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Author: Nevin Baidoun Publisher: GRIN Verlag ISBN: 3346463443 Category : Literary Collections Languages : en Pages : 21
Book Description
Seminar paper from the year 2018 in the subject English Language and Literature Studies - Other, grade: 2,0, University of Würzburg, language: English, abstract: This paper deals with Afrofuturism and black ecologies in american films. A survey from October 2017 has shown that almost all of the black people who responded to it (92 percent) said they felt that discrimination against African-Americans exists in America today. Furthermore, at least half said they had personally experienced racial discrimination concerning equal pay, employment, and promotions, or in their encounters with police, but also when going to a doctor or a health clinic. Many of these surveys illustrate the discrimination today of especially African Americans in the United States and hence their dissatisfaction with the political situation in the country concerning the treatment of colored people. Despite the civil rights movement during the 1950s and 1960s, which was a struggle for social justice for blacks to gain equal rights under the law in the United States, discrimination against blacks did not end then (History). Even though the Civil War (1861-1865) officially abolished slavery, African Americans continued to endure the devastating effects of racism, especially in the South (History).
Author: Nevin Baidoun Publisher: GRIN Verlag ISBN: 3346463443 Category : Literary Collections Languages : en Pages : 21
Book Description
Seminar paper from the year 2018 in the subject English Language and Literature Studies - Other, grade: 2,0, University of Würzburg, language: English, abstract: This paper deals with Afrofuturism and black ecologies in american films. A survey from October 2017 has shown that almost all of the black people who responded to it (92 percent) said they felt that discrimination against African-Americans exists in America today. Furthermore, at least half said they had personally experienced racial discrimination concerning equal pay, employment, and promotions, or in their encounters with police, but also when going to a doctor or a health clinic. Many of these surveys illustrate the discrimination today of especially African Americans in the United States and hence their dissatisfaction with the political situation in the country concerning the treatment of colored people. Despite the civil rights movement during the 1950s and 1960s, which was a struggle for social justice for blacks to gain equal rights under the law in the United States, discrimination against blacks did not end then (History). Even though the Civil War (1861-1865) officially abolished slavery, African Americans continued to endure the devastating effects of racism, especially in the South (History).
Author: Karen A. Ritzenhoff Publisher: Rowman & Littlefield ISBN: 1793623589 Category : Performing Arts Languages : en Pages : 383
Book Description
This book examines Black Panther not only as a film grounded in Afro-futurism, but also as an invitation for viewers to think about relevant real-world social questions about identity, liberation, and racial justice, ultimately posing the question of how Black Panther invites a reimagining of Blackness.
Author: Nat'l Mus Afr Am Hist Culture Publisher: Smithsonian Institution ISBN: 1588347400 Category : Social Science Languages : en Pages : 217
Book Description
This timely and gorgeously illustrated companion book to an upcoming Smithsonian exhibition explores the power of Afrofuturism to reclaim the past and reimagine Black futures Afrofuturism: A History of Black Futures explores the evolving and exhilarating concept of Afrofuturism, a lens used to imagine a more empowering future for the Black community through music, art, and speculative fiction. Sumptuous, beautifully designed spreads feature 100 gorgeous illustrations of objects and images that reflect Black identity, agency, creativity, and hope, including: T’Challa’s suit from Black Panther, Octavia Butler’s typewriter, Uhura’s outfit from Star Trek, Sun Ra’s space harp, costumes from Broadway’s The Wiz, handwritten lyrics by Jimi Hendrix, and Janelle Monae’s ArchAndroid dress. Chapters include essays from a diverse group of scholars who reflect on themes such as legacy, alienation, and activism, with profiles on influential people and objects: Foreword & Introduction: Provides background on Afrofuturism Chapter 1 - Space is the Place: Reflects on space and its defining connection to Afrofuturism and its African cultural legacy Chapter 2 - Speculative Worlds: Explores short stories, Black speculative fiction and sci-fi, comics, and Black superheroes as bastions of Afrofuturist expression Chapter 3 - Visualizing Afrofuturism: Analyzes the vast visual culture of Afrofuturism Chapter 4 - Musical Futures: Explores Afrofuturism and music Afterword Afrofuturism offers a framework of radical potential to envision Black liberation and alternatives to oppressive structures like white supremacy. Afrofuturism comes at a time of increasing visibility for the concept, both in scholarship and in pop culture, and is a compelling ode to the revolutionary power of Black imagination. CONTRIBUTORS: Reynaldo Anderson, Tiffany E. Barber, Herb Boyd, Ariana Curtis, Eve L. Ewing, Tuliza Fleming, Nona Hendryx, N. K. Jemisin, John Jennings, Steven Lewis, Mark Anthony Neal, Alondra Nelson, De Nichols, Elaine Nichols, William S. Pretzer, Vernon Reid, Matthew Shindell, Kevin M. Strait, Angela Tate, Michelle Wilkinson, Ytasha L. Womack, Alisha B. Wormsley, and Kevin Young
Author: Ytasha L. Womack Publisher: Chicago Review Press ISBN: 1613747993 Category : Social Science Languages : en Pages : 226
Book Description
2014 Locus Awards Finalist, Nonfiction Category In this hip, accessible primer to the music, literature, and art of Afrofuturism, author Ytasha Womack introduces readers to the burgeoning community of artists creating Afrofuturist works, the innovators from the past, and the wide range of subjects they explore. From the sci-fi literature of Samuel Delany, Octavia Butler, and N. K. Jemisin to the musical cosmos of Sun Ra, George Clinton, and the Black Eyed Peas' will.i.am, to the visual and multimedia artists inspired by African Dogon myths and Egyptian deities, the book's topics range from the "alien" experience of blacks in America to the "wake up" cry that peppers sci-fi literature, sermons, and activism. With a twofold aim to entertain and enlighten, Afrofuturists strive to break down racial, ethnic, and social limitations to empower and free individuals to be themselves.
Author: Thomas Lockley Publisher: Harlequin ISBN: 1488098751 Category : Biography & Autobiography Languages : en Pages : 518
Book Description
This biography of the first foreign-born samurai and his journey from Africa to Japan is “a readable, compassionate account of an extraordinary life” (The Washington Post). When Yasuke arrived in Japan in the late 1500s, he had already traveled much of the known world. Kidnapped as a child, he had ended up a servant and bodyguard to the head of the Jesuits in Asia, with whom he traversed India and China learning multiple languages as he went. His arrival in Kyoto, however, literally caused a riot. Most Japanese people had never seen an African man before, and many of them saw him as the embodiment of the black-skinned Buddha. Among those who were drawn to his presence was Lord Nobunaga, head of the most powerful clan in Japan, who made Yasuke a samurai in his court. Soon, he was learning the traditions of Japan’s martial arts and ascending the upper echelons of Japanese society. In the four hundred years since, Yasuke has been known in Japan largely as a legendary, perhaps mythical figure. Now African Samurai presents the never-before-told biography of this unique figure of the sixteenth century, one whose travels between countries and cultures offers a new perspective on race in world history and a vivid portrait of life in medieval Japan. “Fast-paced, action-packed writing. . . . A new and important biography and an incredibly moving study of medieval Japan and solid perspective on its unification. Highly recommended.” —Library Journal (starred review) “Eminently readable. . . . a worthwhile and entertaining work.” —Publishers Weekly “A unique story of a unique man, and yet someone with whom we can all identify.” —Jack Weatherford, New York Times–bestselling author of Genghis Khan
Author: Timothy E. Brown Publisher: John Wiley & Sons ISBN: 1119635861 Category : Philosophy Languages : en Pages : 292
Book Description
Explore the fascinating historical and contemporary philosophical issues that arise in Black Panther In Black Panther and Philosophy: What Can Wakanda Offer The World, a diverse panel of experts delivers incisive critical reflections on the Oscar-winning 2018 film, Black Panther, and the comic book mythology that preceded it. The collection explores historical and contemporary issues—including colonialism, slavery, the Black Lives Matter movement, intersectionality, and identity—raised by the superhero tale. Beyond discussions of the influences of race and ethnicity on the most critically and culturally significant movie in the Marvel Cinematic Universe, this book presents the moral, feminist, metaphysical, epistemological, existential, and Afrofuturistic issues framing Black Panther’s narrative. The explorations of these issues shed light on our increasingly interconnected world and allow the reader to consider engaging questions like: Should Wakanda rule the world? Was Killmonger actually a victim? Do Wakanda’s Black Lives Matter? Does hiding in the shadows make Wakanda guilty? What does Wakanda have to offer the world? Perfect for fans of the most culturally significant film in the Marvel Cinematic Universe, Black Panther and Philosophy will also earn a place in the libraries of students of philosophy and anyone with a personal or professional interest in the defining issues of our time.
Author: Adilifu Nama Publisher: University of Texas Press ISBN: 0292717458 Category : Performing Arts Languages : en Pages : 213
Book Description
Science fiction film offers its viewers many pleasures, not least of which is the possibility of imagining other worlds in which very different forms of society exist. Not surprisingly, however, these alternative worlds often become spaces in which filmmakers and film audiences can explore issues of concern in our own society. Through an analysis of over thirty canonic science fiction (SF) films, including Logan's Run, Star Wars, Blade Runner, Back to the Future, Gattaca, and Minority Report, Black Space offers a thorough-going investigation of how SF film since the 1950s has dealt with the issue of race and specifically with the representation of blackness. Setting his study against the backdrop of America's ongoing racial struggles and complex socioeconomic histories, Adilifu Nama pursues a number of themes in Black Space. They include the structured absence/token presence of blacks in SF film; racial contamination and racial paranoia; the traumatized black body as the ultimate signifier of difference, alienness, and "otherness"; the use of class and economic issues to subsume race as an issue; the racially subversive pleasures and allegories encoded in some mainstream SF films; and the ways in which independent and extra-filmic productions are subverting the SF genre of Hollywood filmmaking. The first book-length study of African American representation in science fiction film, Black Space demonstrates that SF cinema has become an important field of racial analysis, a site where definitions of race can be contested and post-civil rights race relations (re)imagined.
Author: Matthias Otto Publisher: Diplomica Verlag ISBN: 3836667231 Category : Business & Economics Languages : en Pages : 100
Book Description
The work "Feasibility Study and Future Projections of Suborbital Space Tourism at the Example of Virgin Galactic" deals with the topic space tourism, especially with the so-called suborbital space tourism a current trend of private businesses that offer commercial flights up to the edge of space. This edge of space, named "Karman Line" due to its founder Theodore von Karman, is defined by the FAI (Federation Aeronautique Internationale) to be at an altitude of approximately 100 km. The author conducts a detailed feasibility study about this phenomenon at the example of the Anglo-American business Virgin Galactic, and sets up future projections based on the results of this study. After a general introduction into the topic (history, motives for going to space, stages of space tourism etc.) the author addresses the focal points of the feasibility study. In detail, this includes an analysis of the Virgin Galactic approach and its most promising competitors (Space Adventures, Benson Space Company, Space Access, Incredible Adventures, Rocketplane Limited, Starchaser Industries, and Blue Origin), as well as an analysis of the several spaceships and its manufacturers. Subsequently, the regulatory framework is illustrated at the example of the FAA (Federal Aviation Administration). In the end, results from market research projects are evaluated in order to explain the demand for suborbital flights. The study comes to the conclusion that the industry is still in an early pioneer phase, but nevertheless shows an enormous potential to grow.
Author: Anika Meier Publisher: GRIN Verlag ISBN: 3656820619 Category : Language Arts & Disciplines Languages : en Pages : 42
Book Description
Seminar paper from the year 2014 in the subject Communications - Miscellaneous, grade: 1,0, University of Potsdam (Institut für Künste und Medien), language: English, abstract: As a ground-breaking pioneer of African-American experimental jazz, bandleader, composer and extraordinary visionary of his time, Sun Ra not only challenged contemporary musical theory, but also created a multi-layered and equally perplexing alternative universe whose mythology and intergalactic narrative navigated between ancient Egypt and outer space. Declaring himself “a brother from another planet” (essay title of John Corbett, 1994) namely from Saturn, not from planet Earth, Sun Ra cheerfully embraced the impossible – announcing in the 1960s that it attracted him because “everything possible has been done and the world did not change” (both cited in Lock 1999, 3) – and spent the rest of his life travelling the space ways, “from planet to planet” not only promoting but enacting a vision of a future utopia: “The impossible is the watchword of the greater space age. The space age cannot be avoided and the space music is the key to understand the meaning of the impossible and every other enigma” (cited in Lock 1999, 26).
Author: Nevin Baidoun
Author: Nevin Baidoun
Author: Karen A. Ritzenhoff
Author: Lisa Yaszek
Author: Nat'l Mus Afr Am Hist Culture
Author: Ytasha L. Womack
Author: Thomas Lockley
Author: Timothy E. Brown
Author: Adilifu Nama
Author: Matthias Otto
Author: Anika Meier