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Author: Ben Quash Publisher: Bloomsbury Publishing ISBN: 1786730855 Category : History Languages : en Pages : 336
Book Description
William Blake famously imagined 'Jerusalem builded here' in London. But Blake was not the first or the last to visualise a shimmering new metropolis on the banks of the River Thames. For example, the Romans erected a temple to Mithras in their ancient city of Londinium; medieval Londoners created Temple Church in memory of the Holy Sepulchre in which Jesus was buried; and Christopher Wren reshaped the skyline of the entire city with his visionary dome and spires after the Great Fire of London in 1666. In the modern period, the fabric of London has been rewoven in the image of its many immigrants from the Caribbean, South Asia, Eastern Europe and elsewhere. While previous books have examined literary depictions of the city, this is the first examination of the religious imaginary of the metropolis through the prism of the visual arts. Adopting a broad multicultural and multi-faith perspective, and making space for practitioners as well as scholars, its topics range from ancient archaeological remains and Victorian murals and cemeteries to contemporary documentaries and political cartoons.
Author: Ben Quash Publisher: Bloomsbury Publishing ISBN: 1786730855 Category : History Languages : en Pages : 336
Book Description
William Blake famously imagined 'Jerusalem builded here' in London. But Blake was not the first or the last to visualise a shimmering new metropolis on the banks of the River Thames. For example, the Romans erected a temple to Mithras in their ancient city of Londinium; medieval Londoners created Temple Church in memory of the Holy Sepulchre in which Jesus was buried; and Christopher Wren reshaped the skyline of the entire city with his visionary dome and spires after the Great Fire of London in 1666. In the modern period, the fabric of London has been rewoven in the image of its many immigrants from the Caribbean, South Asia, Eastern Europe and elsewhere. While previous books have examined literary depictions of the city, this is the first examination of the religious imaginary of the metropolis through the prism of the visual arts. Adopting a broad multicultural and multi-faith perspective, and making space for practitioners as well as scholars, its topics range from ancient archaeological remains and Victorian murals and cemeteries to contemporary documentaries and political cartoons.
Author: Ronald R. Bernier Publisher: Taylor & Francis ISBN: 1000868451 Category : Art Languages : en Pages : 475
Book Description
Religion and Contemporary Art sets the theoretical frameworks and interpretive strategies for exploring the re-emergence of religion in the making, exhibiting, and discussion of contemporary art. Featuring essays from both established and emerging scholars, critics, and artists, the book reflects on what might be termed an "accord" between contemporary art and religion. It explores the common strategies contemporary artists employ in the interface between religion and contemporary art practice. It also includes case studies to provide more in-depth treatments of specific artists grappling with themes such as ritual, abstraction, mythology, the body, popular culture, science, liturgy, and social justice, among other themes. It is a must-read resource for working artists, critics, and scholars in this field, and an invitation to new voices "curious" about its promises and possibilities.
Author: Lucinda Mosher Publisher: Georgetown University Press ISBN: 1647121639 Category : RELIGION Languages : en Pages : 565
Book Description
The Georgetown Companion to Interreligious Studies provides fifty thought-provoking chapters on the history, priorities, challenges, pedagogies, and practical applications of this emerging field, written by an international roster of practitioners of or experts across diverse religious traditions.
Author: Naomi Billingsley Publisher: Bloomsbury Publishing ISBN: 1838609652 Category : Art Languages : en Pages : 369
Book Description
William Blake (1757-1827) is considered one of the most singular and brilliant talents that England has ever produced. Celebrated now for the originality of his thinking, painting and verse, he shocked contemporaries by rejecting all forms of organized worship even while adhering to the truth of the Bible. But how did he come to equate Christianity with art? How did he use images and paint to express those radical and prophetic ideas about religion which he came in time to believe? And why did he conceive of Christ himself as an artist: in fact, as the artist, par excellence? These are among the questions which Naomi Billingsley explores in her subtle and wide-ranging new study in art, religion and the history of ideas. Suggesting that Blake expresses through his representations of Jesus a truly distinctive theology of art, and offering detailed readings of Blake's paintings and biblical commentary, she argues that her subject thought of Christ as an artist-archetype. Blake's is thus a distinctively 'Romantic' vision of art in which both the artist and his saviour fundamentally change the way that the world is perceived.
Author: Dan Cohn-Sherbok Publisher: Jessica Kingsley Publishers ISBN: 1784503851 Category : Religion Languages : en Pages : 298
Book Description
This ground-breaking book contains contributions from 12 different religious traditions: Hinduism, African Traditional Religion, Judaism, Jainism, Buddhism, Zoroastrianism, Shintoism, Christianity, Islam, Sikhism, Unitarianism and Bahá'í. Interfaith worship and prayer can be complex, but this book demonstrates that in a world of many cultures and religions, there is an urgent need for religions to come together with trust and communication, especially when there is a crisis. Full of insights and examples of practice, the book demonstrates how religions can be a powerful means of unity and compassion. The book opposes the 'clash of civilisations' model as a way of interpreting the world and promotes peace, hope, and the possibility of cooperation. Religious believers can be sincere and committed to their own faith, while recognising the need to stand firmly together with members of other religious traditions.
Author: Noam Lemelshtrich Latar Publisher: Frame Publishers ISBN: 9492311321 Category : Art Languages : en Pages : 268
Book Description
A pioneering survey of leading and emerging global artists, curators and art practitioners on the question: can art aid in conflict resolution and therefore reduce global tensions and human suffering? Throughout the centuries, art has documented the atrocities of wars, participated in propaganda campaigns, and served as an advocate for peace and social justice around the world. The aim of this project is to explore how art can assist in creating dialogue and bridges across cultures and opposing groups. Over 100 leading and emerging architects, artists, curators, choreographers, composers, and directors of art institutions around the globe explore the potentially constructive role of the arts in conflict resolution. A summarizing chapter maps out the diverse positions and examines the variety of themes and approaches that were brought up.
Author: David Morgan Publisher: Univ of California Press ISBN: 0520938305 Category : Religion Languages : en Pages : 336
Book Description
"Sacred gaze" denotes any way of seeing that invests its object—an image, a person, a time, a place—with spiritual significance. Drawing from many different fields, David Morgan investigates key aspects of vision and imagery in a variety of religious traditions. His lively, innovative book explores how viewers absorb and process religious imagery and how their experience contributes to the social, intellectual, and perceptual construction of reality. Ranging widely from thirteenth-century Japan and eighteenth-century Tibet to contemporary America, Thailand, and Africa, The Sacred Gaze discusses the religious functions of images and the tools viewers use to interpret them. Morgan questions how fear and disgust of images relate to one another and explains how scholars study the long and evolving histories of images as they pass from culture to culture. An intriguing strand of the narrative details how images have helped to shape popular conceptions of gender and masculinity. The opening chapter considers definitions of "visual culture" and how these relate to the traditional practice of art history. Amply illustrated with more than seventy images from diverse religious traditions, this masterful interdisciplinary study provides a comprehensive and accessible resource for everyone interested in how religious images and visual practice order space and time, communicate with the transcendent, and embody forms of communion with the divine. The Sacred Gaze is a vital introduction to the study of the visual culture of religions.
