Women's Writing of the First World War PDF Download

Author: Angela K. Smith
Publisher: Manchester University Press
ISBN: 9780719050725
Category : English literature
Languages : en
Pages : 360

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Book Description
A fully-rounded anthology of women's writing from World War One containing the known and unknown biographers and fiction writers of the period.. Explores the impact of the war on ideology, gender, genre and society and is a perfect complimentary text to Trudi Tate's Women Men and the Great War.. Aims to re-read the First World War as a female experience by drawing on the public and private sources of a wide range of different women.. Uses diaries, letters, articles and essays many of which have not been published.. Invaluable source document for scholars in many disciplines.

Author: Agnes Cardinal
Publisher: Oxford University Press, USA
ISBN: 9780198122807
Category : Literary Criticism
Languages : en
Pages : 402

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Book Description
Covering every genre of writing about World War I from the period 1914 to 1930, this anthology collects letters, diary entries, reportage, and essays, as well as polemical texts, novels and short stories by well-known women authors.

Author: Margaret R. Higonnet
Publisher: Plume Books
ISBN:
Category : Fiction
Languages : en
Pages : 644

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Book Description
In works by well-known authors like Rebecca West and Edith Wharton, as well as writers from India, Armenia, Hungary, and the Cameroons, we hear women speaking out on such issues as politics, economic justice, and social reform."--BOOK JACKET.

Author: Katharina von Hammerstein
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110572001
Category : Language Arts & Disciplines
Languages : en
Pages : 346

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Book Description
Recent scholarship has broadened definitions of war and shifted from the narrow focus on battles and power struggles to include narratives of the homefront and private sphere. To expand scholarship on textual representations of war means to shed light on the multiple theaters of war, and on the many voices who contributed to, were affected by, and/or critiqued German war efforts. Engaged women writers and artists commented on their nations' imperial and colonial ambitions and the events of the tumultuous beginning of the twentieth century. In an interdisciplinary investigation, this volume explores select female-authored, German-language texts focusing on German colonial wars and World War I and the discourses that promoted or critiqued their premises. They examine how colonial conflicts contributed to a persistent atmosphere of Kriegsbegeisterung (war enthusiasm) that eventually culminated in the outbreak of World War I, or a Kriegskritik (criticism of war) that resisted it. The span from German colonialism to World War I brings these explosive periods into relief and challenges readers to think about the intersection of nationalism, violence and gender and about the historical continuities and disruptions that shape such events.

Author: Sharon Ouditt
Publisher: Routledge
ISBN: 1134946015
Category : Literary Criticism
Languages : en
Pages : 240

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Book Description
'They also serve who only stand and wait' The idea of there being a 'women's writing' during the First World War is often dismissed. The war, the story goes, was a masculine domain, and as women did not fight, it is also assumed that they were excluded from a war experience. This bibliography challenges that view by listing and annotating hundreds of published books, articles, memoirs, diaries and letters written by women during the First World War. Included are: * Virginia Woolf * Katherine Mansfield * G.B Stern * Brenda Girvin * known and unknown autobiographers and diarists * writers of pro and anti-war propaganda * journal and magazine articles * literary, cultural and historical criticism

Author: Karen Schneider
Publisher: University Press of Kentucky
ISBN: 0813161347
Category : Literary Criticism
Languages : en
Pages : 232

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Book Description
Loving Arms examines the war-related writings of five British women whose works explore the connections among gender, war, and story-telling. While not the first study to relate the subjects of gender and war, it is the first within a growing body of criticism to focus specifically on British culture during and after World War II. Evoking the famous "St. Crispin's Day" speech from Henry V and then her own father's account of being moved to tears on V-J Day because he had been too young to fight, Karen Schneider posits that the war story has a far-reaching potency. She admits -- perhaps for all of us -- that such stories "had powerfully shaped my consciousness in ways I could not completely resist." How a story is narrated and by whom are matters of no small importance. As widely defined and accepted, war stories are men's stories. If we are to hear an "other" story of war, then we must listen to the stories women tell. Many of the war stories written by women insist that war is not the condition of men but rather the condition of humanity, beginning with relations between the sexes. For the five women whose work is examined in Loving Arms -- Stevie Smith, Katharine Burdekin, Virginia Woolf, Elizabeth Bowen, and Doris Lessing -- this latter point was particularly relevant. Their positions as women within a patriarchal, militarist culture that was externally threatened by an overtly fascist one led to an acute ambivalence, says Schneider. Though all five women perceived the war from substantially different perspectives, each in her own way exposed and critiqued the seductive power of war and war stories, with their densely interwoven tropes of masculinity and nationalism. Yet these writers' conflicting impulses of loyalty to England and resistance to the war betray their ambivalence. Loving Arms will interest students of twentieth-century British literature and culture, gender studies, and narratology. Even today, we maintain an unabated love affair with the war story. But unless we listen to what the women had to say fifty years ago, we are doomed to hear only "the same old story."

Author: Claire M. Tylee
Publisher: Springer
ISBN: 1349204544
Category : Literary Criticism
Languages : en
Pages : 314

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Book Description
The literary memory of the Great War is dominated by the writings of Sassoon and Owen, Graves and Blunden. The voice is a male voice. This book is a study of what women wrote about militarism and world war 1

Author: Angela K. Smith
Publisher: Manchester University Press
ISBN: 9780719053016
Category : History
Languages : en
Pages : 228

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Book Description
This book investigates the connection between women's writing about WWI and the development of literary modernisms, focusing on issues of gender which remain topical today. Drawing on a wealth of unpublished diaries and letters, the book examines the way in which the new roles undertaken by women triggered a search for new forms of expression. Blending literary criticism and history, the book contributes to the scholarship of women and expands our definition of modernisms.

Author: Judith Mackrell
Publisher: Vintage
ISBN: 0385547692
Category : Biography & Autobiography
Languages : en
Pages : 522

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Book Description
The riveting, untold history of a group of heroic women reporters who revolutionized the narrative of World War II—from Martha Gellhorn, who out-scooped her husband, Ernest Hemingway, to Lee Miller, a Vogue cover model turned war correspondent. "Thrilling from the first page to the last." —Mary Gabriel, author of Ninth Street Women "Just as women are so often written out of war, so it seems are the female correspondents. Mackrell corrects this omission admirably with stories of six of the best…Mackrell has done us all a great service by assembling their own fascinating stories." —New York Times Book Review On the front lines of the Second World War, a contingent of female journalists were bravely waging their own battle. Barred from combat zones and faced with entrenched prejudice and bureaucratic restrictions, these women were forced to fight for the right to work on equal terms with men. The Correspondents follows six remarkable women as their lives and careers intertwined: Martha Gellhorn, who got the scoop on Ernest Hemingway on D-Day by traveling to Normandy as a stowaway on a Red Cross ship; Lee Miller, who went from being a Vogue cover model to the magazine’s official war correspondent; Sigrid Schultz, who hid her Jewish identity and risked her life by reporting on the Nazi regime; Virginia Cowles, a “society girl columnist” turned combat reporter; Clare Hollingworth, the first English journalist to break the news of World War II; and Helen Kirkpatrick, the first woman to report from an Allied war zone with equal privileges to men. From chasing down sources and narrowly dodging gunfire to conducting tumultuous love affairs and socializing with luminaries like Eleanor Roosevelt, Picasso, and Man Ray, these six women are captured in all their complexity. With her gripping, intimate, and nuanced portrait, Judith Mackrell celebrates these courageous reporters who risked their lives for the scoop.

Author: Joyce Marlow
Publisher: Virago Press (UK)
ISBN: 9781860495076
Category : Women and the military
Languages : en
Pages : 418

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Book Description
Collection of extracts from unpublished diaries and letters, newspaper cuttings and printed memoirs, documenting women's reactions to, and involvement in, the World War of 1914-18.