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Author: Richard Drain Publisher: Routledge ISBN: 1134864744 Category : Performing Arts Languages : en Pages : 410
Book Description
Twentieth Century Theatre: A Sourcebook is an inspired handbook of ideas and arguments on theatre. Richard Drain gathers together a uniquely wide-ranging selection of original writings on theatre by its most creative practitioners - directors, playwrights, performers and designers, from Jarry to Grotowski and Craig. These key texts span the twentieth century, from the onset of modernism to the present, providing direct access to the thinking behind much of the most stimulating theatre the century has had to offer, as well as guidelines to its present most adventurous developments. Setting theory beside practice, these writings bring alive a number of vital and continuing concerns, each of which is given full scope in five sections which explore the Modernist, Political, Inner and Global dimensions of twentieth century theatre. Twentieth Century Theatre: A Sourcebook provides illuminationg perspectives on past history, and throws fresh light on the sources and development of theatre today. This sourcebook is not only an essential and versatile collection for students at all levels, but also directed numerous devised shows which have toured to theatres, schools, community centres and prisons.
Author: Richard Drain Publisher: Routledge ISBN: 1134864744 Category : Performing Arts Languages : en Pages : 410
Book Description
Twentieth Century Theatre: A Sourcebook is an inspired handbook of ideas and arguments on theatre. Richard Drain gathers together a uniquely wide-ranging selection of original writings on theatre by its most creative practitioners - directors, playwrights, performers and designers, from Jarry to Grotowski and Craig. These key texts span the twentieth century, from the onset of modernism to the present, providing direct access to the thinking behind much of the most stimulating theatre the century has had to offer, as well as guidelines to its present most adventurous developments. Setting theory beside practice, these writings bring alive a number of vital and continuing concerns, each of which is given full scope in five sections which explore the Modernist, Political, Inner and Global dimensions of twentieth century theatre. Twentieth Century Theatre: A Sourcebook provides illuminationg perspectives on past history, and throws fresh light on the sources and development of theatre today. This sourcebook is not only an essential and versatile collection for students at all levels, but also directed numerous devised shows which have toured to theatres, schools, community centres and prisons.
Author: Colin Counsell Publisher: Routledge ISBN: 1136153322 Category : Performing Arts Languages : en Pages : 254
Book Description
Signs of Performance provides the beginning student with working examples of theatrical analysis. Its range covers the whole of twentieth century theatre, from Stanislavski to Brecht and Samuel Beckett to Robert Wilson. Colin Counsell takes an historical look at theatre as a cultural practice, clearly tracing connections between: * Key practitioners' ideas about performance * The theatrical practices prompted by those ideas * The resulting signs which emerge in performance * The meanings and political consequences of those signs It provides an understandable theoretical framework for the study of theatre as a an signifying practice, and offers vivid explanations in clear, direct language. It opens up this fascinating field to a broad audience.
Author: Alan Sinfield Publisher: Yale University Press ISBN: 9780300081022 Category : Social Science Languages : en Pages : 428
Book Description
This intriguing, authoritative book tracks stage representations of lesbians and gay men from Oscar Wilde to the present day and examines scores of British and American plays and playwrights, including works by Wilde, Maugham, Coward, Hellman, O'Neill, Le Roi Jones, and Joe Orton.
Author: M. Morgan Publisher: Springer ISBN: 1137370386 Category : Political Science Languages : en Pages : 212
Book Description
This book explores the connection between politics and theatre by looking at the works and lives of Shaw, Brecht, Sartre, and Ionesco, providing a cultural history detailing the changing role of political theatre in twentieth-century Europe.
Author: Christopher Baugh Publisher: Bloomsbury Publishing ISBN: 1350316156 Category : Performing Arts Languages : en Pages : 264
Book Description
Chris Baugh explores how developments and changes in technology have been reflected in scenography throughout history. Taking into account the latest research, his new edition examines moving light technologies, the internet as a platform of performance, urban scenography and how scenography has developed as a collaborative practice. Chris Baugh explores how developments and changes in technology have been reflected in scenography throughout history. Taking into account the latest research, his new edition examines moving light technologies, the internet as a platform of performance, urban scenography and how scenography has developed as a collaborative practice.
Author: Alexander Feldman Publisher: Routledge ISBN: 1136155007 Category : Performing Arts Languages : en Pages : 272
Book Description
This book defines and exemplifies a major genre of modern dramatic writing, termed historiographic metatheatre, in which self-reflexive engagements with the traditions and forms of dramatic art illuminate historical themes and aid in the representation of historical events and, in doing so, formulates a genre. Historiographic metatheatre has been, and remains, a seminal mode of political engagement and ideological critique in the contemporary dramatic canon. Locating its key texts within the traditions of historical drama, self-reflexivity in European theatre, debates in the politics and aesthetics of postmodernism, and currents in contemporary historiography, this book provides a new critical idiom for discussing the major works of the genre and others that utilize its techniques. Feldman studies landmarks in the theatre history of postwar Britain by Weiss, Stoppard, Brenton, Wertenbaker and others, focusing on European revolutionary politics, the historiography of the World Wars and the effects of British colonialism. The playwrights under consideration all use the device of the play-within-the-play to explore constructions of nationhood and of Britishness, in particular. Those plays performed within the framing works are produced in places of exile where, Feldman argues, the marginalized negotiate the terms of national identity through performance.
Author: Jessica Rizzo Publisher: punctum books ISBN: 1950192881 Category : Performing Arts Languages : en Pages : 177
Book Description
If at its most elemental, the theater is an art form of human bodies in space, what becomes of the theater as suicide capitalism pushes our world into a posthuman age? Waste: Capitalism and the Dissolution of the Human in Twentieth-Century Theater traces the twentieth-century theater's movement from dramaturgies of efficiency to dramaturgies of waste, beginning with the observation that the most salient feature of the human is her ability to be ashamed of herself, to experience herself as excess, the waster and the waste of the world. By examining theatrical representations of capitalism, war, climate change, and the permanent refugee crisis, Waste traces the ways in which these human-driven events signal a tendency toward prodigality that terminates with self-destruction. Defying its promise of abundance for all, capitalism poisons all relationships with competition and fear. The desire to dominate in war is revealed to be the desire to obliterate the self in collective conflagration. The refugee crisis raises the urgent question of our responsibility to the other, but the climate crisis renders the question of anthropocentric obligations moot.Waste proposes that the theater is the form best suited to confronting the human's perverse relationship to its finitude. Everything about the theater is suffused with existential shame, with an acute awareness of its provisionality. Unlike the dominant narrative of the human, which is bound up with a fantasy of infinite growth, the theater is not deluded about its nature, origins, and destiny. At its best, the theater gathers artist and audience in one space to die together for a little while, to consciously waste, and not spend, their time. JESSICA RIZZO is an American writer, director, and dramaturge. She holds a DFA in Dramaturgy and Dramatic Criticism from the Yale School of Drama, where she served as Associate Editor of Theater magazine and was awarded the John W. Gassner Prize for Criticism. She has taught at the Yale School of Drama, Yale College, and Bryn Mawr College. In 2017, she directed the North American premiere of Elfriede Jelinek's Shadow: Eurydice Says in New York City. She has also worked at the Yale Repertory Theatre and the Hungarian Theatre of Cluj, and has had her work presented as part of the Hong Kong Arts Festival. Her writing has appeared in PAJ: A Journal of Performance and Art, TheaterForum, Theatre Journal, Theater, TDR, Austrian Studies, the Theatre Times, Vice, Momus, LA's Cultural Weekly, Philadelphia's Broad Street Review and ArtBlog, and Romania's Scena.ro.
Author: Benjamin A. Hodges Publisher: Alyson Books ISBN: 9781593500443 Category : Drama Languages : en Pages : 612
Book Description
With a foreword by Harvey Fierstein and a new introduction toThe Boys in the Bandby Mart Crowley, twentieth century theatre is seen as a powerful force in bringing gay and lesbian characters and themes out of the closet and into the spotlight. These dramatic selections share themes of oppression countered by love, fear, anger, and humor–not only gay or lesbian, but universally human. Included are Harvey Fierstein'sTorch Song Trilogy, Tererrence McNally'sThe Ritz, Lanford Wilson'sFifth of July, Paula Vogel'sThe Baltimore Waltz, and many more. Ben Hodgesis an actor, director, theatre and independent film producer, and was executive director of Fat Chance Productions and the Ground Floor Theatre. He is editor ofForbidden Acts: Pioneering Gayand Lesbian Plays from the Twentieth Century, and co-editor ofTheCommercial Theater Institute Guide to Producing Plays and Musicals.
Author: John H. Houchin Publisher: Cambridge University Press ISBN: 9780521818193 Category : Drama Languages : en Pages : 360
Book Description
John Houchin explores the impact of censorship in twentieth-century American theatre. He argues that theatrical censorship coincides with significant challenges to religious, political and cultural traditions. Along with the well-known instance of the House Un-American Activities Committee in the 1950s, other almost equally influential events shaped the course of the American stage during the century. The book is arranged in chronological order. It provides a summary of censorship in eighteenth- and nineteenth-century America and then analyses key political and theatrical events between 1900 and 2000. These include a discussion of the 1913 riot after the Abbey Theatre touring produdtion of Playboy of the Western World; protests against Clifford Odet's Waiting for Lefty, performed by militant workers during the Depression; and reactions to the recent play Angels in America.
Author: Richard Drain
Author: Richard Drain
Author: Colin Counsell
Author: Alan Sinfield
Author: M. Morgan
Author: William Lyon Phelps
Author: Christopher Baugh
Author: Alexander Feldman
Author: Jessica Rizzo
Author: Benjamin A. Hodges
Author: John H. Houchin