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Author: Christopher Mount Publisher: Skira ISBN: 9780847840113 Category : Architecture Languages : en Pages : 0
Book Description
A comprehensive overview of Southern California’s most experimental architecture, showcasing the highly expressive work of famed architects such as Frank Gehry and Thom Mayne, as well as the best of the new guard. This is the first critical examination and history of what was first identified as the "L.A. School" in the 1990s, which has influenced much of American architecture in the last twenty-five years. This expansive new book examines contemporary Southern California architecture from 1987 to the present, exploring its experimental nature, sculptural tendency, and exciting evolution. This volume complements a major exhibition at the Museum of Contemporary Art, Los Angeles, and is part of the Getty Research Institute exhibition initiative "Los Angeles Architecture, 1940–1990." Contributions by leading architectural historians coupled with a stunning collection of images present recent works in terms of sculpturalism and urbanism, and consider the impact of the history and environment of Los Angeles, as well as the creative and working processes.
Author: Christopher Mount Publisher: Skira ISBN: 9780847840113 Category : Architecture Languages : en Pages : 0
Book Description
A comprehensive overview of Southern California’s most experimental architecture, showcasing the highly expressive work of famed architects such as Frank Gehry and Thom Mayne, as well as the best of the new guard. This is the first critical examination and history of what was first identified as the "L.A. School" in the 1990s, which has influenced much of American architecture in the last twenty-five years. This expansive new book examines contemporary Southern California architecture from 1987 to the present, exploring its experimental nature, sculptural tendency, and exciting evolution. This volume complements a major exhibition at the Museum of Contemporary Art, Los Angeles, and is part of the Getty Research Institute exhibition initiative "Los Angeles Architecture, 1940–1990." Contributions by leading architectural historians coupled with a stunning collection of images present recent works in terms of sculpturalism and urbanism, and consider the impact of the history and environment of Los Angeles, as well as the creative and working processes.
Author: Mark Rappolt Publisher: Rizzoli International Publications ISBN: Category : Architects Languages : en Pages : 378
Book Description
One of the most provocative and exciting architects today, Greg Lynn has defined how designers and architects use computers as a medium, operating in an expanded field that fuses cutting-edge technology, contemporary art, and science fiction aesthetics with architectural form. At the epicenter of a debate about the role of digital design and new fabrication methods in architecture and general design culture, his projects skillfully blend high technology and detailed craftsmanship, driven by modeling software from the film and aerospace industries. They range from the Ravioli lounge chair for Vitra to the Embryological House, a pre-fab housing type that takes advantage of new manufacturing technologies to produce customized houses adaptable to local conditions. Included are contributions from theorists, architects, and artists, and futurists such as Sylvia Lavin, Ben van Berkel, and Caroline Bos of UN Studio, J.G. Ballard, and Tom Friedman, among others. Greg Lynn FORM offers a window into Lynn's methods and techniques, theoretical positions, and career trajectory. Rather than a retrospective of Lynn's career, it is thought-provoking and forward-looking.
Author: Todd Gannon Publisher: J. Paul Getty Museum ISBN: 9781606062630 Category : Architecture Languages : en Pages : 214
Book Description
A Confederacy of Heretics examines the explosion of activity associated with the Architecture Gallery, the first gallery in Los Angeles dedicated exclusively to architecture. Instigated by Thom Mayne in the fall of 1979, the Architecture Gallery staged ten exhibitions in as many weeks by both young and established Los Angeles practitioners, featuring the work of Eugene Kupper, Roland Coate, Jr., Frederick Fisher, Frank Dimster, Frank Gehry, Peter de Bretteville, Morphosis (Thom Mayne and Michael Rotondi), Studio Works (Craig Hodgetts and Robert Mangurian), and Eric Owen Moss. Another young architect, Coy Howard, opened the events with a lecture at the Southern California Institute of Architecture, which hosted talks by each exhibiting architect. In an unprecedented move by the popular press, the events were chronicled in weekly reviews by the critic John Dreyfuss in the Los Angeles Times. Gathering an array of original drawings, models, photographs, video recordings, and commentary alongside new assessments by current scholars, A Confederacy of Heretics aims neither to canonize the participating architects nor to consecrate their unorthodox activities. Rather, the book re-examines the early work of some of Los Angeles' most well-known architects, charts the development of their most potent design techniques, and documents a crucial turning point in Los Angeles architecture, a time when Angeleno architecture culture shifted from working local variations on imported themes to exporting highly original disciplinary innovations with global reach. Taken together, the exhibition, symposium, and catalog that comprise A Confederacy of Heretics offer a unique lens through which to analyze a pivotal moment in the development of late twentieth-century architecture.
Author: Katherine Smith Publisher: University of California Press ISBN: 0520305485 Category : Art Languages : en Pages : 347
Book Description
Claes Oldenburg’s commitment to familiar objects has shaped accounts of his career, but his associations with Pop art and postwar consumerism have overshadowed another crucial aspect of his work. In this revealing reassessment, Katherine Smith traces Oldenburg’s profound responses to shifting urban conditions, framing his enduring relationship with the city as a critical perspective and conceiving his art as urban theory. Smith argues that Oldenburg adapted lessons of context, gleaned from New York’s changing cityscape in the late 1950s, to large-scale objects and architectural plans. By examining disparate projects from New York to Los Angeles, she situates Oldenburg’s innovations in local geographies and national debates. In doing so, Smith illuminates patterns of urbanization through the important contributions of one of the leading artists in the United States.
