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Author: Eleanora E. Tate Publisher: Wiley ISBN: 9780471253563 Category : Juvenile Nonfiction Languages : en Pages : 0
Book Description
Meet the black musicians who created Americais greatest music--from the early years to modern times Marian Anderson Louis "Satchmo" Armstrong Chuck Berry Thomas "Blind Tom" Greene Bethune Eubie Blake and Noble Sissle James Brown Ray Charles Edmund Dede Thomas Andrew Dorsey Duke Ellington Ella Fitzgerald Aretha Franklin Elizabeth Taylor Greenfield W. C. Handy Mahalia Jackson Michael Jackson Francis Hall Johnson Scott Joplin B. B. King Queen Latifah Millie-Christine McCoy Jessye Norman Gertrude "Ma" Rainey (Pridgett) Doug and Frankie Quimby Paul Robeson Bessie Smith Stevie Wonder
Author: Eleanora E. Tate Publisher: Wiley ISBN: 9780471253563 Category : Juvenile Nonfiction Languages : en Pages : 0
Book Description
Meet the black musicians who created Americais greatest music--from the early years to modern times Marian Anderson Louis "Satchmo" Armstrong Chuck Berry Thomas "Blind Tom" Greene Bethune Eubie Blake and Noble Sissle James Brown Ray Charles Edmund Dede Thomas Andrew Dorsey Duke Ellington Ella Fitzgerald Aretha Franklin Elizabeth Taylor Greenfield W. C. Handy Mahalia Jackson Michael Jackson Francis Hall Johnson Scott Joplin B. B. King Queen Latifah Millie-Christine McCoy Jessye Norman Gertrude "Ma" Rainey (Pridgett) Doug and Frankie Quimby Paul Robeson Bessie Smith Stevie Wonder
Author: The Thomas Family Publisher: ISBN: 9780578602790 Category : Juvenile Nonfiction Languages : en Pages : 42
Book Description
This is a book about the ABCs of African American Musicians history. So many African American Musicians have paved the way, The Thomas Family just wanted to highlight some of our favorites over time. From Ray Charles, to Stevie Wonder, from Beyonce to Chance the Rapper, this book showcases many talented singers, songwriters, producers and rappers. It is a fun rhyming book teaching young children their ABCs, in addition to the history of music. The Thomas Family values education, having fun and loves listening to music of all genres! ABCs of African American Musicians will be a delight to every child's bookcase!
Author: Eric Porter Publisher: Univ of California Press ISBN: 9780520928404 Category : Music Languages : en Pages : 442
Book Description
Despite the plethora of writing about jazz, little attention has been paid to what musicians themselves wrote and said about their practice. An implicit division of labor has emerged where, for the most part, black artists invent and play music while white writers provide the commentary. Eric Porter overturns this tendency in his creative intellectual history of African American musicians. He foregrounds the often-ignored ideas of these artists, analyzing them in the context of meanings circulating around jazz, as well as in relationship to broader currents in African American thought. Porter examines several crucial moments in the history of jazz: the formative years of the 1920s and 1930s; the emergence of bebop; the political and experimental projects of the 1950s, 1960s and 1970s; and the debates surrounding Jazz at Lincoln Center under the direction of Wynton Marsalis. Louis Armstrong, Anthony Braxton, Marion Brown, Duke Ellington, W.C. Handy, Yusef Lateef, Abbey Lincoln, Charles Mingus, Archie Shepp, Wadada Leo Smith, Mary Lou Williams, and Reggie Workman also feature prominently in this book. The wealth of information Porter uncovers shows how these musicians have expressed themselves in print; actively shaped the institutional structures through which the music is created, distributed, and consumed, and how they aligned themselves with other artists and activists, and how they were influenced by forces of class and gender. What Is This Thing Called Jazz? challenges interpretive orthodoxies by showing how much black jazz musicians have struggled against both the racism of the dominant culture and the prescriptive definitions of racial authenticity propagated by the music's supporters, both white and black.
Author: Claudette Hegel Publisher: Simon and Schuster ISBN: 1422292800 Category : Juvenile Nonfiction Languages : en Pages : 64
Book Description
African Americans—famous and anonymous alike—have helped shape popular musical genres ranging from jazz and blues to rock 'n' roll and rap. This book provides a vivid account of that process, beginning with the work songs and spirituals of slaves and continuing up to the present. African-American Musicians tells the stories of figures such as bluesman Robert Johnson, whose guitar playing was so extraordinary that people said he must have made a deal with the devil; jazz great Duke Ellington, considered one of America's greatest composers and bandleaders; classical singer Marian Anderson, who struck a blow for civil rights with her music; Michael Jackson, the "King of Pop"; and many, many more.
