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Author: Katerina Clark Publisher: Harvard University Press ISBN: 0674270223 Category : Literary Criticism Languages : en Pages : 465
Book Description
A long-awaited corrective to the controversial idea of world literature, from a major voice in the field. Katerina Clark charts interwar efforts by Soviet, European, and Asian leftist writers to create a Eurasian commons: a single cultural space that would overcome national, cultural, and linguistic differences in the name of an anticapitalist, anti-imperialist, and later antifascist aesthetic. At the heart of this story stands the literary arm of the Communist International, or Comintern, anchored in Moscow but reaching Baku, Beijing, London, and parts in between. Its mission attracted diverse networks of writers who hailed from Turkey, Iran, India, and China, as well as the Soviet Union and Europe. Between 1919 and 1943, they sought to establish a new world literature to rival the capitalist republic of Western letters. Eurasia without Borders revises standard accounts of global twentieth-century literary movements. The Eurocentric discourse of world literature focuses on transatlantic interactions, largely omitting the international left and its Asian members. Meanwhile, postcolonial studies have overlooked the socialist-aligned world in favor of the clash between Western European imperialism and subaltern resistance. Clark provides the missing pieces, illuminating a distinctive literature that sought to fuse European and vernacular Asian traditions in the name of a post-imperialist culture. Socialist literary internationalism was not without serious problems, and at times it succumbed to an orientalist aesthetic that rivaled any coming from Europe. Its history is marked by both promise and tragedy. With clear-eyed honesty, Clark traces the limits, compromises, and achievements of an ambitious cultural collaboration whose resonances in later movements can no longer be ignored.
Author: Katerina Clark Publisher: Harvard University Press ISBN: 0674270223 Category : Literary Criticism Languages : en Pages : 465
Book Description
A long-awaited corrective to the controversial idea of world literature, from a major voice in the field. Katerina Clark charts interwar efforts by Soviet, European, and Asian leftist writers to create a Eurasian commons: a single cultural space that would overcome national, cultural, and linguistic differences in the name of an anticapitalist, anti-imperialist, and later antifascist aesthetic. At the heart of this story stands the literary arm of the Communist International, or Comintern, anchored in Moscow but reaching Baku, Beijing, London, and parts in between. Its mission attracted diverse networks of writers who hailed from Turkey, Iran, India, and China, as well as the Soviet Union and Europe. Between 1919 and 1943, they sought to establish a new world literature to rival the capitalist republic of Western letters. Eurasia without Borders revises standard accounts of global twentieth-century literary movements. The Eurocentric discourse of world literature focuses on transatlantic interactions, largely omitting the international left and its Asian members. Meanwhile, postcolonial studies have overlooked the socialist-aligned world in favor of the clash between Western European imperialism and subaltern resistance. Clark provides the missing pieces, illuminating a distinctive literature that sought to fuse European and vernacular Asian traditions in the name of a post-imperialist culture. Socialist literary internationalism was not without serious problems, and at times it succumbed to an orientalist aesthetic that rivaled any coming from Europe. Its history is marked by both promise and tragedy. With clear-eyed honesty, Clark traces the limits, compromises, and achievements of an ambitious cultural collaboration whose resonances in later movements can no longer be ignored.
Author: Katerina Clark Publisher: Harvard University Press ISBN: 0674261100 Category : Literary Criticism Languages : en Pages : 465
Book Description
A long-awaited corrective to the controversial idea of world literature, from a major voice in the field. Katerina Clark charts interwar efforts by Soviet, European, and Asian leftist writers to create a Eurasian commons: a single cultural space that would overcome national, cultural, and linguistic differences in the name of an anticapitalist, anti-imperialist, and later antifascist aesthetic. At the heart of this story stands the literary arm of the Communist International, or Comintern, anchored in Moscow but reaching Baku, Beijing, London, and parts in between. Its mission attracted diverse networks of writers who hailed from Turkey, Iran, India, and China, as well as the Soviet Union and Europe. Between 1919 and 1943, they sought to establish a new world literature to rival the capitalist republic of Western letters. Eurasia without Borders revises standard accounts of global twentieth-century literary movements. The Eurocentric discourse of world literature focuses on transatlantic interactions, largely omitting the international left and its Asian members. Meanwhile, postcolonial studies have overlooked the socialist-aligned world in favor of the clash between Western European imperialism and subaltern resistance. Clark provides the missing pieces, illuminating a distinctive literature that sought to fuse European and vernacular Asian traditions in the name of a post-imperialist culture. Socialist literary internationalism was not without serious problems, and at times it succumbed to an orientalist aesthetic that rivaled any coming from Europe. Its history is marked by both promise and tragedy. With clear-eyed honesty, Clark traces the limits, compromises, and achievements of an ambitious cultural collaboration whose resonances in later movements can no longer be ignored.
Author: Dmitriĭ Trenin Publisher: Carnegie Endowment ISBN: 0870031902 Category : History Languages : en Pages : 367
Book Description
Machine generated contents note: Introduction --Part One: A FAREWELL TO THE EMPIRE -- 1. The Spacial Dimension of Russian History -- 2. The Break-Up of the USSR: A Break in Continuity --Part Two: RUSSIA'S THREE FACADES -- 3. The Western Facade -- 4. The Southern Tier -- 5. The Far Eastern Backyard --Part Three: INTEGRATION -- 6. Domestic Boundaries and the Russian Question -- 7. Fitting Russia In --Conclusion: AFTER EURASIA.
Author: Nergis Ertürk Publisher: Columbia University Press ISBN: 0231560494 Category : Literary Criticism Languages : en Pages : 220
Book Description
The republic of Turkey and the Soviet Union both emerged from the wreckage of empires surrounding World War I, and pathways of literary exchange soon opened between the two revolutionary states. Even as the Turkish government pursued a friendly relationship with the USSR, it began to persecute communist writers. Whether going through official channels or fleeing repression, many Turkish writers traveled to the Soviet Union during the 1920s and 1930s, publishing original work, editing prominent literary journals, and translating both Russian classics and Soviet literature into Turkish. Writing in Red traces the literary and exilic itineraries of Turkish communist and former communist writers, examining revolutionary aesthetics and politics across Turkey and the Soviet Union from the mid-1920s through the 1960s. Nergis Ertürk considers a wide range of texts—spanning genres such as erotic comedy, historical fiction and film, and socialist realist novels and theater—by writers including Nâzim Hikmet, Vâlâ Nureddin, Nizamettin Nazif, Suat Derviş, and Abidin Dino. She argues that these works belong simultaneously to modern Turkish literature, a transnational Soviet republic of letters, and the global literary archive of world revolution, alongside those of other writers who made the “magic pilgrimage” to Moscow. Exploring how Turkish communist writers on the run produced a remarkable transnational literature of dissent, Writing in Red offers a new account of global revolutionary literary culture.
Author: Masha Salazkina Publisher: Univ of California Press ISBN: 0520393767 Category : Performing Arts Languages : en Pages : 388
Book Description
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. In this capacious transnational film history, renowned scholar Masha Salazkina proposes a groundbreaking new framework for understanding the cinematic cultures of twentieth-century socialism. Taking as a point of departure the vast body of work screened at the Tashkent International Festival of Cinemas of Asia, Africa, and Latin America in the 1960s and 1970s, World Socialist Cinema maps the circulation of films between the Soviet Bloc and the countries of the Global South in the mid- to late twentieth century, illustrating the distribution networks, festival circuits, and informal channels that facilitated this international network of artistic and intellectual exchange. Building on decades of meticulous archival work, this long-anticipated film history unsettles familiar stories to provide an alternative to Eurocentric, national, and regional narratives, rooted outside of the capitalist West.
Author: Thomas W. Simons Publisher: Cornell University Press ISBN: 0801461839 Category : Political Science Languages : en Pages : 201
Book Description
"As a global power, the United States will always be interested in Eurasia and engaged with its peoples and nations. Eurasia is too large and important a part of the world to be ignored. It casts a shadow of the old Soviet threat forward in time, and its axis-the Russian Federation-is nuclear-armed. So are its neighbors, China to the east, India and Pakistan to the south; and there are others in the queue. Eurasia's new nations are players on today's most urgent global issues: terrorism; counterproliferation of weapons of mass destruction; economic stability and growth (including its energy centerpiece); stable political development (including democratization, its long-term key).... So the context for why Eurasia matters is very large."—from Eurasia's New Frontiers In Eurasia's New Frontiers, Thomas W. Simons, Jr., a distinguished veteran of the U.S. Foreign Service with extensive experience in the Communist and post-Communist worlds, assays the political, economic, and social developments in the fifteen successor states to the Soviet Union that comprise Eurasia—from Estonia to Azerbaijan and from Tajikistan to Ukraine, centered on Russia. He makes a compelling case that the United States can play a large role in shaping the future of this vast and strategic region, and at less cost than during Soviet times. This can only be accomplished, however, if U.S. policy toward Eurasia shifts from alternating hand-wringing and indifference to steady and flexible engagement that focuses on its fledgling individual nation-states. Throughout Eurasia, Simons shows, civil society is anemic, market reforms have been discredited, and political development has been stunted. Authoritarian and semiauthoritarian regimes are firmly in place from Belarus to Central Asia; in Ukraine, Moldova, and even Russia, some democratic forms have taken hold; but everywhere, politics features struggle among elites over access to economic resources, albeit often defined in terms of "sovereignty." Almost everywhere, states are consolidating: as resurgent Russia presses on its neighbors, they can now press back, alone or with help from the outside world. Simons believes that the post-Soviet space needs stable development of state institutions within which new civil societies can take root and grow. Potentially strong state institutions are, in his view, Soviet Communism's "secret gift" to Eurasia, and they may well enable the region to become in time an arc of promise, an anchor of relative stability in a troubled part of the world. For that to happen, Simons argues, the nationalism that gives content to these new state structures must be the right kind: civic and inclusionary rather than ethno-religious and exclusionary. Because Russia is so diverse and its nationalism so state-oriented, Simons also sees it as more likely to develop that kind of civic nationalism than some of its new neighbors. The United States has a limited but real role to play in helping or hindering its emergence everywhere in Eurasia. If it wishes to help, though, the U.S. must realize that in this part of the world the path to democracy leads through state development. The U.S. will continue to advocate for its core values, but it can best act as a City on the Hill for Eurasia if its policy centers on the emerging new states of today, for they must be the incubators of tomorrow's civil societies.
