Author: Bruno Nettl
Publisher:
ISBN: 9780674863392
Category :
Languages : en
Pages : 200
Book Description
Music in Primitive Culture
Author: Bruno Nettl
Publisher:
ISBN: 9780674863392
Category :
Languages : en
Pages : 200
Book Description
Publisher:
ISBN: 9780674863392
Category :
Languages : en
Pages : 200
Book Description
Music in Primitive Culture
Author: Bruno Nettl
Publisher: Cambridge : Harvard University Press
ISBN:
Category : Music
Languages : en
Pages : 236
Book Description
When Eskimos get into an argument, their friends and relatives break it up. The combatants retire for several hours, and then each antagonist returns to plead his case by singing a song about it; the most impressive singer is adjudged victor by the rest of the tribe. In such ways as this does music function in primitive societies--as part of legal proceedings, religion, dances, funerals. Today, the vast body of primitive music, so valuable to composers from advanced cultures and intrinsically so interesting, is being studied extensively. This book is the first in English to bring together the widely scattered information on this important branch of ethnomusicology, or comparative musicology. The author considers methods of research, primitive musical instruments, and techniques of primitive performance of music, and he gives sixty short examples of music illustrating typical styles. He discusses such things as techniques of primitive composition and the criteria used by natives to determine "good" singers and songs, and he analyzes and classifies the traits of many different primitive styles, especially those of Africa and North America. Also included is a concise survey of the development of ethnomusicology from its origin in nineteenth-century Germany, as well as a summary of the amount of research done in all parts of the world. There is also an extensive list of books and articles available on the subject.
Publisher: Cambridge : Harvard University Press
ISBN:
Category : Music
Languages : en
Pages : 236
Book Description
When Eskimos get into an argument, their friends and relatives break it up. The combatants retire for several hours, and then each antagonist returns to plead his case by singing a song about it; the most impressive singer is adjudged victor by the rest of the tribe. In such ways as this does music function in primitive societies--as part of legal proceedings, religion, dances, funerals. Today, the vast body of primitive music, so valuable to composers from advanced cultures and intrinsically so interesting, is being studied extensively. This book is the first in English to bring together the widely scattered information on this important branch of ethnomusicology, or comparative musicology. The author considers methods of research, primitive musical instruments, and techniques of primitive performance of music, and he gives sixty short examples of music illustrating typical styles. He discusses such things as techniques of primitive composition and the criteria used by natives to determine "good" singers and songs, and he analyzes and classifies the traits of many different primitive styles, especially those of Africa and North America. Also included is a concise survey of the development of ethnomusicology from its origin in nineteenth-century Germany, as well as a summary of the amount of research done in all parts of the world. There is also an extensive list of books and articles available on the subject.
Earth Dances
Author: Andrew Ford
Publisher: Black Inc.
ISBN: 1925203018
Category : Music
Languages : en
Pages : 241
Book Description
Minimalism, savagery, the raw and the cooked, the primal and the pre-verbal, Elvis’s hips, The Rite of Spring . . . Earth Dances is an original investigation of how music and primitivism intersect – a dazzling journey through music and culture. With alternating chapters of criticism and interviews, including with Liza Lim and Brian Eno, composer and broadcaster Andrew Ford explores the relationship between primal forms of music and the most refined examples of the art – between passion and control. He looks at the voice, the drum, the drone and the dance, at ‘music that is in touch with something fundamental in our existence, music that seeks and rediscovers the earthy side of our nature, the primitive, the “simple, rude or rough”, and in doing so restores and resets our humanity’. ‘The perfect, knowledgeable, enthusiastic friend . . . I couldn’t put it down!’ —David Robertson ‘Much has been made of the search for the lost chord. But chords are sophisticated structures. Earth Dances documents Andrew Ford’s intrepid quest for the lost thud, and the lost scream . . . Music can’t survive without primitivism. It is the bushfire clearing overgrown and cluttered musical landscapes, paring them to essentials. This results in fresh structures, materials and practices that lead us to the place we belong.’ —Brian Ritchie, Violent Femmes, MONA FOMA ‘Earth Dances is a vivid and rarely less than astute history of the debt modern music simultaneously owes to the inheritances of tradition, and the texture of dissonance.’ —Kill Your Darlings ‘Filled with insightful musical analysis made accessible for a general audience.’ —Sydney Morning Herald
Publisher: Black Inc.
