Graphic Poetics PDF Download

Author: Richard Bradford
Publisher: A&C Black
ISBN: 1441123458
Category : Literary Criticism
Languages : en
Pages : 222

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Author: Lucy Ives
Publisher: Image Text Ithaca
ISBN: 9780996735186
Category : Photography
Languages : en
Pages : 188

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Book Description
A superbly made hybrid photobook on the stories that objects invite us to tell In July of 2017, photographer Matthew Connors (born 1976) and novelist and critic Lucy Ives (born 1980) embarked on a strange project: to remove and catalog all the contents of Connors's car, a 1992 Volvo 240 station wagon. Although the New York-based duo began the endeavor without knowing where it would lead, their investigation--of parts, tools, ephemera, litter, personal items, unidentifiable disjecta, among other objects--lasted more than two years and resulted in a series of photographs by Connors and an essay by Ives on narrative forms and temporalities inherent to contemporary media. This collaborative publication, designed by Elana Schlenker, poses questions about where narrative originates and how we establish our stories in relation to the objects and timescales that carry, ground and surround us.

Author: David H. T. Scott
Publisher: Liverpool University Press
ISBN: 1846314860
Category : Art
Languages : en
Pages : 129

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Book Description
This book sets out to explore the way, with the onset of a new and integral relationship between text and image, the modern poster is able to evolve distinctive persuasive strategies that will transform modern advertising. The book shows how this fundamental development is closely related to contemporary developments in the visual arts - in particular Futurism and Art Deco - and reflects the increasing cross-fertilisation and symbiosis between art and graphic design. The book focuses in particular on the way conventional textual strategies - metaphor, metonymy, rebus - are adapted by the modern poster to produce visual or textual/visual equivalents which, through their employment of combined pictorial and linguistic elements maximise their attractive or persuasive power over the viewer/reader. A key aim of the book is to clarify the assumptions on which semiology (the study of signs) is based in the context of modern poster artists' practice. The text/image relation is explored through five chapters focussing on (1) the rhetoric of image/text in general; (2) text and image in airline logos: British Airways and Air France; (3) visual metonymies in boxing posters; (4) text and image in posters expressing speed; (5) text/image in Swiss tourist posters. There are approximately 120 colour illustrations arranged in groups that reflect the different orientations of the chapters.

Author: Richard Bradford
Publisher: Bloomsbury Publishing
ISBN: 1441146652
Category : Literary Criticism
Languages : en
Pages : 224

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Book Description
Concrete', 'pattern' or 'shaped' poems are well documented as experimental curiosities. While giving some attention to this sub-genre the book shifts the focus to the ways in which visual form manifests itself in 'traditional' verse, examining poems by Milton, Wordsworth, Eliot, Olson, T.E. Hulme, Auden, Williams, Larkin and Charles Tomlinson. It examines how the tactile presence of the poem on the page transcends the routine distinctions between genre and historical context, emerging as a significant but largely unexamined contribution to modernist poetics. The interpretative methodology is radical, adapting Wollheim's 'twofold thesis' - grounded in the aesthetics of visual art - to the author's own concept of the 'double pattern'. Graphic Poetics challenges the accepted protocols of reading and interpreting verse and considers how poetry is involved in a dialogue with such theoreticians as Derrida. Introducing a new perspective on how poems work and on how they generate effects, it shows how poets use devices previously unrecognised and unacknowledged, techniques which are more commonly associated with visual arts than with literature.

Author: Lennart Nyberg
Publisher: Peter Lang
ISBN: 9783039113439
Category : Art
Languages : en
Pages : 196

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How is meaning created by a poem? Through the invisible ideas and thoughts conveyed by the text or through the physical presence of book, paper and print? In Bodies of Poems the author argues that the material properties of poetic texts are meaningful in their own right but often ignored and made invisible in poetry criticism. Through a number of examples ranging from the introduction of print technology in the fifteenth century to late twentieth-century poets such as Adrienne Rich and Seamus Heaney, this study examines the ways in which poems are products of the contemporary state of print technology, legal and social definitions of authors and texts, and culturally and historically determined assumptions about the self and the body. Although indebted to recent innovative work in textual criticism, this book is a pioneering attempt to place the study of poetic texts as material artefacts in a sustained historical narrative.

