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Author: Thomas McEvilley Publisher: Documentext ISBN: Category : Arts, Modern Languages : en Pages : 396
Book Description
McEvilley (art criticism and writing, School of Visual Arts, New York City) presents revised versions of essays published between 1981 and 2002, along with three major new essays that introduce and bring them together. Focusing on the origins of anti-art, and the development of performance and conceptual art, the essays trace artistic movements fro
Author: Thomas McEvilley Publisher: Documentext ISBN: Category : Arts, Modern Languages : en Pages : 396
Book Description
McEvilley (art criticism and writing, School of Visual Arts, New York City) presents revised versions of essays published between 1981 and 2002, along with three major new essays that introduce and bring them together. Focusing on the origins of anti-art, and the development of performance and conceptual art, the essays trace artistic movements fro
Author: Thomas McEvilley Publisher: Documentext ISBN: 9780929701318 Category : Art Languages : en Pages : 0
Book Description
‹€‹In these six essays, Thomas McEvilley tackles the aesthetics of formalism and proceeds to shed new light on the roots of Modernism and the collapse of the idea of history. The world-renowned critic confronts the ideas and philosophies which for two centuries have exalted art above constructive involvement in the world, and proposes a new vision for the critical enterprise. By explaining why our Modernism was not unique and why it is being superseded, McEvilley suggests functions that art performs in a post-Modern culture and offers compelling reasons why the history of art needs to be rewritten from an altered perspective. McEvilley argues, for example, against the dominant theoretical position which removed art from contextual examination by declaring its "sublime" nature somehow elevated above ordinary life, and he goes on to effectively destroy the notion that Modernism in the larger sense is an example of the superiority of technological society. More than anything else, however, he breathes real life into the intellectual understanding of contemporary art in a way that no critic has since perhaps Herbert Read. McEvilley humanizes the undertaking; in addition his wit is evident throughout. Chapters include "Heads It's Form, Tails It's Not Content," "On the Manner of Addressing Clouds," and "The Opposite of Emptiness."
Author: Hilton Kramer Publisher: Rowman & Littlefield ISBN: 1442223227 Category : Art Languages : en Pages : 385
Book Description
Widely acknowledged as the most authoritative art critic of his generation, Hilton Kramer advanced his comments and judgments largely in the form of essays and short pieces. Thus this first collection of his work to appear in twenty years is a signal event for the art world and for criticism generally. The Triumph of Modernism not only traces the vicissitudes of the art scene but diagnoses the state of modernism and its vital legacy in the postmodern world. Mr. Kramer bracingly updates his incisive critique of the artists, critics, institutions, and movements that have formed the basis for modern art. Appearing for the first time in greatly expanded form is his consideration of the foundations of modern abstract painting and the future of abstraction. The aesthetic intelligence that Mr. Kramer brings to bear on certain tired assumptions about modernism—many of them derived from methodologies and politics that have little to do with art—helps rescue the artwork itself and its appreciation from the very institutions, such as the art museum and the academy, that purport to foster it. Always clear-eyed and vastly illuminating, Hilton Kramer’s art criticism remains among the very finest written in the past hundred years. Readers of The Triumph of Modernism will be treated to an exhilarating experience.
Author: Gabrielle Cody Publisher: Routledge ISBN: 1136246568 Category : Art Languages : en Pages : 508
Book Description
As the nature of contemporary performance continues to expand into new forms, genres and media, it requires an increasingly diverse vocabulary. Reading Contemporary Performance provides students, critics and creators with a rich understanding of the key terms and ideas that are central to any discussion of this evolving theatricality. Specially commissioned entries from a wealth of contributors map out the many and varied ways of discussing performance in all of its forms – from theatrical and site-specific performances to live and New Media art. The book is divided into two sections: Concepts - Key terms and ideas arranged according to the five characteristic elements of performance art: time; space; action; performer; audience. Methodologies and Turning Points - The seminal theories and ways of reading performance, such as postmodernism, epic theatre, feminisms, happenings and animal studies. Case Studies – entries in both sections are accompanied by short studies of specific performances and events, demonstrating creative examples of the ideas and issues in question. Three different introductory essays provide multiple entry points into the discussion of contemporary performance, and cross-references for each entry also allow the plotting of one’s own pathway. Reading Contemporary Performance is an invaluable guide, providing not just a solid set of familiarities, but an exploration and contextualisation of this broad and vital field.
Author: Robert Kelly Publisher: Documentext ISBN: 9780929701929 Category : Art Languages : en Pages : 223
Book Description
From roughly 1965 to 1980, Conceptual Art and Performance Art took center stage throughout the western world, introducing new and complex ideas to the practice of contemporary art which reverberate to this day. Thomas McEvilley's The Triumph of Anti-Art not only explains the origins of these controversial and compelling art forms, but also uncovers many relatively unrecognized yet indisputably important artists, American and European. He guides the reader through a thicket of seemingly arcane meanings of these nonrepresentational art form, and brings clarity to the intentions and agendas of these artists, as well as to their real world contexts. The long-term effects of "anti-art," and the development of the pluralistic situation known as post-Modernism, are described in vivid detail. From the Greek philosopher Diogenes, through the 19th-century German romantic tradition, to the modern art critic Clement Greenberg, McEvilley traces philosophical ideas and political impulses that tempor
Author: Thomas McEvilley Publisher: Spring Publications ISBN: Category : Literary Criticism Languages : en Pages : 468
Book Description
"The current volume on Sappho represents many years of work and includes two major unpublished new studies: "The Garden of the Graces: The Survival of Bronze Age Religious Motifs into the Modern Lyric Poem," and "The Clear-Voiced Song-Loving Lyre: Recent Explorations in Sapphic Studies.""--BOOK JACKET.
Author: María C. Gaztambide Publisher: University Press of Florida ISBN: 1683400763 Category : Art Languages : en Pages : 257
Book Description
The work of the 1960s Caracas-based art collective El Techo de la Ballena (The Roof of the Whale) was called “subversive” and “art terrorism” and seen as a threat to Venezuela’s national image as an emerging industrial power. This volume details the historical and social contexts that shaped the collective, exploring how its anti-art aesthetic highlighted the shortcomings of the country’s newfound oil wealth and transition to democracy. Every element used by these radicalized artists in their avant-garde exhibitions—from Informalist canvases to torn book pages and kitsch objects to cattle carcasses and scatological content—issued a critique of Venezuela’s petroleum-driven capitalism and the profound inequality left in its wake. Embracing chaos, the artists contradicted the country’s politically sanctioned view of modernity, which championed constant progress in the visual arts and favored geometric abstraction and kinetic art. El Techo’s was a backward—a retrograde—modernity, argues María Gaztambide, discussing how its artists turned against the norm by incorporating anachronistic postures, primeval symbols, colonial Latin American print culture, and “guerilla” art tactics. Artists in this group tested limits to provoke what they saw as a numbed local public through shocking displays of criticism and frustration. Today, as Venezuela undergoes another dramatic series of sociopolitical changes, El Techo de la Ballena serves as a reminder of the power of art in resisting the status quo and effecting change in society.
Author: Thomas McEvilley
Author: Thomas McEvilley
Author: Thomas McEvilley
Author: 
Author: Hilton Kramer
Author: Gabrielle Cody
Author: Robert Kelly
Author: David W. Galenson
Author: Thomas McEvilley
Author: María C. Gaztambide
Author: David Graver