The Iconographic and Compositional Sources of the Drawings in Oxford, Bodleian Library MS Junius 11 PDF Download

Author: Herbert Reginald Broderick
Publisher:
ISBN:
Category : Caedmon manuscript
Languages : en
Pages : 1286

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Book Description

Author: Herbert R. Broderick
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 1236

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Book Description

Author: Herbert Reginald Broderick
Publisher:
ISBN:
Category : Caedmon manuscript
Languages : en
Pages : 618

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Book Description

Author: Herbert R. Broderick
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 618

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Book Description

Author: Herbert Reginald Broderick
Publisher:
ISBN:
Category : Caedmon manuscript
Languages : en
Pages : 618

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Book Description

Author: Catherine E. Karkov
Publisher: Cambridge University Press
ISBN: 9780521800693
Category : Art
Languages : en
Pages : 292

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Book Description
Studies the interrelationship of text and picture in the only surviving illustrated Anglo-Saxon poetic manuscript.

Author: Seiichi Suzuki
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110788063
Category : History
Languages : en
Pages : 764

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Book Description
The Old English Genesis is the sole illustrated Anglo-Saxon poem. In full appreciation of this unique concurrent execution of visualization and versification in a single manuscript, this multidisciplinary work explores the pictorial (Vol. 1) and the metrical (Vol. 2) organization from both synchronic–structural and diachronic–comparative perspectives. Among the most significant findings of each volume are: The first twenty-two images in the Old English Genesis originated on the whole from the Touronian Bibles; and the underlying classical Old English and Old Saxon meters were interactively reshaped through mutual adaptation and recomposition aimed at their firm integration into a synthesized Old English Genesis. While each part is solidly embedded in the respective scholarly tradition and pursues its own disciplinary concerns and problematics, vigorous formal and cognitive reasoning and theorizing run commonly through both. By way of mutual corroboration and integration, the twin volumes eventually converge on the hypothesis that the earliest portion of the extant Old English Genesis (lines 1–966) derived from the corresponding episodes of an illustrated Touronian Old Saxon Genesis in both pictorial and metrical terms.

Author: Dorsey Armstrong
Publisher: Medieval Institute Publications
ISBN: 1580442293
Category : Literary Criticism
Languages : en
Pages : 405

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The great corpus that is medieval literature contains, at its very center, the tale. These verse and prose fictional narratives, as well as stories that are grounded in some degree of historical truth, are the foundation of what readers, scholars, and enthusiasts often point to as signifiers of the medieval age. These tales - from the skillfully crafted to the more rudimentary and plain - often make familiar to modern readers what seems so distant and foreign about the Middle Ages. This volume of essays focuses on the tale and its ability to create "mirth," what modern audiences would often define as "happiness" or "joy," and the significance that the book has had on the transference of this mirth to audiences. This volume also celebrates the scholarship of Thomas H. Ohlgren, a medievalist whose work encompasses a number of different areas, but at its center lives the power of the tale and its ability to create a lasting impression on readers, both medieval and modern.

Author: Herbert R. Broderick
Publisher: University of Notre Dame Pess
ISBN: 0268102082
Category : Religion
Languages : en
Pages : 387

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Book Description
In Moses the Egyptian, Herbert Broderick analyzes the iconography of Moses in the famous illuminated eleventh-century manuscript known as the Illustrated Old English Hexateuch. A translation into Old English of the first six books of the Bible, the manuscript contains over 390 images, of which 127 depict Moses with a variety of distinctive visual attributes. Broderick presents a compelling thesis that these motifs, in particular the image of the horned Moses, have a Hellenistic Egyptian origin. He argues that the visual construct of Moses in the Old English Hexateuch may have been based on a Late Antique, no longer extant, prototype influenced by works of Hellenistic Egyptian Jewish exegetes, who ascribed to Moses the characteristics of an Egyptian-Hellenistic king, military commander, priest, prophet, and scribe. These Jewish writings were utilized in turn by early Christian apologists such as Clement of Alexandria and Eusebius of Caesarea. Broderick’s analysis of this Moses imagery ranges widely across religious divides, art-historical religious themes, and classical and early Jewish and Christian sources. Herbert Broderick is one of the foremost historians in the field of Anglo-Saxon art, with a primary focus on Old Testament iconography. Readers with interests in the history of medieval manuscript illustration, art history, and early Jewish and Christian apologetics will find much of interest in this profusely illustrated study.

Author: Jill Fitzgerald
Publisher: Manchester University Press
ISBN: 1526129116
Category : Literary Criticism
Languages : en
Pages : 406

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Book Description
Over six hundred years before John Milton’s Paradise Lost, Anglo-Saxon authors told their own version of the fall of the angels. This book brings together various cultural moments, literary genres and relevant comparanda to recover that version, from the legal and social world to the world of popular spiritual ritual and belief. The story of the fall of the angels in Anglo-Saxon England is the story of a successfully transmitted exegetical teaching turned rich literary tradition. It can be traced through a range of genres – sermons, saints’ lives, royal charters, riddles, devotional and biblical poetry – each one offering a distinct window into the ancient myth’s place within the Anglo-Saxon literary and cultural imagination.