Author: NAOKO. FUJIMOTO
Publisher: Tupelo Press
ISBN: 9781946482525
Category :
Languages : en
Pages : 100

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Book Description
Poetry. Asian & Asian American Studies. "I was wandering around the house of poetry and this book showed me to a door I didn't know existed. Now, on the other side, nothing is the same. By layering and arranging found art, original drawings, washi, photos, paint, and bits of leaf, Naoko Fujimoto has created a stunning contemporary emaki engaged with Japanese heritage, the horrors of war, and daughterhood, offering us a dynamic accumulation on the page that feels as delightful and devastating as life itself."--Gabrielle Bates

Author: Krystyna Pomorska
Publisher: Duke University Press
ISBN: 9780822312338
Category : Literary Collections
Languages : en
Pages : 360

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Pomorska (1928-1986) a noted specialist in Slavic literature and literary theory, is best known for her pioneering work in applying Roman Jakobson's theories of poetics to prose narratives. This collection brings together her writings over two decades (some of them appearing in English for the first time). She treats a wide range of Slavic literary works, including those by Puskin, Tolstoi, Pasternak, Chekhov, and Solzhenitsyn, as well as examples from Polish and Ukrainian folklore. Annotation copyright by Book News, Inc., Portland, OR

Author: Cameron MacKenzie
Publisher: Springer
ISBN: 3319950282
Category : Literary Criticism
Languages : en
Pages : 88

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Book Description
Badiou and American Modernist Poetics explores the correspondence between Alain Badiou's thinking on art and that of the canonical modernists T.S. Eliot, Wallace Stevens, and Ezra Pound. Utilizing a multidisciplinary approach, the text engages with themes of the void, mastery, and place present in both modernist poetry and in Badiou’s philosophy. Through an examination of classic modernist texts, Cameron MacKenzie reveals that where Badiou hopes to go, the modernists have already been.

Author: Matt Theado
Publisher: Liverpool University Press
ISBN: 1949979946
Category : Literary Criticism
Languages : en
Pages : 344

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Book Description
The Beats, Black Mountain, and New Modes of American Poetry explores correspondences amongst the Black Mountain and Beat Generation writers, two of most well-known and influential groups of poets in the 1950s. The division of writers as Beat or Black Mountain has hindered our understanding of the ways that these poets developed from mutual influences, benefitted from direct relations, and overlapped their boundaries. This collection of academic essays refines and adds context to Beat Studies and Black Mountain Studies by investigating the groups’ intersections and undercurrents. One goal of the book is to deconstruct the Beat and Black Mountain labels in order to reveal the shifting and fluid relationships among the individual poets who developed a revolutionary poetics in the 1950s and beyond. Taken together, these essays clarify the radical experimentation with poetics undertaken by these poets.

Author: E. Warwick Slinn
Publisher: University of Virginia Press
ISBN: 9780813913094
Category : History
Languages : en
Pages : 232

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Book Description
This book places Victorian poetry within the context of a radical shift over the last 150 years in the key European model for human definition and experience- from the metaphor of self to the metaphor of text. In this innovative approach Warwick Slinn examines the continuities from Hegel to Derrida in order to explain the force and challenge poetry which disrupts the assumptions of idealist lyricism. This book places Victorian poetry within the context of a radical shift over the last 150 years in the key European model for human definition and experience- from the metaphor of self to the metaphor of text. In this innovative approach Warwick Slinn examines the continuities from Hegel to Derrida in order to explain the force and challenge poetry which disrupts the assumptions of idealist lyricism.