ISBN: 1925203018
Category : Music
Languages : en
Pages : 241
Book Description
Minimalism, savagery, the raw and the cooked, the primal and the pre-verbal, Elvis’s hips, The Rite of Spring . . . Earth Dances is an original investigation of how music and primitivism intersect – a dazzling journey through music and culture. With alternating chapters of criticism and interviews, including with Liza Lim and Brian Eno, composer and broadcaster Andrew Ford explores the relationship between primal forms of music and the most refined examples of the art – between passion and control. He looks at the voice, the drum, the drone and the dance, at ‘music that is in touch with something fundamental in our existence, music that seeks and rediscovers the earthy side of our nature, the primitive, the “simple, rude or rough”, and in doing so restores and resets our humanity’. ‘The perfect, knowledgeable, enthusiastic friend . . . I couldn’t put it down!’ —David Robertson ‘Much has been made of the search for the lost chord. But chords are sophisticated structures. Earth Dances documents Andrew Ford’s intrepid quest for the lost thud, and the lost scream . . . Music can’t survive without primitivism. It is the bushfire clearing overgrown and cluttered musical landscapes, paring them to essentials. This results in fresh structures, materials and practices that lead us to the place we belong.’ —Brian Ritchie, Violent Femmes, MONA FOMA ‘Earth Dances is a vivid and rarely less than astute history of the debt modern music simultaneously owes to the inheritances of tradition, and the texture of dissonance.’ —Kill Your Darlings ‘Filled with insightful musical analysis made accessible for a general audience.’ —Sydney Morning Herald
The Origins of Culture
Author: Sir Edward Burnett Tylor
Publisher:
ISBN:
Category : Civilization
Languages : en
Pages : 416
Book Description
Publisher:
ISBN:
Category : Civilization
Languages : en
Pages : 416
Book Description
Strangers Below
Author: Joshua Guthman
Publisher: UNC Press Books
ISBN: 1469624877
Category : Religion
Languages : en
Pages : 232
Book Description
Before the Bible Belt fastened itself across the South, competing factions of evangelicals fought over their faith's future, and a contrarian sect, self-named the Primitive Baptists, made its stand. Joshua Guthman here tells the story of how a band of antimissionary and antirevivalistic Baptists defended Calvinism, America's oldest Protestant creed, from what they feared were the unbridled forces of evangelical greed and power. In their harrowing confessions of faith and in the quavering uncertainty of their singing, Guthman finds the emotional catalyst of the Primitives' early nineteenth-century movement: a searing experience of doubt that motivated believers rather than paralyzed them. But Primitives' old orthodoxies proved startlingly flexible. After the Civil War, African American Primitives elevated a renewed Calvinism coursing with freedom's energies. Tracing the faith into the twentieth century, Guthman demonstrates how a Primitive Baptist spirit, unmoored from its original theological underpinnings, seeped into the music of renowned southern artists such as Roscoe Holcomb and Ralph Stanley, whose "high lonesome sound" appealed to popular audiences searching for meaning in the drift of postwar American life. In an account that weaves together religious, emotional, and musical histories, Strangers Below demonstrates the unlikely but enduring influence of Primitive Baptists on American religious and cultural life.
Publisher: UNC Press Books
ISBN: 1469624877
Category : Religion
Languages : en
Pages : 232
Book Description
Before the Bible Belt fastened itself across the South, competing factions of evangelicals fought over their faith's future, and a contrarian sect, self-named the Primitive Baptists, made its stand. Joshua Guthman here tells the story of how a band of antimissionary and antirevivalistic Baptists defended Calvinism, America's oldest Protestant creed, from what they feared were the unbridled forces of evangelical greed and power. In their harrowing confessions of faith and in the quavering uncertainty of their singing, Guthman finds the emotional catalyst of the Primitives' early nineteenth-century movement: a searing experience of doubt that motivated believers rather than paralyzed them. But Primitives' old orthodoxies proved startlingly flexible. After the Civil War, African American Primitives elevated a renewed Calvinism coursing with freedom's energies. Tracing the faith into the twentieth century, Guthman demonstrates how a Primitive Baptist spirit, unmoored from its original theological underpinnings, seeped into the music of renowned southern artists such as Roscoe Holcomb and Ralph Stanley, whose "high lonesome sound" appealed to popular audiences searching for meaning in the drift of postwar American life. In an account that weaves together religious, emotional, and musical histories, Strangers Below demonstrates the unlikely but enduring influence of Primitive Baptists on American religious and cultural life.