Author: Paul Goldberger Publisher: Vintage ISBN: 0307946398 Category : Biography & Autobiography Languages : en Pages : 546
Book Description
Here, from Pulitzer Prize–winning critic Paul Goldberger, is the first full-fledged critical biography of Frank Gehry, undoubtedly the most famous architect of our time. Goldberger follows Gehry from his humble origins—the son of working-class Jewish immigrants in Toronto—to the heights of his extraordinary career. He explores Gehry’s relationship to Los Angeles, a city that welcomed outsider artists and profoundly shaped him in his formative years. He surveys the full range of his work, from the Bilbao Guggenheim to the Walt Disney Concert Hall in L.A. to the architect’s own home in Santa Monica, which galvanized his neighbors and astonished the world. He analyzes his carefully crafted persona, in which an amiable surface masks a driving ambition. And he discusses his use of technology, not just to change the way a building looks, but to revolutionize the very practice of the field. Comprehensive and incisive, Building Art is a sweeping view of a singular artist—and an essential story of architecture’s modern era.
Author: Marin R. Sullivan Publisher: Princeton University Press ISBN: 0691232466 Category : Art Languages : en Pages : 272
Book Description
A new look at the interrelationship of architecture and sculpture during one of the richest periods of American modern design Alloys looks at a unique period of synergy and exchange in the postwar United States, when sculpture profoundly shaped architecture, and vice versa. Leading architects such as Gordon Bunshaft and Eero Saarinen turned to sculptors including Harry Bertoia, Alexander Calder, Richard Lippold, and Isamu Noguchi to produce site-determined, large-scale sculptures tailored for their buildings’ highly visible and well-traversed threshold spaces. The parameters of these spaces—atriums, lobbies, plazas, and entryways—led to various designs like sculptural walls, ceilings, and screens that not only embraced new industrial materials and processes, but also demonstrated art’s ability to merge with lived architectural spaces. Marin Sullivan argues that these sculptural commissions represent an alternate history of midcentury American art. Rather than singular masterworks by lone geniuses, some of the era’s most notable spaces—Philip Johnson’s Four Seasons Restaurant in Mies van der Rohe’s Seagram Building, Max Abramovitz’s Philharmonic Hall at Lincoln Center, and Pietro Belluschi and Walter Gropius’s Pan Am Building—would be diminished without the collaborative efforts of architects and artists. At the same time, the artistic creations within these spaces could not exist anywhere else. Sullivan shows that the principle of synergy provides an ideal framework to assess this pronounced relationship between sculpture and architecture. She also explores the afterlives of these postwar commissions in the decades since their construction. A fresh consideration of sculpture’s relationship to architectural design and functionality following World War II, Alloys highlights the affinities between the two fields and the ways their connections remain with us today.
Author: Lilian Pfaff Publisher: Birkhäuser ISBN: 3035611726 Category : Architecture Languages : en Pages : 256
Book Description
Escher GuneWardena, founded in Los Angeles in 1996, reached international recognition through a range of projects: commercial spaces treated as conceptual art works; hillside residences representing poetic responses to particular site conditions; work in historic preservation including such icons as the Eames House and John Lautner's Chemosphere in Los Angeles. Their collaborations with artists such as Sharon Lockhart, Mike Kelley and Stephen Prina testify to their presence in the art world. "[Frank Escher and Ravi GuneWardena] are, in part, scholars, artists, architectural historians, designers and architects" Don Albrecht, Curator of Architecture and Design, Museum of the City of New York.
Author: Alanna Stang Publisher: Princeton Architectural Press ISBN: 9781568984810 Category : Architecture Languages : en Pages : 208
Book Description
From the arid deserts of Tucson, Arizona to the icy forests of Poori, Finland to the tropical beaches of New South Wales, Australia to the urban jungle of downtown Manhattan, critics Alanna Stang and Christopher Hawthorne have travelled to the farthest reaches of the globe to find all that is new in the design of sustainable, or "green" homes. The result is more than thirty-five residences in fifteen countries, and nearly every conceivable natural environment, designed by a combination of star architects and heretofore unknown practitioners including Santiago Calatrava, Shigeru Ban, Miller/Hull, Rick Joy, Lake Flato, Kengo Kuma, Glenn Murcutt, Pugh & Scarpa, Werner Sobek, and many others. Projects are presented with large colour images, plans, drawings, and an accompanying text that describes their green features and explains how they work with and in the environment. The Green House is not only a beautiful object in its own right, but is sure to be an indispensable reference for anyone building or interested in sustainable design.
Author: Penelope Curtis Publisher: Getty Publications ISBN: 9780892369157 Category : Architecture Languages : en Pages : 144
Book Description
This book examines the relationship between modern sculpture and architecture in the mid-twentieth century, an interplay that has laid the ground for the semi-sculptural or semi-architectural works by architects such as Frank Gehry and artists such as Dan Graham. The first half of the book looks at how the addition of sculpture enhanced several architectural projects, including Mies van der Rohe's Barcelona Pavilion (1929) and Eliel Saarinen's Cranbrook Campus (1934). The second half of the book uses several additional case studies, including Philip Johnson's sculpture court for New York's Museum of Modern Art (1953), to explore what architectural spaces can add to the sculpture they are designed to contain. Curtis argues that it was in the middle of the twentieth century, before sculptural and architectural forms began to converge, that the complementary nature of--though essential difference between--the two art forms began to clearly emerge: how figurative sculpture highlighted the modernist architectural experience and how the abstract qualities of that architecture imparted to sculpture a heightened role.
Author: Christopher Mount
Author: Christopher Mount
Author: Mark Rappolt
Author: Todd Gannon
Author: Katherine Smith
Author: Udo Kultermann
Author: Paul Goldberger
Author: Marin R. Sullivan
Author: Lilian Pfaff
Author: Alanna Stang
Author: Penelope Curtis