Author: Thomas LodgePublisher: Centre for Reformation and Renaissance Studies
ISBN: 9780772720276
Category : Fiction
Languages : en
Pages : 212
Book Description
A Margarite of America (1596)
Author: Thomas LodgePublisher: Centre for Reformation and Renaissance Studies
ISBN: 9780772720276
Category : Fiction
Languages : en
Pages : 212
Book Description
A margarite of America
Author: Thomas LodgeA Margarite of America. By T. Lodge:.
Author: Thomas LodgeA Margarite of America
Author: Thomas LodgeAn Old-Spelling Edition of Thomas Lodge's a Margarite of America (1596)
Author: James Clyde AddisonPublisher: Longwood PressLtd
ISBN: 9780391023239
Category :
Languages : en
Pages : 247
Book Description
The Margarite of America
Author: Thomas LodgeAnd [i.e. An] Old-spelling Critical Edition of Thomas Lodge's A Margarite of America (1596)
![And [i.e. An] Old-spelling Critical Edition of Thomas Lodge's A Margarite of America (1596) PDF](https://books.google.com/books/content/images/frontcover/HQ5bAAAAMAAJ?fife=w80-h100)
Author: Thomas LodgeThe Margarite of America
Author: Thomas LodgeA Margarite of America
Author: Thomas LodgePublisher:
ISBN: 9781895537741
Category :
Languages : en
Pages :
Book Description
Fictions of Authorship in Late Elizabethan Narratives
Author: Katharine WilsonPublisher: OUP Oxford
ISBN: 0191514403
Category : Literary Criticism
Languages : en
Pages : 196
Book Description
The sensational narratives of John Lyly, Robert Greene, and Thomas Lodge established prose fiction as an independent genre in the late sixteenth century. The texts they created are a paradoxical blend of outrageous plotting and rhetorical sophistication, high and low culture. Although their works were feverishly devoured by contemporary readers, these writers are usually only known to students as sources for Shakespearean comedy. Fictions of Authorship in Late Elizabethan Narratives re-examines some of the pamphleteers earlier critics christened the 'University Wits', young professionals who exposed their education and talents to the still new and uncertain world of mass market publication. These texts chart their authors' disenchantment with the limitations of romance and of their own careers, yet they also form an alternative canon of vernacular writing, which is both self-referential and self-questioning. Shocking, unpredictable, and very engaging, these narratives provide a vivid commentary on the interface between popular taste and 'English literature'.