How Natives Think
Author: Lucien Lévy-Bruhl
Publisher: Ravenio Books
ISBN:
Category : Psychology
Languages : en
Pages : 390
Book Description
This classic is organized as follows: Introduction Part I Chapter I. Collective Representations in Primitives’ Perceptions and the Mystical Character of Such Chapter II. The Law of Participation Chapter III. The Functioning of Prelogical Mentality Part II Chapter IV. The Mentality of Primitives in Relation to the Languages They Speak Chapter V. Prelogical Mentality in Relation to Numeration Part III Chapter VI. Institutions in Which Collective Representations Governed by the Law of Participation Are Involved (I) Chapter VII. Institutions in Which Collective Representations Governed by the Law of Participation Are Involved (II) Chapter VIII. Institutions in Which Collective Representations Governed by the Law of Participation Are Involved (III) Part IV Chapter IX. The Transition to the Higher Mental Types
Publisher: Ravenio Books
ISBN:
Category : Psychology
Languages : en
Pages : 390
Book Description
This classic is organized as follows: Introduction Part I Chapter I. Collective Representations in Primitives’ Perceptions and the Mystical Character of Such Chapter II. The Law of Participation Chapter III. The Functioning of Prelogical Mentality Part II Chapter IV. The Mentality of Primitives in Relation to the Languages They Speak Chapter V. Prelogical Mentality in Relation to Numeration Part III Chapter VI. Institutions in Which Collective Representations Governed by the Law of Participation Are Involved (I) Chapter VII. Institutions in Which Collective Representations Governed by the Law of Participation Are Involved (II) Chapter VIII. Institutions in Which Collective Representations Governed by the Law of Participation Are Involved (III) Part IV Chapter IX. The Transition to the Higher Mental Types
The Study of Folk Music in the Modern World
Author: Philip V. Bohlman
Publisher: Indiana University Press
ISBN: 9780253112606
Category : Social Science
Languages : en
Pages : 188
Book Description
"[This book] is a contribution of considerable substance because it takes a holistic view of the field of folk music and the scholarship that has dealt with it." -- Bruno Nettl "... a praiseworthy combination of solid scholarship, penetrating discussion, and global relevance." -- Asian Folklore Studies "... successfully ties the history and development of folk music scholarship with contemporary concepts, issues, and shifts, and which treats varied folk musics of the world cultures within the rubric of folklore and ethnomusicology with subtle generalizations making sense to serious minds... " -- Folklore Forum "... [this book] challenges many carefully-nurtured sacred cows. Bohlman has executed an intellectual challenge of major significance by successfully organizing a welter of unruly data and ideas into a single, appropriately complex but coherent, system." -- Folk Music Journal Bohlman examines folk music as a genre of folklore from a broadly cross-cultural perspective and espouses a more expansive view of folk music, stressing its vitality in non-Western cultures as well as Western, in the present as well as the past.
Publisher: Indiana University Press
ISBN: 9780253112606
Category : Social Science
Languages : en
Pages : 188
Book Description
"[This book] is a contribution of considerable substance because it takes a holistic view of the field of folk music and the scholarship that has dealt with it." -- Bruno Nettl "... a praiseworthy combination of solid scholarship, penetrating discussion, and global relevance." -- Asian Folklore Studies "... successfully ties the history and development of folk music scholarship with contemporary concepts, issues, and shifts, and which treats varied folk musics of the world cultures within the rubric of folklore and ethnomusicology with subtle generalizations making sense to serious minds... " -- Folklore Forum "... [this book] challenges many carefully-nurtured sacred cows. Bohlman has executed an intellectual challenge of major significance by successfully organizing a welter of unruly data and ideas into a single, appropriately complex but coherent, system." -- Folk Music Journal Bohlman examines folk music as a genre of folklore from a broadly cross-cultural perspective and espouses a more expansive view of folk music, stressing its vitality in non-Western cultures as well as Western, in the present as well as the past.
