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Author: David K. Goodin Publisher: Lexington Books ISBN: 1978714718 Category : Religion Languages : en Pages : 207
Book Description
Theology and Wes Craven explores the religious themes in the movies, television shows, and other works of the man who redefined the horror genre with such landmark and notorious films as The Last House on the Left (1972), The Hills Have Eyes (1977), A Nightmare on Elm Street (1984), The Serpent and the Rainbow (1988), The People Under the Stairs (1991), and Scream (1996). This volume provides a retrospective for his entire career, and then spotlights his most theologically intriguing works in chapters devoted to revealing Craven's narrative intent. This collection brings together established scholars and new emergent voices in academia, including feminist and LGBTQ+ perspectives, who explore Craven's vision in relation to contemporary political, social, and economic issues, especially as they related to children, visible minorities, the excluded, and the disenfranchised. This volume is sure to be appreciated both by academics and horror enthusiasts everywhere.
Author: David K. Goodin Publisher: Lexington Books ISBN: 1978714718 Category : Religion Languages : en Pages : 207
Book Description
Theology and Wes Craven explores the religious themes in the movies, television shows, and other works of the man who redefined the horror genre with such landmark and notorious films as The Last House on the Left (1972), The Hills Have Eyes (1977), A Nightmare on Elm Street (1984), The Serpent and the Rainbow (1988), The People Under the Stairs (1991), and Scream (1996). This volume provides a retrospective for his entire career, and then spotlights his most theologically intriguing works in chapters devoted to revealing Craven's narrative intent. This collection brings together established scholars and new emergent voices in academia, including feminist and LGBTQ+ perspectives, who explore Craven's vision in relation to contemporary political, social, and economic issues, especially as they related to children, visible minorities, the excluded, and the disenfranchised. This volume is sure to be appreciated both by academics and horror enthusiasts everywhere.
Author: Peter Admirand Publisher: Rowman & Littlefield ISBN: 1978716362 Category : Religion Languages : en Pages : 251
Book Description
With a catastrophic fungal pandemic, the post-apocalypse, a moral quest despite societal breakdowns, humans hunting humans or morphed into grotesque infected, The Last of Us video games and HBO series have exhilarated, frightened, and broken the hearts of millions of gamers and viewers. The Last of Us and Theology: Violence, Ethics, Redemption? is a richly diverse and probing edited volume featuring essays from academics across the world to examine theological and ethical themes from The Last of Us universe. Divided into three groupings—Violence, Ethics, and Redemption?—these chapters will especially appeal to The Last of Us fans and those interested in Theology and Pop Culture more broadly. Chapters not only grapple with theologians, ethicists, and novelists like Cormac McCarthy, Fyodor Dostoevsky, Martin Buber, and Paul Tillich; and theological issues from forgiveness and theodicy to soteriology and eschatology; but will help readers become experts on all things fireflies, clickers, Cordyceps, and Seraphites. “Save who you can save” and “Look for the Light.”
Author: Sean Desilets Publisher: Routledge ISBN: 1317354710 Category : Performing Arts Languages : en Pages : 198
Book Description
This book revisits the tradition of Western religious cinema in light of scholarship on St. Paul’s political theology. The book’s subtitle derives from the account in the Book of Acts that St. Paul was temporarily blinded in the wake of his conversion on the road to Damascus. In imitation of Paul, the films on which Sean Desilets’s analysis hinges (including those of Carl-Th. Dreyer, Robert Bresson, Pier Paolo Pasolini, and Carlos Reygadas) place a god-blind mechanism, the camera, between themselves and the divine. Desilets calls the posture they adopt "hermeneutic humility": hermeneutic in that it interprets the world, but humble in that it pays particular—even obsessive—attention to its own limits. Though these films may not consciously reflect Pauline theology, Desilets argues that they participate in a messianic-hermeneutic tradition that runs from Paul through St. Augustine, Blaise Pascal, Karl Barth, and Walter Benjamin, and which contributes significantly to contemporary discussions in poststructuralist literary theory, political theology, and religious studies. Desilets’s insightful explication of Jean-Luc Nancy’s deconstruction of Christianity and Georgio Agamben’s recent work on religion makes a substantial contribution to film philosophy and emerging critical trends in the study of religion and film. This book puts forward a nuanced theoretical framework that will be useful for film scholars, students of contemporary political theology, and scholars interested in the intersections of religion and media.
