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Author: Publisher: BRILL ISBN: 900444260X Category : Literary Criticism Languages : en Pages : 295
Book Description
This book combines a scholarly edition of Lydgate’s Dance of Death and the French Danse Macabre poem, and discusses their wider context and historical circumstances of their creation, authorship and visualisation.
Author: Publisher: BRILL ISBN: 900444260X Category : Literary Criticism Languages : en Pages : 295
Book Description
This book combines a scholarly edition of Lydgate’s Dance of Death and the French Danse Macabre poem, and discusses their wider context and historical circumstances of their creation, authorship and visualisation.
Author: Megan L Cook Publisher: Medieval Institute Publications ISBN: 1580444083 Category : Literary Collections Languages : en Pages : 210
Book Description
This volume joins new editions of both texts of John Lydgate's The Dance of Death, related Middle English verse, and a new translation of Lydgate's French source, the Danse macabre. Together these poems showcase the power of the danse macabre motif, offering a window into life and death in late medieval Europe. In vivid, often grotesque, and darkly humorous terms, these poems ponder life's fundamental paradox: while we know that we all must die, we cannot imagine our own death.
Author: Hans Holbein Publisher: Createspace Independent Publishing Platform ISBN: 9781539303305 Category : Languages : en Pages : 62
Book Description
The Dance of Death By Hans Holbein With an introductory note by Austin Dobson Dance of Death, also called Danse Macabre (from the French language), is an artistic genre of late-medieval allegory on the universality of death: no matter one's station in life, the Dance of Death unites all. The earliest recorded visual example is from the cemetery of the Church of the Holy Innocents in Paris (1424-25). There were also painted schemes in Basel (the earliest dating from c.1440); a series of paintings on canvas by Bernt Notke, in Lubeck (1463); the initial fragment of the original Bernt Notke painting (accomplished at the end of the 15th century) in the St Nicholas' Church, Tallinn, Estonia; the painting at the back wall of the chapel of Sv. Marija na Skrilinama in the Istrian town of Beram (1471), painted by Vincent of Kastav; the painting in the Holy Trinity Church in Hrastovlje in Istria by John of Kastav (1490). There was also a Dance of Death painted in the 1540s on the walls of the cloister of St Paul's Cathedral, London with texts by John Lydgate, which was destroyed in 1549. The deathly horrors of the 14th century-such as recurring famines; the Hundred Years' War in France; and, most of all, the Black Death-were culturally assimilated throughout Europe. The omnipresent possibility of sudden and painful death increased the religious desire for penitence, but it also evoked a hysterical desire for amusement while still possible; a last dance as cold comfort. The danse macabre combines both desires: in many ways similar to the mediaeval mystery plays, the dance-with-death allegory was originally a didactic dialogue poem to remind people of the inevitability of death and to advise them strongly to be prepared at all times for death (see memento mori and Ars moriendi).
Author: Eve Salisbury Publisher: Bloomsbury Publishing ISBN: 1350249807 Category : Literary Criticism Languages : en Pages : 240
Book Description
Exploring medical writing in England in the 100+ years after the advent of the “Great Mortality”, this book examines the storytelling practices of poets, patients, and physicians in the midst of a medieval public health crisis and demonstrates how literary narratives enable us to see a kinship between poetry and the healing arts. Looking at how we can learn to diagnose a text as if we were diagnosing a body, Salisbury provides new insights into how we can recuperate the voices of those afflicted by illness in medieval texts when we have no direct testimony. She considers how we interpret stories told by patients in narratives mediated by others, ways that women factor into the shaping of a medical canon, how medical writing intersects with religious belief and memorial practices governed by the Church, and ways that regimens of health benefit a population in the throes of an epidemic.
Author: William E. Engel Publisher: Cambridge University Press ISBN: 1108843395 Category : Literary Criticism Languages : en Pages : 311
Book Description
This collection reexamines commemoration and memorialization as generative practices illuminating the hidden life of Renaissance death arts.
Author: William E. Engel Publisher: Routledge ISBN: 042962820X Category : Literary Criticism Languages : en Pages : 226
Book Description
This is the first book to demonstrate how mnemotechnic cultural commonplaces can be used to account for the look, style, and authorized content of some of the most influential books produced in early modern Britain. In his hybrid role as stationer, publisher, entrepreneur, and author, John Day, master printer of England’s Reformation, produced the premier navigation handbook, state-approved catechism and metrical psalms, Book of Martyrs, England’s first printed emblem book, and Queen Elizabeth’s Prayer Book. By virtue of finely honed book trade skills, dogged commitment to evangelical nation-building, and astute business acumen (including going after those who infringed his privileges), Day mobilized the typographical imaginary to establish what amounts to—and still remains—a potent and viable Protestant Memory Art.
Author: Publisher: BRILL ISBN: 9004269746 Category : History Languages : en Pages : 295
Book Description
The boundaries between mental, social and physical order and various states of disorder – unexpected mood swings, fury, melancholy, stress, insomnia, and demonic influence – form the core of this compilation. For medieval men and women, religious rituals, magic, herbs, dietary requirements as well as to scholastic medicine were a way to cope with the vagaries of mental wellbeing; the focus of the articles is on the interaction and osmosis between lay and elite cultures as well as medical, theological and political theories and practical experiences of daily life. Time span of the volume is the later Middle Ages, c. 1300-1500. Geographically it covers Western Europe and the comparison between Mediterranean world and Northern Europe is an important constituent. Contributors are Jussi Hanska, Gerhard Jaritz, Timo Joutsivuo, Kirsi Kanerva, Sari Katajala-Peltomaa, Marko Lamberg, Iona McCleery, Susanna Niiranen, Sophie Oosterwijk, and Catherine Rider.
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Author: Megan L Cook
Author: Florence Warren
Author: Hans Holbein
Author: Eve Salisbury
Author: William E. Engel
Author: William E. Engel
Author: Walter F. Schirmer
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Author: Francis DOUCE