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Transatlantic Modernism and the US Lecture Tour

Transatlantic Modernism and the US Lecture Tour PDF Author: Robert Volpicelli
Publisher: Oxford University Press
ISBN: 0192893386
Category : Literary Collections
Languages : en
Pages : 231

Book Description
Many Americans' first encounter with international modernism came, not on the page, but in person--through the widespread phenomenon of the US lecture tour. Attending to these encounters, Transatlantic Modernism and the US Lecture Tour reroutes our understanding of modernism away from the magazines and other mass media that have so far characterized its circulation and toward the unique form of cultural distribution that coalesced around the tour. Offering many new and compelling archival insights, this volume works across an admirably broad cultural landscape to reveal the US lecture tour as a primary mover of modernism. The study highlights the role this circuit played in the formation of transatlantic modernism by following a diverse group of authors--Oscar Wilde, W. B. Yeats, Rabindranath Tagore, Gertrude Stein, and W. H. Auden--on their whistle-stop tours across America, illuminating in the process how this extremely physical form of circulation transformed authors into object-like commodities to be sold in a variety of performance venues. Moreover, it shows how these writers responded to such wide-ranging distribution by stretching their own ideas about modernist authorship. In doing so, Transatlantic Modernism and the US Lecture Tour adds to a critical tradition of exposing those popular dimensions of modernism that far exceeded its standard coterie definition while also uncovering something else: how the circuit's particular diversity of social contexts forced modernists to take on a new authorial flexibility that would allow them to make in-roads with practically any audience--elite, popular, and everything in between.

Transatlantic Modernism and the US Lecture Tour

Transatlantic Modernism and the US Lecture Tour PDF Author: Robert Volpicelli
Publisher: Oxford University Press
ISBN: 0192893386
Category : Literary Collections
Languages : en
Pages : 231

Book Description
Many Americans' first encounter with international modernism came, not on the page, but in person--through the widespread phenomenon of the US lecture tour. Attending to these encounters, Transatlantic Modernism and the US Lecture Tour reroutes our understanding of modernism away from the magazines and other mass media that have so far characterized its circulation and toward the unique form of cultural distribution that coalesced around the tour. Offering many new and compelling archival insights, this volume works across an admirably broad cultural landscape to reveal the US lecture tour as a primary mover of modernism. The study highlights the role this circuit played in the formation of transatlantic modernism by following a diverse group of authors--Oscar Wilde, W. B. Yeats, Rabindranath Tagore, Gertrude Stein, and W. H. Auden--on their whistle-stop tours across America, illuminating in the process how this extremely physical form of circulation transformed authors into object-like commodities to be sold in a variety of performance venues. Moreover, it shows how these writers responded to such wide-ranging distribution by stretching their own ideas about modernist authorship. In doing so, Transatlantic Modernism and the US Lecture Tour adds to a critical tradition of exposing those popular dimensions of modernism that far exceeded its standard coterie definition while also uncovering something else: how the circuit's particular diversity of social contexts forced modernists to take on a new authorial flexibility that would allow them to make in-roads with practically any audience--elite, popular, and everything in between.

Marianne Moore and the Archives

Marianne Moore and the Archives PDF Author: Jeff Westover
Publisher: Liverpool University Press
ISBN: 1638040982
Category : Literary Criticism
Languages : en
Pages : 312

Book Description
Marianne Moore and the Archives features new archival research to explore the work of a major American modernist poet, providing innovative approaches to Moore’s career as it is documented in her archives in Philadelphia. This volume is also the first that draws upon the Marianne Moore Digital Archive (MMDA).

Silent Film and the Formations of U.S. Literary Culture

Silent Film and the Formations of U.S. Literary Culture PDF Author: Sarah Gleeson-White
Publisher: Oxford University Press
ISBN: 0197558054
Category : Art
Languages : en
Pages : 289

Book Description
Silent Film and the Formations of U.S. Literary Culture: Literature in Motion discovers the considerable impact of motion pictures on literary culture across the early decades of the twentieth century by exploring how motion pictures spurred change in twentieth century literature.

Cybernetic Aesthetics

Cybernetic Aesthetics PDF Author: Heather A. Love
Publisher: Cambridge University Press
ISBN: 1009387472
Category : Literary Criticism
Languages : en
Pages : 223

Book Description
In Cybernetic Aesthetics, Heather A. Love makes a new contribution to ongoing debates about modern communication networks and information culture. This book draws from cybernetics theory and terminology to interpret experimental modernist texts, illustrating how cybernetic approaches to communication emerged long before World War II.

Transatlantic Modernism

Transatlantic Modernism PDF Author: Martin Klepper
Publisher: Universitatsverlag Winter
ISBN:
Category : Art
Languages : en
Pages : 344

Book Description
Modernism in Europe and modernism in the United States - at first glance these two concepts seem to be quite different if not opposing. European modernism, it appears, is innovative and even iconoclastic (Joyce, Schonberg, Gropius, Schwitters). American modernism, it would seem, is rather reconciliatory and even conservative (Fitzgerald, Gershwin, Wright and Hopper). The collection of essays in Transatlantic Modernism disproves this point. Transatlantic Modernism tackles the modes of transfer, translation, cross-fertilization and reinterpretation which actually characterize the complex relations between European and American cultures within the period of modernism. The essays collected in this volume cover a broad array of forms of cultural expression: literature (Doblin, Dos Passos, Faulkner etc.), philosophy (Bergson, James, Dewey), painting (Gleizes, Stella, Shahn), photography (Ray, Steichen, Sheeler), fashion (Poiret, Delaunay, Schiaparelli), film (Fox, Stroheim, Lubitsch), architecture (Bauhaus, Johnson, Hitchcock) and opera (Thomson, Stein).