Author: Michael Carson Publisher: ISBN: 9780578995694 Category : Languages : en Pages :
Book Description
Throughout history, African-American musicians and artists have made a profound impact in music, they have given sound and voice through a wide variety of musical genres. Universally they have expressed emotions that is shared through faith, passion, joy, comfort, and injustice through songs that speaks directly to the heart and spirit. Many of these performers have the power to influence, inspire, and affect social change through their musical talent. Their personal stories and experiences have transcended time and encouraged several generations to continue singing, dancing, preaching, and perform with musical instruments. Over the past two centuries these experiences have become part of a cultural identity. The incredible men and woman featured in this book are responsible for creating some of the most iconic songs ever recorded in the history of music. Their trailblazing sounds have been synonymous in the inception of several musical genres such as Gospel, Blues, Jazz, Soul, Rock & Roll, R&B, Disco, and Hip-Hop, to name a few. Their timeless musical treasures continue to enrich and endure our culture, history, spirit, and soul. While recognizing the impact African-American musicians have made worldwide, through inspiring millions to sing, dance, express their faith, and march for justice, the federal government officially declared the month of June as "African-American Music Appreciation Month," which was originally established in June, 1979. In an effort to honor the countless musicians, singers and composers who have played an integral role in crafting America's soundtrack as well as contribute to every musical genre ever conceived, each year during the month of June, the country recognizes and highlights the contributions African-American artists have made throughout history, and the impact their music has made in our society and the world.
Author: Joanne Randolph Publisher: Enslow Publishing, LLC ISBN: 0766093069 Category : Juvenile Nonfiction Languages : en Pages : 50
Book Description
Imagine a world in which gospel, the blues, jazz, R&B, and rock 'n' roll didn't exist. These indigenous American musical forms are the product of, and a moving expression of the African American experience. Musical geniuses and innovators like Duke Ellington, Louis Armstrong, Bessie Smith, B. B. King, and Jimi Hendrix turned individual and collective histories of suffering and injustice into soul-stirring, monumental art that shattered boundaries, shifted perceptions, and contributed to progress in civil rights. Their efforts were matched by other African Americans in the entertainment field, like Jackie Robinson, Josephine Baker, and Sidney Poitier. A celebration of music, movies, and a growing movement for equality, this collection will inspire, enlighten, and energize teen readers.
Author: Maud Cuney-Hare Publisher: Library of Alexandria ISBN: 1465604782 Category : Languages : en Pages :
Book Description
In offering this study of Negro music, I do so with the admission that there is no consistent development as found in national schools of music. The Negro, a musical force, through his own distinct racial characteristics has made an artistic contribution which is racial but not yet national. Rather has the influence of musical stylistic traits termed Negro, spread over many nations wherever the colonies of the New World have become homes of Negro people. These expressions in melody and rhythm have been a compelling force in American music Ð tragic and joyful in emotion, pathetic and ludicrous in melody, primitive and barbaric in rhythm. The welding of these expressions has brought about a harmonic effect which is now influencing thoughtful musicians throughout the world. At present there is evidenced a new movement far from academic, which plays an important technical part in the music of this and other lands. The question as to whether there exists a pure Negro art in America is warmly debated. Many Negroes as well as Anglo-Americans admit that the so-called American Negro is no longer an African Negro. Apart from the fusion of blood he has for centuries been moved by the same stimuli which have affected all citizens of the United States. They argue rightly that he is a product of a vital American civilization with all its daring, its progress, its ruthlessness, and unlovely speed. As an integral part of the nation, the Negro is influenced by like social environment and governed by the same political institutions; thus page vi we may expect the ultimate result of his musical endeavors to be an art-music which embodies national characteristics exercised upon by his soul's expression. In the field of composition, the early sporadic efforts by people of African descent, while not without historic importance, have been succeeded by contributions from a rising group of talented composers of color who are beginning to find a listening public. The tendency of this music is toward the development of an American symphonic, operatic and ballet school led for the moment by a few lone Negro musicians of vision and high ideals. The story of those working toward this end is herein treated. Facts for this volume have been obtained from educated African scholars with whom the author sought acquaintanceship and from printed sources found in the Boston Public Library, the New York Public Library and the Music Division of the Library of Congress. The author has also had access to rare collections and private libraries which include her own. Folk material has been gathered in personal travel.
Author: Eleanora E. Tate
Author: Eleanora E. Tate
Author: Amy Absher
Author: The Thomas Family
Author: Eric Porter
Author: Claudette Hegel
Author: Michael Carson
Author: Joanne Randolph
Author: Terry Rowden
Author: Sarah Bryan
Author: Maud Cuney-Hare