Author: Fernando Gabriel Pagnoni Berns Publisher: Rowman & Littlefield ISBN: 1666919071 Category : Social Science Languages : en Pages : 323
Book Description
In A Critical Companion to Wes Craven, contributors use a variety of theoretical frameworks to analyze distinct areas of Craven’s work, including ecology, auteurism, philosophy, queer studies, and trauma. This book covers both the successes and failures contained in Craven’s extensive filmography, ultimately revealing a variegated portrait of his career. Scholars of film studies, horror, and ecology will find this book particularly interesting.
Author: Kenneth J. Collins Publisher: Abingdon Press ISBN: 0687646332 Category : Biography & Autobiography Languages : en Pages : 663
Book Description
A rich articulation of John Wesley's theology that is appreciative of the old and mindful of the new, faithful to the past and attentive to the present. This work carefully displays John Wesley's eighteenth century theology in its own distinct historical and social location, but then transitions to the twenty-first century through the introduction of contemporary issues. So conceived, the book is both historical and constructive demonstrating that the theology of Wesley represents a vibrant tradition. Cognizant of Wesley's own preferred vocabulary, Collins introduces Wesley's theological method beginning with a discussion of the doctrine of God. "In this insightful exposition the leitmotif of holy love arises out of Wesley's reflection on the nature of the divine being as well as other major doctrines." (Douglas Meeks)
Author: Anthony R. Mills Publisher: McFarland ISBN: 1476612536 Category : Performing Arts Languages : en Pages : 239
Book Description
This is a collection of new essays on the religious themes in, and the implications of, the works of Joss Whedon, creator of such shows as Buffy the Vampire Slayer, Angel, and Firefly, and more recently writer and director of the box-office hit Marvel's The Avengers. The book addresses such topics as ethics, racism, feminism, politics, witchcraft, spiritual transformation, identity, community, heroism, apocalypse, and other theologically significant themes of Whedon's creative enterprises. The disciplinary approaches vary as well; history, theology, philosophy of religion, phenomenology, cultural studies, and religious studies are all employed. The various essay authors differ in that some are clearly believers in God, some are clearly not, and others leave that matter aside.
Author: Jason Zinoman Publisher: Penguin ISBN: 1101516968 Category : Performing Arts Languages : en Pages : 267
Book Description
An enormously entertaining account of the gifted and eccentric directors who gave us the golden age of modern horror in the 1970s, bringing a new brand of politics and gritty realism to the genre. Much has been written about the storied New Hollywood of the 1970s, but at the same time as Martin Scorsese, Steven Spielberg, and Francis Ford Coppola were making their first classic movies, a parallel universe of directors gave birth to the modern horror film-aggressive, raw, and utterly original. Based on unprecedented access to the genre's major players, The New York Times's critic Jason Zinoman's Shock Value delivers the first definitive account of horror's golden age. By the late 1960s, horror was stuck in the past, confined mostly to drive-in theaters and exploitation houses, and shunned by critics. Shock Value tells the unlikely story of how the much-disparaged horror film became an ambitious art form while also conquering the multiplex. Directors such as Wes Craven, Roman Polanski, John Carpenter, and Brian De Palma- counterculture types operating largely outside the confines of Hollywood-revolutionized the genre, exploding taboos and bringing a gritty aesthetic, confrontational style, and political edge to horror. Zinoman recounts how these directors produced such classics as Rosemary's Baby, Carrie, The Texas Chainsaw Massacre, and Halloween, creating a template for horror that has been imitated relentlessly but whose originality has rarely been matched. This new kind of film dispensed with the old vampires and werewolves and instead assaulted audiences with portraits of serial killers, the dark side of suburbia, and a brand of nihilistic violence that had never been seen before. Shock Value tells the improbable stories behind the making of these movies, which were often directed by obsessive and insecure young men working on shoestring budgets, were funded by sketchy investors, and starred porn stars. But once The Exorcist became the highest grossing film in America, Hollywood took notice. The classic horror films of the 1970s have now spawned a billion-dollar industry, but they have also penetrated deep into the American consciousness. Quite literally, Zinoman reveals, these movies have taught us what to be afraid of. Drawing on interviews with hundreds of the most important artists in horror, Shock Value is an enthralling and personality-driven account of an overlooked but hugely influential golden age in American film.
