Author: M. Fletcher ReynoldsPublisher:
ISBN:
Category : Copyright
Languages : en
Pages : 850
Book Description
Music Analysis for Expert Testimony in Copyright Infringement Litigation
Author: M. Fletcher ReynoldsPublisher:
ISBN:
Category : Copyright
Languages : en
Pages : 850
Book Description
Forensic Musicology and the Blurred Lines of Federal Copyright History
Author: Katherine M. LeoPublisher: Rowman & Littlefield
ISBN: 1793619417
Category : Music
Languages : en
Pages : 203
Book Description
Drawing on interdisciplinary research methods from musicological and legal scholarship, this book maps the historical terrain of forensic musicology. It examines the contributions of musical expert witnesses, their analytical techniques, and the issues they encounter assisting courts in clarifying the blurred lines of music copyright.
Music and Copyright
Author: Ronald S. RosenPublisher: Oxford University Press, USA
ISBN:
Category : Law
Languages : en
Pages : 636
Book Description
"The highly topical area of copyright law, as applied to music, is widely misunderstood by lawyers, business people, and - perhaps most seriously - the federal judiciary. More than ever, there is a need to understand music infringement issues within the context of copyright litigation. In Music and Copyright, Ron Rosen provides readers with a practical and strategic roadmap to the music-infringement litigation process, beginning with the client's claim or defense and continuing through the selection and use of experts, discovery, motion practice, and trial." "Ron Rosen has condensed his experience into an essential guide for anyone involved in music-infringement litigation. Packed with elucidating examples from the author's own practice, Music and Copyright navigates the often thorny terrain between notions of the legal and the musical, providing practical advice, case studies, forms, and commentary along the way."--BOOK JACKET.
The Cambridge Companion to Music in Digital Culture
Author: Nicholas CookPublisher: Cambridge University Press
ISBN: 1107161789
Category : Music
Languages : en
Pages : 347
Book Description
Digital technology has profoundly transformed almost all aspects of musical culture. This book explains how and why.
Unfair to Genius
Author: Gary RosenPublisher: Oxford University Press
ISBN: 0199733481
Category : History
Languages : en
Pages : 324
Book Description
Through author Gary Rosen's deeply researched account of Ira B. Arnstein, "the unrivaled king of copyright infringement plaintiffs," Unfair to Genius provides an unlikely history of the evolution of copyright law in the United States.
A Topical Guide to Schenkerian Literature
Author: David Carson BerryPublisher: Pendragon Press
ISBN: 9781576470954
Category : Juvenile Nonfiction
Languages : en
Pages : 610
Book Description
To the growing list of Pendragon Press publications devoted to the work of Heinrich Schenker, we wish to announce the addition of this much-needed bibliography. The author, a student of Allen Forte, has created a work useful to a wide range of researchers music theorists, musicologists, music librarians and teachers. The Guide is the largest Schenkerian reference work ever published. At nearly 600 pages, it contains 3600 entries (2200 principal, 1400 secondary) representing the work of 1475 authors. Fifteen broad groupings encompass seventy topical headings, many of which are divided and subdivided again, resulting in a total of 271 headings under which entries are collected.
Sensing Law
Author: Sheryl HamiltonPublisher: Routledge
ISBN: 1317282035
Category : Law
Languages : en
Pages : 347
Book Description
A rich collection of interdisciplinary essays, this book explores the question: what is to be found at the intersection of the sensorium and law’s empire? Examining the problem of how legal rationalities try to grasp what can only be sensed through the body, these essays problematize the Cartesian framework that has long separated the mind from the body, reason from feeling and the human from the animal. In doing so, they consider how the sensorium can operate, variously, as a tool of power or as a means of countering the exercise of regulatory force. The senses, it is argued, operate as a vector for the implication of subjects in legal webs, but also as a powerful site of resistance to legal definition and determination. From the sensorium of animals to technologically mediated perception, the ways in which the law senses and the ways in which senses are brought before the law invite a questioning of the categories of liberal humanism. And, as this volume demonstrates, this questioning opens up the both interesting and important possibility of imagining other sensual subjectivities.
Heinrich Schenker
Author: Benjamin McKay AyottePublisher: Psychology Press
ISBN: 9780415940719
Category : Music
Languages : en
Pages : 348
Book Description
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Music Borrowing and Copyright Law
Author: Enrico BonadioPublisher: Bloomsbury Publishing
ISBN: 1509949399
Category : Law
Languages : en
Pages : 485
Book Description
This ground-breaking book examines the multifaceted dynamics between copyright law and music borrowing within a rich diversity of music genres from across the world. It evaluates how copyright laws under different generic conventions may influence, or are influenced by, time-honoured creative borrowing practices. Leading experts from around the world scrutinise a carefully selected range of musical genres, including pop, hip-hop, jazz, blues, electronic and dance music, as well as a diversity of region-specific genres, such as Jamaican music, River Plate Tango, Irish folk music, Hungarian folk music, Flamenco, Indian traditional music, Australian indigenous music, Maori music and many others. This genre-conscious analysis builds on a theoretical section in which musicologists and lawyers offer their insights into fundamental issues concerning music genre categorisation, the typology of music borrowing and copyright law's ontological struggle with musical borrowing in theory and practice. The chapters are threaded together by a central theme, ie, that the cumulative nature of music creativity is the result of collective bargaining processes among many 'musicking' parties that have socially constructed creative music authorship under a rich mix of generic conventions.
Author: