Author: Evelyn Marie Steele
Publisher:
ISBN:
Category : Theater, Municipal
Languages : en
Pages : 464
Book Description
A Survey of the Existing National Theatres
Author: Evelyn Marie Steele
Publisher:
ISBN:
Category : Theater, Municipal
Languages : en
Pages : 464
Book Description
Publisher:
ISBN:
Category : Theater, Municipal
Languages : en
Pages : 464
Book Description
The Development of the Playhouse
Author: Donald C. Mullin
Publisher: Univ of California Press
ISBN: 9780520013919
Category : Theater architecture
Languages : en
Pages : 218
Book Description
Publisher: Univ of California Press
ISBN: 9780520013919
Category : Theater architecture
Languages : en
Pages : 218
Book Description
Theories of the Theatre
Author: Marvin A. Carlson
Publisher: Ithaca : Cornell University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 544
Book Description
**** Expanded edition of the work originally published by Cornell U. Press in 1984 and endorsed by BCL3. Annotation copyright by Book News, Inc., Portland, OR
Publisher: Ithaca : Cornell University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 544
Book Description
**** Expanded edition of the work originally published by Cornell U. Press in 1984 and endorsed by BCL3. Annotation copyright by Book News, Inc., Portland, OR
Theater as Data
Author: Miguel Escobar Varela
Publisher: University of Michigan Press
ISBN: 0472128639
Category : Performing Arts
Languages : en
Pages : 231
Book Description
In Theater as Data, Miguel Escobar Varela explores the use of computational methods and digital data in theater research. He considers the implications of these new approaches, and explains the roles that statistics and visualizations play. Reflecting on recent debates in the humanities, the author suggests that there are two ways of using data, both of which have a place in theater research. Data-driven methods are closer to the pursuit of verifiable results common in the sciences; and data-assisted methods are closer to the interpretive traditions of the humanities. The book surveys four major areas within theater scholarship: texts (not only playscripts but also theater reviews and program booklets); relationships (both the links between fictional characters and the collaborative networks of artists and producers); motion (the movement of performers and objects on stage); and locations (the coordinates of performance events, venues, and touring circuits). Theater as Data examines important contributions to theater studies from similar computational research, including in classical French drama, collaboration networks in Australian theater, contemporary Portuguese choreography, and global productions of Ibsen. This overview is complemented by short descriptions of the author’s own work in the computational analysis of theater practices in Singapore and Indonesia. The author ends by considering the future of computational theater research, underlining the importance of open data and digital sustainability practices, and encouraging readers to consider the benefits of learning to code. A web companion offers illustrative data, programming tutorials, and videos.
Publisher: University of Michigan Press
ISBN: 0472128639
Category : Performing Arts
Languages : en
Pages : 231
Book Description
In Theater as Data, Miguel Escobar Varela explores the use of computational methods and digital data in theater research. He considers the implications of these new approaches, and explains the roles that statistics and visualizations play. Reflecting on recent debates in the humanities, the author suggests that there are two ways of using data, both of which have a place in theater research. Data-driven methods are closer to the pursuit of verifiable results common in the sciences; and data-assisted methods are closer to the interpretive traditions of the humanities. The book surveys four major areas within theater scholarship: texts (not only playscripts but also theater reviews and program booklets); relationships (both the links between fictional characters and the collaborative networks of artists and producers); motion (the movement of performers and objects on stage); and locations (the coordinates of performance events, venues, and touring circuits). Theater as Data examines important contributions to theater studies from similar computational research, including in classical French drama, collaboration networks in Australian theater, contemporary Portuguese choreography, and global productions of Ibsen. This overview is complemented by short descriptions of the author’s own work in the computational analysis of theater practices in Singapore and Indonesia. The author ends by considering the future of computational theater research, underlining the importance of open data and digital sustainability practices, and encouraging readers to consider the benefits of learning to code. A web companion offers illustrative data, programming tutorials, and videos.
Speech Monographs
Research Division Report
National Library of Medicine Current Catalog
Author: National Library of Medicine (U.S.)
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages :
Book Description
First multi-year cumulation covers six years: 1965-70.
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages :
Book Description
First multi-year cumulation covers six years: 1965-70.
