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Author: Martin Crowley Publisher: Oxford University Press ISBN: 9780198160137 Category : Literary Criticism Languages : en Pages : 344
Book Description
This book offers a study of the whole of Duras's written oeuvre, covering journalism and lesser-known works as well as more famous texts. It brings out the constant presence of ethical questions in and around the experiences of passion and excess with which her work is always concerned, andsubjects Duras's texts to an unprecedented level of close reading, carrying her beyond the terms of her usual reception. On the basis of this approach, and with reference to Duras's involvement with her intellectual and political contexts, the book demonstrates the detailed engagement of Duras'swriting in the ethical and political issues of her day. Careful textual analysis shows the particular, fragile nature of this engagement, as well as the intricate textures of Duras's work; this leads to a striking new model of the relation between the literary text and the ethical life of itsreaders, which will be of importance not only to specialists in French Studies, but to all those interested in ethical criticism and modern literary studies.
Author: Martin Crowley Publisher: Oxford University Press ISBN: 9780198160137 Category : Literary Criticism Languages : en Pages : 344
Book Description
This book offers a study of the whole of Duras's written oeuvre, covering journalism and lesser-known works as well as more famous texts. It brings out the constant presence of ethical questions in and around the experiences of passion and excess with which her work is always concerned, andsubjects Duras's texts to an unprecedented level of close reading, carrying her beyond the terms of her usual reception. On the basis of this approach, and with reference to Duras's involvement with her intellectual and political contexts, the book demonstrates the detailed engagement of Duras'swriting in the ethical and political issues of her day. Careful textual analysis shows the particular, fragile nature of this engagement, as well as the intricate textures of Duras's work; this leads to a striking new model of the relation between the literary text and the ethical life of itsreaders, which will be of importance not only to specialists in French Studies, but to all those interested in ethical criticism and modern literary studies.
Author: Mary Gallagher Publisher: University of Toronto Press ISBN: 1442692316 Category : Social Science Languages : en Pages : 281
Book Description
Much has been said about the relationship between globalization and culture and the political implications of that relationship. There has been little effort made, however, to investigate the effect of globalization on poetics or on the ethical moment of literature. World Writing is therefore concerned with studying the intersection of contemporary ethics, poetics, and globalization through historical and critical readings of writing from various parts of the world. Following an introductory chapter by Mary Gallagher, which maps this conceptual terrain, the contributors investigate how globalization inflects the necessary relationship between poetics, culture, ethics, and politics. Among the essays are Celia Britton's reading of Édouard Glissant on languages in the globalized world; Mary Gallagher's comparison of Glissant's poetics of cultural diversity with the ethics of Emmanuel Levinas; David Palumbo-Liu's exploration of the ethics of postcolonial fiction in J.M. Coetzee's work; Mary Louise Pratt's critique, based on recent Latin American writing, of the prematurely celebratory nature of globalization; and Julia Kristeva's argument for the value of poetics and the ethics of hospitality. What emerges is an intricate discussion of the elusive relationship between the realms of ethics, poetics, and politics as they intersect in our changing world.
Author: C. Davis Publisher: Springer ISBN: 0230287476 Category : Literary Criticism Languages : en Pages : 228
Book Description
This book examines ethical problems raised by a number of key twentieth-century theoretical and fictional texts by authors such as Levinas, Sartre, Beauvoir, Yourcenar, Duras and Genet. It argues that even texts which apparently espouse ethical positions based on respect for and responsibility towards others, frequently depict conflict as an insurmountable aspect of human relations. This is reflected at an aesthetic level, as these texts both describe the struggle for supremacy and replicate it in their relation to their readers.
Author: Alison James Publisher: Oxford University Press ISBN: 0192603485 Category : Literary Criticism Languages : en Pages : 240
Book Description
The Documentary Imagination in Twentieth-Century French Literature identifies a documentary impulse in French literature that emerges at the end of the nineteenth century and culminates in a proliferation of factual writings in the twenty-first. Focusing on the period bookended by these two moments, it highlights the enduring concern with factual reference in texts that engage either with current events or the historical archive. Specifically, it considers a set of ideas and practices centered on the conceptualization and use of documents. In doing so, it contests the widespread narrative that twentieth-century French literature abandons the realist enterprise, and argues that writers instead renegotiate the realist legacy outside, or at the margins of, the fictional space of the novel. Analyzing works by authors including Gide, Breton, Aragon, Yourcenar, Duras, and Modiano, the book defines a specific documentary mode of literary representation that records, assembles, and investigates material traces of reality. The document is a textual, visual, or material piece of evidence repurposed through its visual insertion, textual transcription, or description within a literary work. It is a fact, but it also becomes a figure, standing for literature's confrontation with the real. The documentary imagination involves a fantasy of direct access to a reality that speaks for itself. At the same time, it gives rise to concrete textual practices that open up new directions for literature, by interrogating the construction and interpretation of facts.
Author: Daniel Just Publisher: Cambridge University Press ISBN: 1316241122 Category : Literary Criticism Languages : en Pages : 229
Book Description
Against the background of intellectual and political debates in France during the 1950s and 1960s, Daniel Just examines literary narratives and works of literary criticism arguing that these texts are more politically engaged than they may initially appear. As writings by Roland Barthes, Maurice Blanchot, Albert Camus, and Marguerite Duras show, seemingly disengaged literary principles - such as blankness, minimalism, silence, and indeterminateness - can be deployed to a number of potent political and ethical ends. At the time the main focus of this activism was the escalation of violence in colonial Algeria. The poetics formulated by these writers suggests that blankness, weakness, and withdrawal from action are not symptoms of impotence and political escapism in the face of historical events, but deliberate literary strategies aimed to neutralize the drive to dominate others that characterized the colonial project.