Transatlantic Avant-Gardes

Transatlantic Avant-Gardes PDF Author: Eric B White
Publisher: Edinburgh University Press
ISBN: 0748681590
Category : Literary Criticism
Languages : en
Pages : 287

Book Description
A revisionary account of the evolution of twentieth-century modernism, concentrating on expressions of cultural localism in the modernist transatlantic.

Transatlantic Aliens

Transatlantic Aliens PDF Author: Will Norman
Publisher: JHU Press
ISBN: 1421420953
Category : Social Science
Languages : en
Pages : 394

Book Description
“A cogent and innovative account of the politics of literary and artistic modernism in the early years of the Cold War . . . an exceptional book.” —Transatlantica In Transatlantic Aliens, Will Norman reorients our understanding of midcentury American culture by thinking dialectically about the interfusion of aesthetic and intellectual practices across both the cultural hierarchy and the Atlantic. Norman relays this critical narrative through a series of interlinked case studies of key figures, including C. L. R. James, Theodor Adorno, George Grosz, Raymond Chandler, Simone de Beauvoir, Vladimir Nabokov, and Saul Steinberg. He discovers the strange afterlives of European modernism in disorientating and uncanny juxtapositions: the aesthetics of French symbolism flicker among the neon signs of a small town in the dead of night, and echoes of Mondrian’s grids are observed in the form of a boardroom sales chart. At the heart of Transatlantic Aliens is a conception of alienation that encompasses both its political and aesthetic valences. What unites the exilic figures it addresses is the desire to transform the practical experience of alienation into a positive resource for criticizing and coping with a reconfigured postwar landscape. Addressed to scholars and readers of American and comparative literatures as well as of cultural history and visual culture, the book combines assessments of individual artworks, novels, and other texts with more distant readings spanning time and space. A gallery of color plates beautifully illuminates the book’s analysis. Examining hardboiled fiction through Flaubert, New Yorker cartoons through modernist painting, and Bette Davis through Hegel and Marx, Transatlantic Aliens challenges and changes the way we understand modernism’s place in midcentury American culture.

The Jungian Strand in Transatlantic Modernism

The Jungian Strand in Transatlantic Modernism PDF Author: Jay Sherry
Publisher: Springer
ISBN: 1137557745
Category : History
Languages : en
Pages : 168

Book Description
In studies of psychology’s role in modernism, Carl Jung is usually relegated to a cameo appearance, if he appears at all. This book rethinks his place in modernist culture during its formative years, mapping Jung’s influence on a surprisingly vast transatlantic network of artists, writers, and thinkers. Jay Sherry sheds light on how this network grew and how Jung applied his unique view of the image-making capacity of the psyche to interpret such modernist icons as James Joyce and Pablo Picasso. His ambition to bridge the divide between the natural and human sciences resulted in a body of work that attracted a cohort of feminists and progressives involved in modern art, early childhood education, dance, and theater.

Eugenics in the Garden

Eugenics in the Garden PDF Author: Fabiola López-Durán
Publisher: University of Texas Press
ISBN: 1477314962
Category : Architecture
Languages : en
Pages : 313

Book Description
As Latin American elites strove to modernize their cities at the turn of the twentieth century, they eagerly adopted the eugenic theory that improvements to the physical environment would lead to improvements in the human race. Based on Jean-Baptiste Lamarck’s theory of the “inheritance of acquired characteristics,” this strain of eugenics empowered a utopian project that made race, gender, class, and the built environment the critical instruments of modernity and progress. Through a transnational and interdisciplinary lens, Eugenics in the Garden reveals how eugenics, fueled by a fear of social degeneration in France, spread from the realms of medical science to architecture and urban planning, becoming a critical instrument in the crafting of modernity in the new Latin world. Journeying back and forth between France, Brazil, and Argentina, Fabiola López-Durán uncovers the complicity of physicians and architects on both sides of the Atlantic, who participated in a global strategy of social engineering, legitimized by the authority of science. In doing so, she reveals the ideological trajectory of one of the most celebrated architects of the twentieth century, Le Corbusier, who deployed architecture in what he saw as the perfecting and whitening of man. The first in-depth interrogation of eugenics’ influence on the construction of the modern built environment, Eugenics in the Garden convincingly demonstrates that race was the main tool in the geopolitics of space, and that racism was, and remains, an ideology of progress.

Chicago Renaissance

Chicago Renaissance PDF Author: Liesl Olson
Publisher: Yale University Press
ISBN: 030023113X
Category : History
Languages : en
Pages : 397

Book Description
A fascinating history of Chicago’s innovative and invaluable contributions to American literature and art from the late nineteenth to the mid-twentieth century This remarkable cultural history celebrates the great Midwestern city of Chicago for its centrality to the modernist movement. Author Liesl Olson traces Chicago’s cultural development from the 1893 World’s Fair through mid-century, illuminating how Chicago writers revolutionized literary forms during the first half of the twentieth century, a period of sweeping aesthetic transformations all over the world. From Harriet Monroe, Carl Sandburg, and Ernest Hemingway to Richard Wright and Gwendolyn Brooks, Olson’s enthralling study bridges the gap between two distinct and equally vital Chicago-based artistic “renaissance” moments: the primarily white renaissance of the early teens, and the creative ferment of Bronzeville. Stories of the famous and iconoclastic are interwoven with accounts of lesser-known yet influential figures in Chicago, many of whom were women. Olson argues for the importance of Chicago’s editors, bookstore owners, tastemakers, and ordinary citizens who helped nurture Chicago’s unique culture of artistic experimentation. Cover art by Lincoln Schatz