Author: Aaron W. Irvin Publisher: John Wiley & Sons ISBN: 1119630703 Category : History Languages : en Pages : 288
Book Description
A timely and academically-significant contribution to scholarship on community, identity, and globalization in the Roman and Hellenistic worlds Community and Identity at the Edges of the Classical World examines the construction of personal and communal identities in the ancient world, exploring how globalism, multi-culturalism, and other macro events influenced micro identities throughout the Hellenistic and Roman empires. This innovative volume discusses where contact and the sharing of ideas was occurring in the time period, and applies modern theories based on networks and communication to historical and archaeological data. A new generation of international scholars challenge traditional views of Classical history and offer original perspectives on the impact globalizing trends had on localized areas—insights that resonate with similar issues today. This singular resource presents a broad, multi-national view rarely found in western collected volumes, including Serbian, Macedonian, and Russian scholarship on the Roman Empire, as well as on Roman and Hellenistic archaeological sites in Eastern Europe. Topics include Egyptian identity in the Hellenistic world, cultural identity in Roman Greece, Romanization in Slovenia, Balkan Latin, the provincial organization of cults in Roman Britain, and Soviet studies of Roman Empire and imperialism. Serving as a synthesis of contemporary scholarship on the wider topic of identity and community, this volume: Provides an expansive materialist approach to the topic of globalization in the Roman world Examines ethnicity in the Roman empire from the viewpoint of minority populations Offers several views of metascholarship, a growing sub-discipline that compares ancient material to modern scholarship Covers a range of themes, time periods, and geographic areas not included in most western publications Community and Identity at the Edges of the Classical World is a valuable resource for academics, researchers, and graduate students examining identity and ethnicity in the ancient world, as well as for those working in multiple fields of study, from Classical, Hellenistic, and Roman historians, to the study of ethnicity, identity, and globalizing trends in time.
Author: Adelene Buckland Publisher: University of Chicago Press ISBN: 022667682X Category : History Languages : en Pages : 314
Book Description
The Victorians, perhaps more than any Britons before them, were diggers and sifters of the past. Though they were not the first to be fascinated by history, the intensity and range of their preoccupations with the past were unprecedented and of lasting importance. The Victorians paved the way for our modern disciplines, discovered the primeval monsters we now call the dinosaurs, and built many of Britain’s most important national museums and galleries. To a large degree, they created the perceptual frameworks through which we continue to understand the past. Out of their discoveries, new histories emerged, giving rise to fresh debates, while seemingly well-known histories were thrown into confusion by novel tools and methods of scrutiny. If in the eighteenth century the study of the past had been the province of a handful of elites, new technologies and economic development in the nineteenth century meant that the past, in all its brilliant detail, was for the first time the property of the many, not the few. Time Travelers is a book about the myriad ways in which Victorians approached the past, offering a vivid picture of the Victorian world and its historical obsessions.
Author: James Fox Publisher: D & M Publishers ISBN: 1771621303 Category : Art Languages : en Pages : 256
Book Description
Jeffrey Rubinoff is one of the great sculptors in steel of the second half of the twentieth century. In the 1970s and '80s he exhibited widely in the United States and Canada alongside Anthony Caro, Mark di Suvero and George Rickey, among others. However, in the early 1990s Rubinoff withdrew from the art world altogether and concentrated on creating an extraordinary sculpture park on Hornby Island. This book is the first major account of his remarkable career. The Art of Jeffrey Rubinoff considers Rubinoff's life, work and ideas from a variety of perspectives. Barry Phipps describes Rubinoff's working methods; James Purdon examines the meanings that derive from Rubinoff's use of steel; Joan Pachner focuses on the formative influence of the abstract Expressionist sculptor David Smith on his work; Maria Tippett examines Rubinoff through the lens of the broader arts scene in postwar Canada; and Aaron Rosen attempts to understand Rubinoff's values and ambitions in light of his Jewish heritage. Other contributing scholars include Alistair Rider, Mark E. Breeze, Tom Stammers, Alexander Massouras, David Lawless and Peter Clarke. The book's foreword is written by the distinguished Yale historian Jay Winter. Drawing on interviews and correspondence with Rubinoff himself, as well as uncatalogued archives and unpublished documents in the artist's possession, The Art of Jeffrey Rubinoff makes available for the very first time a significant quantity of primary material, both textual and visual, for scholars and students of the future.
Author: Ben Quash
Author: Ben Quash
Author: Ronald R. Bernier
Author: Lucinda Mosher
Author: Naomi Billingsley
Author: Dan Cohn-Sherbok
Author: Noam Lemelshtrich Latar
Author: David Morgan
Author: Aaron W. Irvin
Author: Adelene Buckland
Author: James Fox