Author: Laura McMahon Publisher: Routledge ISBN: 1351571869 Category : Foreign Language Study Languages : en Pages : 255
Book Description
Drawing on the work of contemporary French philosopher Jean-Luc Nancy, Cinema and Contact investigates the aesthe-tics and politics of touch in the cinema of three of the most prominent and distinctive filmmakers to have emerged in France during the last fifty years: Robert Bresson, Marguerite Duras and Claire Denis. Countering the domi-nant critical account of touch elaborated by recent models of embodied spectatorship, this book argues that cinema offers a privileged space for understanding touch in terms of spacing and withdrawal rather than immediacy and continuity. Such a deconstructive configuration of touch is shown here to have far-reaching implications, inviting an innovative rethinking of politics, aesthetics and theology via the textures of cinema. The first study to bring the thought of Nancy into sustained dialogue with a series of detailed analyses of films, Cinema and Contact also forges new interpretative perspectives on Bresson, Duras and Denis, tracing a compelling two-way exchange between cinema and philosophy.
Author: Anne Brancky Publisher: Cambridge University Press ISBN: 1108804217 Category : Literary Criticism Languages : en Pages : 231
Book Description
One of the most celebrated authors of twentieth-century France, Marguerite Duras loved crime. Indeed, criminal faits divers from the newspaper represented a key element in her literary project. Sensational news stories made their way into her novels, plays and screenplays, inspired numerous journalistic pieces and media interventions, and even informed the way that she discussed her life and work in the press. The Crimes of Marguerite Duras offers an innovative framework for analyzing Duras's literary works and journalism as they relate to the mass media and broader cultural debates. Anne Brancky reveals how Duras's predilection for provocatively blurring the line between truth and fiction on various media platforms helped make her a best-selling author and a public intellectual ahead of her time. Exploring the movement between serious literature and public scandal, this readable book affirms literature's abiding role in political debate and the public sphere.
Author: Rosanna Maule Publisher: Peter Lang ISBN: 9783039113545 Category : Drama Languages : en Pages : 388
Book Description
This book examines Duras's contribution to contemporary cinema. The 'dark room' in the collection's title refers to one of Duras's metaphors for the writing process, la chambre noire, as the solitary space of literary creation, the place where she struggles to project her 'internal shadow' onto the blank page. The dark room is also a metaphor for the film theater and, by extension, for the filmic experience. Duras rejected conventional forms of cinematic address that encourage the spectator to develop a positive identification with the film's diegesis and narrative. Her films create unusual rapports between image and sound, diegetic and extra-diegetic elements, and textual and intertextual dimensions of cinematic representation. In doing so, they allow the film spectator to establish new connections with the screen. This collection focuses on the aesthetic, conceptual, and political challenges involved in Duras's innovative approach to cinematic representation, from an interdisciplinar perspective including film and literary theory, psychoanalytic analysis, music theory, gender studies, and post-colonial criticism. The book opens with a theoretical introduction to Duras's cinematic practice and its peculiar position in contemporary cinema and contemporary film theory and is divided into five parts, each one devoted to a specific aspect of Duras's films: the interaction between literature and cinema (Part One); the reconfiguration of the cinematic gaze (Part Two) and of the image/sound relation (Part Three); the representation of history and memory (Part Four) and of cultural identity (Part Five).
Author: Jiewon Baek Publisher: Liverpool University Press ISBN: 1802070915 Category : Literary Criticism Languages : en Pages : 312
Book Description
This book advocates for the ethically formative labor that fiction accomplishes. As a force of production, the fictional labor of literature and the visual arts shapes the formation of collective meaning in an era marked by the negligence of social, financial, and environmental responsibility. As neoliberalism’s hegemony since the 1980s has intensified through the proliferation of digital technologies in the 21st century, considering works of creative art as an ethically productive force is a necessary complement to political and economic critiques. The book invites readers to rethink how mutations in the production, circulation, and consumption of literary and visual materials are implicated in the commodification of information and attention for private gain. The link can have a positive effect that transforms the social relation from a capitalist ethos that expends life for profit to an alterity-driven ethos that defends life. But remedying the paucity of moral sentiments of social existence requires fictional labor to generate ethical sensibilities, cares, desires, and wills. The book’s close analyses demonstrate the aesthetic and formal aspects of literary and visual art that mediate between social relations to yield a dependence alterity, including the otherness of a precarious present, a menacing future beyond economic mastery, and an environment enmeshed with living beings and things.
Author: Martin Crowley Publisher: Routledge ISBN: 135119741X Category : Literary Criticism Languages : en Pages : 153
Book Description
"Best known for his 1947 memoir L'Espece humaine, Robert Antelme (1917-1990) is a central figure in the history of the European response to the Nazi concentration camps. In this first study in any language to be devoted to Antelme's work, Martin Crowley reveals the author's vital yet insufficiently recognized influence on recent thought in France and elsewhere about such questions as the nature of community and the indivisibility of humanity. He explores the conclusions Antelme drew from his deportation and his involvement with the post-war French left, and provides the first detailed textual criticism of L'Espece humaine. Examining the responses to the author's writing by such figures as Blanchot, Perec, Agamben, Nancy and Derrida, Crowley demonstrates Antelme's key contribution to the development of modern European thought."
Author: Martin Crowley
Author: Martin Crowley
Author: Mary Gallagher
Author: C. Davis
Author: Alison James
Author: Daniel Just
Author: Laura McMahon
Author: Anne Brancky
Author: Rosanna Maule
Author: Jiewon Baek
Author: Martin Crowley