Author: Bruno Macaes Publisher: Yale University Press ISBN: 0300235933 Category : History Languages : en Pages : 302
Book Description
A bold, eye-opening account of the coming integration of Europe and Asia Weaving together history, diplomacy, and vivid personal narratives from his overland journey across Eurasia from Baku to Samarkand, Vladivostok to Beijing, Bruno Maçães provides a fascinating portrait of the shifting borderlands between Europe and Asia, tracking the economic integration of the two continents into a new supercontinent: Eurasia. As Maçães demonstrates, glimpses of the coming Eurasianism are already visible in China’s bold infrastructure project reopening the historic Silk Road, in the success of cities like Hong Kong and Singapore, in Turkey’s increasing global role, and in shifting U.S. foreign policy toward Europe and Asia. This insightful and clarifying book argues that the artificial separation of the world’s largest island cannot hold.
Author: United States. Congress. Senate. Committee on Homeland Security and Governmental Affairs. Subcommittee on Federal Financial Management, Government Information, and International Security Publisher: ISBN: Category : Political Science Languages : en Pages : 466
Author: Masha Kirasirova Publisher: Oxford University Press ISBN: 0197685706 Category : Education Languages : en Pages : 417
Book Description
The Eastern International traces how the concept "East" (Vostok) was used by the world's first communist state and its mediators to project, channel, and contest power across Eurasia. It highlights the roles played in this process by Jewish activists, Arab intellectuals, and Central Asian politicians and artists.
Author: Edward Tyerman Publisher: Columbia University Press ISBN: 023155298X Category : History Languages : en Pages : 561
Book Description
Winner, 2022 AATSEEL Best Book in Literary Studies, American Association of Teachers of Slavic and European Languages Honorable Mention, 2022 Aldo and Jeanne Scaglione Prize for Comparative Literary Studies, Modern Language Association Following the failure of communist revolutions in Europe, in the 1920s the Soviet Union turned its attention to fostering anticolonial uprisings in Asia. China, divided politically between rival military factions and dominated economically by imperial powers, emerged as the Comintern’s prime target. At the same time, a host of prominent figures in Soviet literature, film, and theater traveled to China, met with Chinese students in Moscow, and placed contemporary China on the new Soviet stage. They sought to reimagine the relationship with China in the terms of socialist internationalism—and, in the process, determine how internationalism was supposed to look and feel in practice. Internationalist Aesthetics offers a groundbreaking account of the crucial role that China played in the early Soviet cultural imagination. Edward Tyerman tracks how China became the key site for Soviet debates over how the political project of socialist internationalism should be mediated, represented, and produced. The central figure in this story, the avant-garde writer Sergei Tret’iakov, journeyed to Beijing in the 1920s and experimented with innovative documentary forms in an attempt to foster a new sense of connection between Chinese and Soviet citizens. Reading across genres and media from reportage and biography to ballet and documentary film, Tyerman shows how Soviet culture sought an aesthetics that could foster a sense of internationalist community. He reveals both the aspirations and the limitations of this project, illuminating a crucial chapter in Sino-Russian relations. Grounded in extensive sources in Russian and Chinese, this cultural history bridges Slavic and East Asian studies and offers new insight into the transnational dynamics that shaped socialist aesthetics and politics in both countries.
Author: Katerina Clark
Author: Katerina Clark
Author: Katerina Clark
Author: Dmitriĭ Trenin
Author: Nergis Ertürk
Author: Masha Salazkina
Author: Thomas W. Simons
Author: Bruno Macaes
Author: United States. Congress. Senate. Committee on Homeland Security and Governmental Affairs. Subcommittee on Federal Financial Management, Government Information, and International Security
Author: Masha Kirasirova
Author: Edward Tyerman