñoz-Viñas summarizes the strong and weak points of the current discourse. Gathering together a range of existing views on cultural heritage and its practices, the book provides a dynamic overview of the theoretical underpinnings behind the notion and also considers how these could evolve in the future. By analyzing the conflicting meanings of the term ‘cultural heritage’ and establishing a more nuanced ontological taxonomy, this book challenges some well-established views and outlines a framework that will allow the reader to better grasp the theoretical and practical complexities of this fascinating notion. A Theory of Cultural Heritage is a thought-provoking and valuable contribution to the existing literature, written in an engaging, clear style that will make it accessible to academics, students and heritage professionals alike.
Author: Amy T. Hamilton Publisher: U of Nebraska Press ISBN: 080325489X Category : Literary Criticism Languages : en Pages : 375
Book Description
Before the West Was West examines the extent to which scholars have engaged in-depth with pre-1800 “western” texts and asks what we mean by “western” American literature in the first place and when that designation originated. Calling into question the implicit temporal boundaries of the “American West” in literature, a literature often viewed as having commenced only at the beginning of the 1800s, Before the West Was West explores the concrete, meaningful connections between different texts as well as the development of national ideologies and mythologies. Examining pre-nineteenth-century writings that do not fit conceptions of the Wild West or of cowboys, cattle ranching, and the Pony Express, these thirteen essays demonstrate that no single, unified idea or geography defines the American West. Contributors investigate texts ranging from the Norse Vinland Sagas and Mary Rowlandson’s famous captivity narrative to early Spanish and French exploration narratives, an eighteenth-century English novel, and a play by Aphra Behn. Through its examination of the disparate and multifaceted body of literature that arises from a broad array of cultural backgrounds and influences, Before the West Was West apprehends the literary West in temporal as well as spatial and cultural terms and poses new questions about “westernness” and its literary representation.
Author: Bonnie Christensen Publisher: ISBN: Category : History Languages : en Pages : 344
Book Description
"Tracing the story of Red Lodge from the 1880s to the present, Christensen tells how a mining town managed to endure the vagaries of the West's unpredictable extractive-industries economy. She connects Red Lodge to a myriad of larger events and historical forces to show how national and regional influences have contributed to the development of local identities, exploring how and why westerners first rejected and then embraced "western" images, and how ethnicity, wilderness, and historic preservation became part of the identity that defined one town."--BOOK JACKET.
Author: Ben Ryan Publisher: Oxford University Press ISBN: 1787383504 Category : Political Science Languages : en Pages :
Book Description
Westerners love an existential crisis. Each decade since the First World War has raised up prophets of doom proclaiming the end of the Western world as we know it. But this time it's real. Weighed down by economic woes, the seemingly endless war on terror, and the declining power of religion as a unifying force, the West has been limping along. With the public sphere fraying and authoritarian politics rising, this deep-seated crisis is now urgent, and potentially fatal. How did we get here? Ben Ryan's diagnosis is simple: the West is a myth, and it is dying. Its own people are no longer convinced or united by its defining ideal--a sense of universal morals, and of constant progress towards them. Following a series of 'system failures', Westerners--from urban millennials to post-industrial workers-- have lost faith in the West as a moral force. Yet there is a chance for redemption, if we can forge a new common myth of the West: one reviving its great values, and reshaping its ideals for a diverse, forward-looking world. This smart and thoughtful book explores what the West is, what has happened to it, and how we might save it.
Author: Joseph L. Coulombe Publisher: University of Missouri Press ISBN: 082621956X Category : Fiction Languages : en Pages : 198
Book Description
In Mark Twain and the American West, Joseph Coulombe explores how Mark Twain deliberately manipulated contemporary conceptions of the American West to create and then modify a public image that eventually won worldwide fame. He establishes the central role of the western region in the development of a persona that not only helped redefine American manhood and literary celebrity in the late nineteenth century, but also produced some of the most complex and challenging writings in the American canon. Coulombe sheds new light on previously underappreciated components of Twain's distinctly western persona. Gathering evidence from contemporary newspapers, letters, literature, and advice manuals, Coulombe shows how Twain's persona in the early 1860s as a hard-drinking, low-living straight-talker was an implicit response to western conventions of manhood. He then traces the author's movement toward a more sophisticated public image, arguing that Twain characterized language and authorship in the same manner that he described western men: direct, bold, physical, even violent. In this way, Twain capitalized upon common images of the West to create himself as a new sort of western outlaw--one who wrote. Coulombe outlines Twain's struggle to find the proper balance between changing cultural attitudes toward male respectability and rebellion and his own shifting perceptions of the East and the West. Focusing on the tension between these goals, Coulombe explores Twain's emergence as the moneyed and masculine man-of-letters, his treatment of American Indians in its relation to his depiction of Jim in Adventures of Huckleberry Finn, the enigmatic connection of Huck Finn to the natural world, and Twain's profound influence on Willa Cather's western novels. Mark Twain and the American West is sure to generate new interest and discussion about Mark Twain and his influence. By understanding how conventions of the region, conceptions of money and class, and constructions of manhood intersect with the creation of Twain's persona, Coulombe helps us better appreciate the writer's lasting effect on American thought and literature through the twentieth century and into the twenty-first.
Author: Christopher GoGwilt
Author: Christopher GoGwilt
Author: William Deverell
Author: Linda Scarangella McNenly
Author: Jeff Roche
Author: Alan Bacher Williamson
Author: Salvador Munoz-Vinas
Author: Amy T. Hamilton
Author: Bonnie Christensen
Author: Ben Ryan
Author: Joseph L. Coulombe