Author: Ronald L. DavisPublisher:
ISBN:
Category : Music
Languages : en
Pages :
Book Description
A History of Music in American Life: The modern era, 1920-present
Author: Ronald L. DavisA History of Music in American Life
Author: Ronald L. DavisPublisher:
ISBN: 9780898746242
Category :
Languages : en
Pages : 462
Book Description
A History of Music in American Life: The modern era, 1920-present. Symphony orchestras, concert life, and a democratic society
Author: Ronald L. DavisPublisher:
ISBN:
Category : Music
Languages : en
Pages : 488
Book Description
America's Musical Pulse
Author: Kenneth J. BindasPublisher: Bloomsbury Publishing USA
ISBN: 0313389748
Category : Music
Languages : en
Pages : 320
Book Description
Popular music may be viewed as primary documents of society, and America's Musical Pulse documents the American experience as recorded in popular sound. Whether jazz, blues, swing, country, or rock, the music, the impulse behind it, and the reaction to it reveal the attitudes of an era or generation. Always a major preoccupation of students, music is often ignored by teaching professionals, who might profitably channel this interest to further understandings of American social history and such diverse fields as sociology, political science, literature, communications, and business as well as music. In this interdisciplinary collection, scholars, educators, and writers from a variety of fields and perspectives relate topics concerning twentieth-century popular music to issues of politics, class, economics, race, gender, and the social context. The focus throughout is to place music in societal perspective and encourage investigation of the complex issues behind the popular tunes, rhythms, and lyrics.
Music of the World War II Era
Author: William H. YoungPublisher: Bloomsbury Publishing USA
ISBN: 0313084270
Category : Music
Languages : en
Pages : 285
Book Description
In the World War II era, big bands and swing music reached the heights of popularity with soldiers as well as friends and loved ones back home. Many entertainers such as Glenn Miller also served in the military, or supported the war effort with bond drives and entertaining the troops at home and abroad. In addition to big band and swing music, musicals, jazz, blues, gospel and country music were also popular. Chapters on each, along with an analysis of the evolution of record companies, records, radios, and television are included here, for students, historians, and fans of the era. Includes a timeline of the music of the era, an appendix of the Broadway and Hollywood Musicals, 1939-1945, and an appendix of Songs, Composers, and lyricists, 1939-1945. An extensive discography and bibliography, along with approximately 35 black and white photos, complete the volume.
Before Seattle Rocked
Author: Kurt E. ArmbrusterPublisher: University of Washington Press
ISBN: 029580100X
Category : Music
Languages : en
Pages : 386
Book Description
Seattle is a music town with rich, deep roots that have influenced the culture and identity of its civic life for decades. In a society that appreciates music but is ambivalent toward the profession of making it, the importance and contribution of Seattle's musicians have been routinely overlooked in historical accounts of the city. Kurt Armbruster fills that gap in this far-reaching and entertaining panorama of Seattle music from the 1890s to the 1960s, "before Seattle rocked." For this once-remote city, music forged links as real as those created by railroads and steamships. Classical music embodied the middle-class aspirations for gentility and cosmopolitan stature; jazz and blues gave Seattle's small African American community a vehicle for affirmation and economic advancement; ethnic music helped immigrants adjust to a new home; songs and drumming kept the memories of the Duwamish alive in a changing world. Before Seattle Rocked is enlivened by personal anecdotes and memories from many of Seattle's most beloved musicians and is enriched by historic photos of the changing music scene. Watch the trailer: http://www.youtube.com/watch?v=tyo22tC6PkQ&feature=channel_video_title Before Seattle Rocked was made possible in part by a grant from 4Culture's Heritage Program.
The Piano in America, 1890-1940
Author: Craig H. RoellPublisher: UNC Press Books
ISBN: 1469610612
Category : History
Languages : en
Pages : 469
Book Description
Roell uses company records and the popular press to chronicle the piano industry through changing values, business strategies, economic conditions, and technology. For Roell, as for the industry, music is a byproduct. Originally published in 1991. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Ragging it
Author: H. Loring WhitePublisher: iUniverse
ISBN: 0595340423
Category : Music
Languages : en
Pages : 435
Book Description
Ragging It takes the reader on a lively, historical journey back to the days of vaudeville, fancy women, amusement parks, lynch mobs, saloons, and cabarets--a time when the upbeat music of ragtime was a craze that permeated our culture. Author H. Loring White, a former history professor, focuses on the vastly contrasting biographies of Theodore Roosevelt and Scott Joplin, while showcasing the uniqueness of ragtime--the first popular syncopated music of the masses. In 1900, times began to move more quickly. With citizens no longer isolated on farms, ragtime was eagerly accepted by the world's first generation of popular culture, which also reveled in cakewalks; coon songs; and animal dances, such as the Grizzly Bear, Turkey Trot, and Bunny Hug. White recounts true stories about show business, political events, the repression of African-Americans, the world's fairs, and the triumphs of technology. Although ragtime disappeared abruptly in just a few years with the emergence of jazz, White never lets you forget the vital role that ragtime played in the Progressive Era of American culture. With its new and vital interpretation of the Roosevelt era, he will take you back to a lively time in history when everyone was Ragging It!
Reading Pop : Approaches to Textual Analysis in Popular Music
Author: Richard MiddletonPublisher: Oxford University Press, USA
ISBN: 0191588210
Category :
Languages : en
Pages : 406
Book Description
Reading Pop collects together key essays on the interpretation of pop songs previously published in the journal Popular Music. In sixteen varied studies by many of the best-known scholars, all the most influential approaches are represented. An introduction by leading pop academic Richard Middleton puts them into context and outlines the main debates. A select bibliography of other writings on pop music analysis adds to the usefulness of the book, which will become a central text in popular music studies. - ;Reading Pop collects together key essays on the interpretation of pop songs previously published in the journal Popular Music. In sixteen varied studies by many of the best-known scholars, all the most influential approaches are represented. An introduction by leading pop academic Richard Middleton puts them into context and outlines the main debates. A select bibliography of other writings on pop music analysis adds to the usefulness of the book, which will become a central text in popular music studies. - ;extensive introduction is particularly valuable ... the paperback price is worth it for the introduction, and the Bjornberg and Tagg essays, alone. - Allan More, British Journal of Music Education
Sounds of the New Deal
Author: Peter GoughPublisher: University of Illinois Press
ISBN: 0252097017
Category : History
Languages : en
Pages : 328
Book Description
At its peak the Federal Music Project (FMP) employed nearly 16,000 people who reached millions of Americans through performances, composing, teaching, and folksong collection and transcription. In Sounds of the New Deal, Peter Gough explores how the FMP's activities in the West shaped a new national appreciation for the diversity of American musical expression. From the onset, administrators and artists debated whether to represent highbrow, popular, or folk music in FMP activities. Though the administration privileged using "good" music to educate the public, in the West local preferences regularly trumped national priorities and allowed diverse vernacular musics to be heard. African American and Hispanic music found unprecedented popularity while the cultural mosaic illuminated by American folksong exemplified the spirit of the Popular Front movement. These new musical expressions combined the radical sensibilities of an invigorated Left with nationalistic impulses. At the same time, they blended traditional patriotic themes with an awareness of the country's varied ethnic musical heritage and vast--but endangered--store of grassroots music.