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Author: John Plotz Publisher: Princeton University Press ISBN: 0691159467 Category : Literary Criticism Languages : en Pages : 345
Book Description
When you are half lost in a work of art, what happens to the half left behind? Semi-Detached delves into this state of being: what it means to be within and without our social and physical milieu, at once interacting and drifting away, and how it affects our ideas about aesthetics. The allure of many modern aesthetic experiences, this book argues, is that artworks trigger and provide ways to make sense of this oscillating, in-between place. John Plotz focuses on Victorian and early modernist writers and artists who understood their work as tapping into, amplifying, or giving shape to a suspended duality of experience. The book begins with the decline of the romantic tale, the rise of realism, and John Stuart Mill’s ideas about social interaction and subjective perception. Plotz examines Pre-Raphaelite paintings that take semi-detached states of attention as their subject and novels that treat provincial subjects as simultaneously peripheral and central. He discusses how realist writers such as Charles Dickens, George Eliot, and Henry James show how consciousness can be in more than one place at a time; how the work of William Morris demonstrates the shifting forms of semi-detachment in print and visual media; and how Willa Cather created a form of modernism that connected aesthetic dreaming and reality. Plotz concludes with a look at early cinema and the works of Buster Keaton, who found remarkable ways to portray semi-detachment on screen. In a time of cyberdependency and virtual worlds, when it seems that attention to everyday reality is stretching thin, Semi-Detached takes a historical and critical look at the halfway-thereness that audiences have long comprehended and embraced in their aesthetic encounters.
Author: John Plotz Publisher: Princeton University Press ISBN: 0691159467 Category : Literary Criticism Languages : en Pages : 345
Book Description
When you are half lost in a work of art, what happens to the half left behind? Semi-Detached delves into this state of being: what it means to be within and without our social and physical milieu, at once interacting and drifting away, and how it affects our ideas about aesthetics. The allure of many modern aesthetic experiences, this book argues, is that artworks trigger and provide ways to make sense of this oscillating, in-between place. John Plotz focuses on Victorian and early modernist writers and artists who understood their work as tapping into, amplifying, or giving shape to a suspended duality of experience. The book begins with the decline of the romantic tale, the rise of realism, and John Stuart Mill’s ideas about social interaction and subjective perception. Plotz examines Pre-Raphaelite paintings that take semi-detached states of attention as their subject and novels that treat provincial subjects as simultaneously peripheral and central. He discusses how realist writers such as Charles Dickens, George Eliot, and Henry James show how consciousness can be in more than one place at a time; how the work of William Morris demonstrates the shifting forms of semi-detachment in print and visual media; and how Willa Cather created a form of modernism that connected aesthetic dreaming and reality. Plotz concludes with a look at early cinema and the works of Buster Keaton, who found remarkable ways to portray semi-detachment on screen. In a time of cyberdependency and virtual worlds, when it seems that attention to everyday reality is stretching thin, Semi-Detached takes a historical and critical look at the halfway-thereness that audiences have long comprehended and embraced in their aesthetic encounters.
Author: Alan A Jackson Publisher: Routledge ISBN: 1351175122 Category : History Languages : en Pages : 372
Book Description
Originally published in 1973, Semi-Detached London looks at the great suburban expansion of London between the two world wars. The book covers all aspects of urban history, presenting an authoritative and balanced account of the Great Suburban Age, and the final uninhibited forty years before the Green Belt and Development Plan. The roles of the speculative builder, the estate developer and the local authorities receive careful attention and the author’s special knowledge of London’s transport systems ensures that the leading part they played is fully developed. Students of social, urban and transport history will find this book a valuable source of reference.
Author: Todd Kuchta Publisher: University of Virginia Press ISBN: 081392958X Category : Literary Criticism Languages : en Pages : 272
Book Description
In the first book to consider British suburban literature from the vantage point of imperial and postcolonial studies, Todd Kuchta argues that suburban identity is tied to the empire’s rise and fall. He takes his title from the type of home synonymous with suburbia. Like the semi-detached house, which joins separate dwellings under one roof, suburbia and empire were geographically distinct but imaginatively linked. Yet just as the "semi" conceals two homes behind a single façade, suburbia’s apparent uniformity masks its defining oppositions—between country and city, "civilization" and "savagery," master and slave. While some people saw the suburbs as homegrown colonies, others viewed them as a terra incognita beyond the pale of British culture. Surveying a range of popular and canonical texts, Kuchta reveals the suburban foundations of a variety of unexpected fictional locales: the Thames Valley of H. G. Wells’s Martian attack and the gaslit London of Arthur Conan Doyle's Sherlock Holmes, but also the tropical backwaters of Joseph Conrad’s Malay Archipelago and the imperial communities of Raj fiction by E. M. Forster and George Orwell. This capacious view demonstrates suburbia's vital role in science fiction, detective tales, condition-of-England novels, modernist narratives of imperial decline, and contemporary multicultural fiction. Drawing on postcolonial theory, urban studies, and architectural scholarship, this book will appeal to readers interested in Victorian, modern, and contemporary British literature and cultures, especially those concerned with how place shapes class and masculine identity in the nineteenth and twentieth centuries.
Author: John Plotz Publisher: Princeton University Press ISBN: 0691259275 Category : Art Languages : en Pages : 360
Book Description
A critical look at the aesthetic encounter with semi-detachment through literature and art When you are half lost in a work of art, what happens to the half left behind? Semi-Detached delves into this state of being: what it means to be within and without our social and physical milieu, at once interacting and drifting away, and how it affects our ideas about aesthetics. The allure of many modern aesthetic experiences, this book argues, is that artworks trigger and provide ways to make sense of this oscillating, in-between place. John Plotz focuses on Victorian and early modernist writers and artists who understood their work as tapping into, amplifying, or giving shape to a suspended duality of experience. The book begins with the decline of the romantic tale, the rise of realism, and John Stuart Mill’s ideas about social interaction and subjective perception. Plotz examines Pre-Raphaelite paintings that take semi-detached states of attention as their subject and novels that treat provincial subjects as simultaneously peripheral and central. He discusses how realist writers such as Charles Dickens, George Eliot, and Henry James show how consciousness can be in more than one place at a time; how the work of William Morris demonstrates the shifting forms of semi-detachment in print and visual media; and how Willa Cather created a form of modernism that connected aesthetic dreaming and reality. Plotz concludes with a look at early cinema and the works of Buster Keaton, who found remarkable ways to portray semi-detachment on screen. In a time of cyberdependency and virtual worlds, when it seems that attention to everyday reality is stretching thin, Semi-Detached takes a historical and critical look at the halfway-thereness that audiences have long comprehended and embraced in their aesthetic encounters.
Author: United States. Congress. House. Committee on Banking, Finance, and Urban Affairs. Subcommittee on Housing and Community Development. Task Force on Rental Housing Publisher: ISBN: Category : Rental housing Languages : en Pages : 1096
Author: C.M.H Carr Publisher: Routledge ISBN: 1136411577 Category : Architecture Languages : en Pages : 225
Book Description
Major contribution to the growing field of urban morphology Covers a neglected area: Suburban growth in the interwar period Based on orginal research by the Urban Morphology Research Group (UMRG) Compliments the Changing Suburbs volume
Author: John Plotz
Author: John Plotz
Author: Alan A Jackson
Author: Todd Kuchta
Author: Eustace Clare Grenville Murray
Author: Emily Eden
Author: John Plotz
Author: 
Author: United States. Congress. House. Committee on Banking, Finance, and Urban Affairs. Subcommittee on Housing and Community Development. Task Force on Rental Housing
Author: C.M.H Carr
Author: United States. Bureau of the Census