Music in the Aegean Bronze Age
Author: John Grimes Younger
Publisher: Coronet Books
ISBN:
Category : Music
Languages : en
Pages : 158
Book Description
Publisher: Coronet Books
ISBN:
Category : Music
Languages : en
Pages : 158
Book Description
The Anthropology of Music
Author: Alan P. Merriam
Publisher: Northwestern University Press
ISBN: 9780810106079
Category : Music
Languages : en
Pages : 380
Book Description
In this highly praised and seminal work, Alan Merriam demonstrates that music is a social behavior—one worthy and available to study through the methods of anthropology. In it, he convincingly argues that ethnomusicology, by definition, cannot separate the sound-analysis of music from its cultural context of people thinking, acting, and creating. The study begins with a review of the various approaches in ethnomusicology. He then suggests a useful and simple research model: ideas about music lead to behavior related to music and this behavior results in musical sound. He explains many aspects and outcomes of this model, and the methods and techniques he suggests are useful to anyone doing field work. Further chapters provide a cross-cultural round-up of concepts about music, physical and verbal behavior related to music, the role of the musician, and the learning and composing of music. The Anthropology of Music illuminates much of interest to musicologists but to social scientists in general as well.
Publisher: Northwestern University Press
ISBN: 9780810106079
Category : Music
Languages : en
Pages : 380
Book Description
In this highly praised and seminal work, Alan Merriam demonstrates that music is a social behavior—one worthy and available to study through the methods of anthropology. In it, he convincingly argues that ethnomusicology, by definition, cannot separate the sound-analysis of music from its cultural context of people thinking, acting, and creating. The study begins with a review of the various approaches in ethnomusicology. He then suggests a useful and simple research model: ideas about music lead to behavior related to music and this behavior results in musical sound. He explains many aspects and outcomes of this model, and the methods and techniques he suggests are useful to anyone doing field work. Further chapters provide a cross-cultural round-up of concepts about music, physical and verbal behavior related to music, the role of the musician, and the learning and composing of music. The Anthropology of Music illuminates much of interest to musicologists but to social scientists in general as well.
The Wellsprings of Music
Author: Curt Sachs
Publisher: Springer Science & Business Media
ISBN: 9401510598
Category : Music
Languages : en
Pages : 257
Book Description
Typical mild "Sachsonian" humor and illustrated with a wealth of examples and evidence. I doubt whether any other of us ethnomusicologists would have been capable of writing such a comprehensive study: S~chs had at his fingertips a phenomenal amount of factual information. Sometimes, under his wise guidance, complicated propositions become surprisingly simple. The reader will be as fascinated as I was by the originality of some of his conelusions, captivated by his penetrating com parisons, and charmed by his rich and expressive language. After having lived with this book for aperiod of some months, I realize a1l themore what the death of Curt Sachs means to the musicological world. "The Wellsprings of Music" forms a worthy elose to that long series of publications his boundless energy and unsurpassed knowledge have given uso I feel greatly indebted to Dr. Eric Werner, New York, for his decisive encouragement towards the publication of this work and for the active interest he took in it. I want also to express my gratitude to the musicologist Miss Marijke Charbon, The Hague, for having made an Index of N ames and for some useful suggestions. Amsterdam, 15th February 1960 JAAP KUNST My dear friend Jaap Kunst did not live to see this book in print. I wish to express my deep gratitude to him, whose dedi cated help and unfailing and devoted interest made its publi cation possible.
Publisher: Springer Science & Business Media
ISBN: 9401510598
Category : Music
Languages : en
Pages : 257
Book Description
Typical mild "Sachsonian" humor and illustrated with a wealth of examples and evidence. I doubt whether any other of us ethnomusicologists would have been capable of writing such a comprehensive study: S~chs had at his fingertips a phenomenal amount of factual information. Sometimes, under his wise guidance, complicated propositions become surprisingly simple. The reader will be as fascinated as I was by the originality of some of his conelusions, captivated by his penetrating com parisons, and charmed by his rich and expressive language. After having lived with this book for aperiod of some months, I realize a1l themore what the death of Curt Sachs means to the musicological world. "The Wellsprings of Music" forms a worthy elose to that long series of publications his boundless energy and unsurpassed knowledge have given uso I feel greatly indebted to Dr. Eric Werner, New York, for his decisive encouragement towards the publication of this work and for the active interest he took in it. I want also to express my gratitude to the musicologist Miss Marijke Charbon, The Hague, for having made an Index of N ames and for some useful suggestions. Amsterdam, 15th February 1960 JAAP KUNST My dear friend Jaap Kunst did not live to see this book in print. I wish to express my deep gratitude to him, whose dedi cated help and unfailing and devoted interest made its publi cation possible.