Author: Don Thorsen Publisher: Abingdon Press ISBN: 1426775067 Category : Religion Languages : en Pages : 160
Book Description
Congregations are made up of people with all sorts of theologies. Pastor Mike Slaughter even says that these can stand in the way of the church’s mission of social and personal holiness. But most people do not adopt a theology on purpose, mostly they merely breathe in the prevailing cultural air. The theology "de jour" seems to be Calvinist, with its emphasis on “the elect” and “other worldly salvation.” In fact, there is so much Calvinism saturating the culture, that some do not even know there is an alternative way of thinking about their faith. They don’t know where to go to find a viable option; they don’t even know the key words to search Google. So people are left thinking like Calvinists but living with a desire to change the world, offering grace and hope to hurting people in mission and ministry—loving the least, the last, and the lost. In other words, they are living like Wesleyans. This book shows what Calvinist and Wesleyans actually believe about human responsibility, salvation, the universality of God’s grace, holy living through service, and the benefits of small group accountability--and how that connects to how people can live. Calvinists and Wesleyans are different, and by knowing the difference, people will not only see the other benefits of Wesleyan theology but will be inspired to learn more. By knowing who they are as faithful people of God, they will be motivated to reach out in mission with renewed vigor. And they won’t be obstacles to grace and holiness, but they can be better disciples and advocates for Christ through service in this world.
Author: H. Peter Steeves Publisher: SUNY Press ISBN: 1438466536 Category : Philosophy Languages : en Pages : 272
Book Description
Phenomenological analysis of beauty and art across various aspects of lived experience and culture. Through a careful analysis of concrete examples taken from everyday experience and culture, Beautiful, Bright, and Blinding develops a straightforward and powerful aesthetic methodology founded on a phenomenological approach to experienceone that investigates how consciousness engages with the world and thus what it means to take such things as tastes, images, sounds, and even a life itself as art. H. Peter Steeves begins by exploring what it means to see, and considers how disruptions of sight can help us rethink how perception works. Engaging the work of Derrida, Heidegger, and Husserl, he uses these insights about seeing to undertake a systematic phenomenological investigation of how we perceive and process a range of aesthetic objects, including the paintings of Arshile Gorky, the films of Michael Haneke, Disneys Beauty and the Beast, zombie films, The Simpsons, the performance art of Rachel Rosenthal and Andy Kaufman, and even vegan hot dogs. Refusing hierarchical distinctions between high and low art, Steeves argues that we must conceptualize the whole of human experience as aesthetic: art is lived, and living is an art. This is a brilliant new contribution by our preeminent phenomenologist of culture. Its extremely accessible, illuminating, original, and sophisticated while being philosophically probing. David Wood, author of The Step Back: Ethics and Politics after Deconstruction
Author: Victor A. Shepherd Publisher: Clements Publishing Group ISBN: 1894667980 Category : Methodism Languages : en Pages : 265
Book Description
This volume celebrates the Wesleyan scholarship of Victor Shepherd, the first professor to occupy the Chair of Wesley Studies at Tyndale University College & Seminary in Toronto, Canada. The essays collected here explore not only the life and theology of John and Charles Wesley, but also many themes relating to the contemporary Wesleyan tradition, especially within the Canadian context Attention is given to the intellectual, social and religious context of John Wesley's theology, as well as to the ecumenical significance of a theologian who is seen to relate readily to many different families within the universal church. A pastor for four decades, Shepherd's thought always reflects Wesley's insistence on "practical divinity" or theology not oriented to speculation but rather to the concrete concerns of the people of God in their engagement with the treachery of their own hearts and the turbulence in the wider world. Victor A. Shepherd is Professor of Theology and Professor of Philosophy at Tyndale University College & Seminary, Toronto, and Professor "Ordinarius" for the Graduate Theological Foundation, University of Oxford. He is also an adjunct professor at the Toronto School of Theology, University of Toronto, where he supervises doctoral students in Reformation studies, Puritan thought, the theology of the eighteenth-century Awakening, and contemporary theology. He is currently a member of the Evangelical-Roman Catholic Dialogue (an undertaking of the Evangelical Fellowship of Canada and the Canadian Conference of Catholic Bishops). His other books include "Interpreting Martin Luther: An Introduction to His Life and Thought " (Regent College Publishing) and " The Nature and Function of Faith in the Theology of John Calvin " (Mercer University Press).
Author: David K. Goodin
Author: David K. Goodin
Author: Peter Admirand
Author: Sean Desilets
Author: Fernando Gabriel Pagnoni Berns
Author: Kenneth J. Collins
Author: Anthony R. Mills
Author: Jason Zinoman
Author: Don Thorsen
Author: H. Peter Steeves
Author: Victor A. Shepherd