Fox Theatre
Author: Janice McDonald
Publisher: Arcadia Publishing
ISBN: 0738594490
Category : Biography & Autobiography
Languages : en
Pages : 130
Book Description
Even beyond Atlanta, this amazing, Moorish-style icon is known by most not by its legal name, the Fox Theatre, but as the "Fabulous Fox." Constructed in the late 1920s as a temple for the Yaarab Shrine, the imposing yellow-brick building was designed to "out Baghdad Baghdad" in its elaborate Middle Eastern appearance. But the onion-domed exterior with its faux prayer towers is nothing compared to the elaborate interior. Movie mogul William Fox leased the auditorium from the Shriners in 1929, transforming it into a movie palace like no other. The theater became a place of spectacular premieres and world-class performances until changing times threatened its very existence in the 1970s. The campaign to "Save the Fox" proved more dramatic than some of the performances that graced Fox's own stage. Today, the Fabulous Fox is one of Atlanta's best-known and most cherished landmarks.
Publisher: Arcadia Publishing
ISBN: 0738594490
Category : Biography & Autobiography
Languages : en
Pages : 130
Book Description
Even beyond Atlanta, this amazing, Moorish-style icon is known by most not by its legal name, the Fox Theatre, but as the "Fabulous Fox." Constructed in the late 1920s as a temple for the Yaarab Shrine, the imposing yellow-brick building was designed to "out Baghdad Baghdad" in its elaborate Middle Eastern appearance. But the onion-domed exterior with its faux prayer towers is nothing compared to the elaborate interior. Movie mogul William Fox leased the auditorium from the Shriners in 1929, transforming it into a movie palace like no other. The theater became a place of spectacular premieres and world-class performances until changing times threatened its very existence in the 1970s. The campaign to "Save the Fox" proved more dramatic than some of the performances that graced Fox's own stage. Today, the Fabulous Fox is one of Atlanta's best-known and most cherished landmarks.
British Cinema, Past and Present
Author: Justine Ashby
Publisher: Routledge
ISBN: 1135125155
Category : Performing Arts
Languages : en
Pages : 410
Book Description
British Cinema: Past and Present responds to the commercial and critical success of British film in the 1990s. Providing a historical perspective to the contemporary resurgence of British cinema, this unique anthology brings together leading international scholars to investigate the rich diversity of British film production, from the early sound period of the 1930s to the present day. The contributors address: * British Cinema Studies and the concept of national cinema * the distribution and reception of British films in the US and Europe * key genres, movements and cycles of British cinema in the 1940s, 50s and 60s * questions of authorship and agency, with case studies of individual studios, stars, producers and directors * trends in British cinema, from propaganda films of the Second World War to the New Wave and the 'Swinging London' films of the Sixties * the representation of marginalised communities in films such as Trainspotting and The Full Monty * the evolution of social realism from Saturday Night, Sunday Morning to Nil By Mouth * changing approaches to Northern Ireland and the Troubles in films like The Long Good Friday and Alan Clarke's Elephant * contemporary 'art' and 'quality' cinema, from heritage drama to the work of Peter Greenaway, Derek Jarman, Terence Davies and Patrick Keiller.
Publisher: Routledge
ISBN: 1135125155
Category : Performing Arts
Languages : en
Pages : 410
Book Description
British Cinema: Past and Present responds to the commercial and critical success of British film in the 1990s. Providing a historical perspective to the contemporary resurgence of British cinema, this unique anthology brings together leading international scholars to investigate the rich diversity of British film production, from the early sound period of the 1930s to the present day. The contributors address: * British Cinema Studies and the concept of national cinema * the distribution and reception of British films in the US and Europe * key genres, movements and cycles of British cinema in the 1940s, 50s and 60s * questions of authorship and agency, with case studies of individual studios, stars, producers and directors * trends in British cinema, from propaganda films of the Second World War to the New Wave and the 'Swinging London' films of the Sixties * the representation of marginalised communities in films such as Trainspotting and The Full Monty * the evolution of social realism from Saturday Night, Sunday Morning to Nil By Mouth * changing approaches to Northern Ireland and the Troubles in films like The Long Good Friday and Alan Clarke's Elephant * contemporary 'art' and 'quality' cinema, from heritage drama to the work of Peter Greenaway, Derek Jarman, Terence Davies and Patrick Keiller.