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Author: Nora C. Benedict Publisher: Yale University Press ISBN: 0300251416 Category : Books and reading Languages : en Pages : 380
Book Description
A fascinating history of Jorge Luis Borges's efforts to revolutionize and revitalize literature in Latin America "Nora Benedict's illuminating book is an essential contribution to the understanding of Borges' relationship to the written word. The portrait of Borges as writer and reader is now made complete with Benedict's exploration of Borges as editor."--Alberto Manguel, Director of the Center for Research into the History of Reading Jorge Luis Borges (1899-1986) stands out as one of the most widely regarded and inventive authors in world literature. Yet the details of his employment history throughout the early part of the twentieth century, which foreground his efforts to develop a worldly reading public, have received scant critical attention. From librarian and cataloguer to editor and publisher, this writer emerges as entrenched in the physical minutiae and social implications of the international book world. Drawing on years of archival research coupled with bibliographical analysis, this book explains how Borges's more general involvement in the publishing industry influenced not only his formation as a writer, but also global book markets and reading practices in world literature. In this way it tells the story of Borges's profound efforts to revolutionize and revitalize literature in Latin America through his varying jobs in the publishing industry.
Author: Nora C. Benedict Publisher: Yale University Press ISBN: 0300251416 Category : Books and reading Languages : en Pages : 380
Book Description
A fascinating history of Jorge Luis Borges's efforts to revolutionize and revitalize literature in Latin America "Nora Benedict's illuminating book is an essential contribution to the understanding of Borges' relationship to the written word. The portrait of Borges as writer and reader is now made complete with Benedict's exploration of Borges as editor."--Alberto Manguel, Director of the Center for Research into the History of Reading Jorge Luis Borges (1899-1986) stands out as one of the most widely regarded and inventive authors in world literature. Yet the details of his employment history throughout the early part of the twentieth century, which foreground his efforts to develop a worldly reading public, have received scant critical attention. From librarian and cataloguer to editor and publisher, this writer emerges as entrenched in the physical minutiae and social implications of the international book world. Drawing on years of archival research coupled with bibliographical analysis, this book explains how Borges's more general involvement in the publishing industry influenced not only his formation as a writer, but also global book markets and reading practices in world literature. In this way it tells the story of Borges's profound efforts to revolutionize and revitalize literature in Latin America through his varying jobs in the publishing industry.
Author: Nora C. Benedict Publisher: Yale University Press ISBN: 0300251416 Category : Books and reading Languages : en Pages : 380
Book Description
A fascinating history of Jorge Luis Borges's efforts to revolutionize and revitalize literature in Latin America "Nora Benedict's illuminating book is an essential contribution to the understanding of Borges' relationship to the written word. The portrait of Borges as writer and reader is now made complete with Benedict's exploration of Borges as editor."--Alberto Manguel, Director of the Center for Research into the History of Reading Jorge Luis Borges (1899-1986) stands out as one of the most widely regarded and inventive authors in world literature. Yet the details of his employment history throughout the early part of the twentieth century, which foreground his efforts to develop a worldly reading public, have received scant critical attention. From librarian and cataloguer to editor and publisher, this writer emerges as entrenched in the physical minutiae and social implications of the international book world. Drawing on years of archival research coupled with bibliographical analysis, this book explains how Borges's more general involvement in the publishing industry influenced not only his formation as a writer, but also global book markets and reading practices in world literature. In this way it tells the story of Borges's profound efforts to revolutionize and revitalize literature in Latin America through his varying jobs in the publishing industry.
Author: Jorge Luis Borges Publisher: Penguin ISBN: 0140290117 Category : Literary Criticism Languages : en Pages : 577
Book Description
Winner of the National Book Critics Circle Award in Criticism The first comprehensive selection in any language of the non-fiction--much of it appearing here in English for the first time--of “one of literature’s most fertile and original minds” (San Francisco Chronicle) A Penguin Classics Deluxe Edition with flaps and deckle-edged paper It will come as a surprise to many readers that the greater part of Jorge Luis Borges’s extraordinary writing was not in the genres of fiction or poetry, but in various forms of non-fiction prose. His thousands of pages of essays, reviews, prologues, lectures, and notes on politics and culture—though revered in Latin America and Europe as among his finest work—have scarcely been translated into English. Selected Non-Fictions presents a Borges almost entirely unknown to American readers. Here is the dazzling metaphysician speculating on the nature of time and reality and the inventions of heaven and hell, and the almost superhumanly erudite reader of the world’s literatures, from Homer to Ray Bradbury, James Joyce to Lady Murasaki. Here, too, the political Borges, taking courageous stands against fascism, antisemitism, and the Perón dictatorship; Borges the movie critic, on King Kong and Citizen Kane and the Borgesian art of dubbing; and Borges the regular columnist for the Argentine equivalent of the Ladies’ Home Journal, writing hilarious book reviews and capsule biographies of modern writers. Like the Aleph in his famous story—the magical point in a basement in Buenos Aires from which one can view everything in the world—Borges’s non-fictions are a vortex for seemingly the entire universe: Dante and Ellery Queen, Shakespeare and the Kabbalah, the history of angels and the history of tango, the Buddha, Bette Davis, and the Dionne Quints. Selected Non-Fictions presents more than 160 of these astonishing writings, from his youthful manifestos to his last meditations on his favorite books. More than a hundred of these pieces have never before appeared in English, and all have been rendered in brilliant new translations by Esther Allen, Suzanne Jill Levine, and Eliot Weinberger. This unique selection presents Borges as at once a deceptively self-effacing guide to the universe and the inventor of a universe that is an indispensable guide to Borges. For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Author: Jorge Luis Borges Publisher: Penguin ISBN: 0140286802 Category : Fiction Languages : en Pages : 577
Book Description
For the first time in English, all the fiction by the writer who has been called “the greatest Spanish-language writer of our century” collected in a single volume “An event, and cause for celebration.”—The New York Times A Penguin Classics Deluxe Edition with flaps and deckle-edged paper For some fifty years, in intriguing and ingenious fictions that reimagined the very form of the short story—from his 1935 debut with A Universal History of Iniquity through his immensely influential collections Ficciones and The Aleph, the enigmatic prose poems of The Maker, up to his final work in the 1980s, Shakespeare’s Memory—Jorge Luis Borges returned again and again to his celebrated themes: dreams, duels, labyrinths, mirrors, infinite libraries, the manipulations of chance, gauchos, knife fighters, tigers, and the elusive nature of identity itself. Playfully experimenting with ostensibly subliterary genres, he took the detective story and turned it into metaphysics; he took fantasy writing and made it, with its questioning and reinventing of everyday reality, central to the craft of fiction; he took the literary essay and put it to use reviewing wholly imaginary books. Bringing together for the first time in English all of Borges’s magical stories, and all of them newly rendered into English in brilliant translations by Andrew Hurley, Collected Fictions is the perfect one-volume compendium for all who have long loved Borges, and a superb introduction to the master’s work for all who have yet to discover this singular genius. For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Author: Leah Leone Anderson Publisher: Bloomsbury Publishing USA ISBN: 150139830X Category : Literary Criticism Languages : en Pages : 201
Book Description
Using comparative analyses of source and target texts, Leone Anderson examines Jorge Luis Borges's residual presence in his Spanish-language translations of works by James Joyce, Virginia Woolf, and William Faulkner. Argentine writer and critic Jorge Luis Borges did not see translation as an inferior form of artistic production to be defined primarily in terms of loss or unfaithfulness, but rather as a vast and rich source for literary innovation and aesthetic inquiry. Borges's Creative Infidelities: Translating Joyce, Woolf and Faulkner explores what this view may have implied for his translations of Anglophone Modernist fiction: the last two pages of James Joyce's Ulysses; Virginia Woolf's A Room of One's Own and Orlando; and William Faulkner's If I Forget Thee, Jerusalem [The Wild Palms]. Through full-length, manual comparisons of the English and Spanish texts, this book reveals the ways Borges inscribed his tastes, values and judgments–both about the individual works and about Modernist literature in general–onto his translations and how in doing so, he altered the identities of their characters, the ethical and rhetorical positioning of their narrators, their plots and even their genres. This book is driven by storytelling: the stories of each texts' origin and reception in English; of how they ended up in Borges's hands and of his translation processes; of how, through his translations, the texts' narratives were made to tell new stories; and of the extraordinary legacies of Borges's Spanish translations of Joyce, Woolf and Faulkner.
Author: Emron Esplin Publisher: University of Georgia Press ISBN: 0820349054 Category : Literary Criticism Languages : en Pages : 254
Book Description
Esplin argues that Borges, through a sustained and complex literary relationship with Poe's works, served as the primary catalyst that changed Poe's image throughout Spanish America from a poet-prophet to a timeless fiction writer.
Author: Jorge Luis Borges Publisher: New Directions Publishing ISBN: 0811223248 Category : Literary Criticism Languages : en Pages : 192
Book Description
A collection of interviews now available from New Directions for the first time The words of a genius: Borges at Eighty transcends our expectations of ordinary conversation. In these interviews with Barnstone, Dick Cavett, and Alastair Reid, Borges touches on favorite writers (Whitman, Poe, Emerson) and familiar themes — labyrinths, mystic experiences, and death — and always with great, throw-away humor. For example, discussing nightmares, he concludes,“When I wake up, I wake to something worse. It’s the astonishment of being myself.”
Author: Jorge Luis Borges Publisher: ISBN: Category : Language Arts & Disciplines Languages : en Pages : 184
Book Description
In 1971 Borges was invited to talk about his writing to students enrolled in the graduate writing program at Columbia University. This book is based on tape-recorded transcripts of these informal discussions between Borges, translator Norman Thomas di Giovanni, Frank MacShane, head of the creative writing department at Columbia, and the students. The three seminars deal with prose, poetry, and translation. In each Borges, in discussing his methods, refers to specific examples in his writing -- the use of local color and irony in his prose, autobiographical details in his poetry, testing and experiment in translation. The result is a rare and fruitful glimpse at how today's supreme verbal craftsman solves the age-old problems of the writer. -- From publisher's description.
Author: Edna Aizenberg Publisher: University of Missouri Press ISBN: 9780826207128 Category : Literature Languages : en Pages : 324
Book Description
"In the first book devoted to the impact made by Borges on the contemporary aesthetic imagination, Aizenberg brings together specially commissioned essays from international scholars in a variety of disciplines to provide a wide-ranging assessment of Borges's influence on the fiction, literary theory, and arts of our time."--Publishers website.
Author: Nora C. Benedict
Author: Nora C. Benedict
Author: Jorge Luis Borges
Author: Jorge Luis Borges
Author: Leah Leone Anderson
Author: Emron Esplin
Author: Jorge Luis Borges
Author: Jorge Luis Borges
Author: Edna Aizenberg
Author: