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Author: Mirza Iqbal Ashraf Publisher: iUniverse ISBN: 1663247072 Category : Philosophy Languages : en Pages : 327
Book Description
An Anthology of Essays by Ashraf, is a rich and Intelligent tapestry of thoughts, which are woven in the dimension of time depicting the unity of human experience that every person has within himself/herself the entire human condition. Even if every thought appears as an afterthought, Ashraf has viewed and judged them in the present. It stays in the mind and as a collection of treatises it shares with others the knowledge argued in this work of landmark discerning and entertaining writing. This book is a work of vibrant literary form of essay writing representing the robust tradition of essay writing beginning from Classical Greek period, Ancient Rome, and the Golden Age of the Arabs of Baghdad, Cordova, and Cairo, right up to the modern age of artificial intelligence. In its Part -1, there are essays on the subjects of philosophy, science, human consciousness, artificial intelligence, humanities, origin of democracy, on war and peace. Part-2 contains essays about the world of Islam’s golden age when the knowledge of scientific researches and discoveries by the Muslims was transmitted to the Europeans laying the foundation of progression of knowledge in the Western world.
Author: Mirza Iqbal Ashraf Publisher: iUniverse ISBN: 1663247072 Category : Philosophy Languages : en Pages : 327
Book Description
An Anthology of Essays by Ashraf, is a rich and Intelligent tapestry of thoughts, which are woven in the dimension of time depicting the unity of human experience that every person has within himself/herself the entire human condition. Even if every thought appears as an afterthought, Ashraf has viewed and judged them in the present. It stays in the mind and as a collection of treatises it shares with others the knowledge argued in this work of landmark discerning and entertaining writing. This book is a work of vibrant literary form of essay writing representing the robust tradition of essay writing beginning from Classical Greek period, Ancient Rome, and the Golden Age of the Arabs of Baghdad, Cordova, and Cairo, right up to the modern age of artificial intelligence. In its Part -1, there are essays on the subjects of philosophy, science, human consciousness, artificial intelligence, humanities, origin of democracy, on war and peace. Part-2 contains essays about the world of Islam’s golden age when the knowledge of scientific researches and discoveries by the Muslims was transmitted to the Europeans laying the foundation of progression of knowledge in the Western world.
Author: Esma Ashraf Publisher: Archway Publishing ISBN: 1665738448 Category : Poetry Languages : en Pages : 85
Book Description
Afsanah is a love story. It is a romantic book of poems that portrays Ishq in an extraordinary fashion. A concept of devotion is considered divine in certain cultures as love is sacred and spiritual. In this second volume of verse, Esma Ashraf shares poetic insight into her heart, journey through life, and perspectives of the world around her. Ashraf’s extraordinary titles of the poems, shared in Arabic, Persian, Turkish, Urdu and English languages, explore a variety of themes and emotions that includes the power of words, sacred love, a veil that masks fantasies, a rippling wave of pleasure, dungeons in the mind, and much more. “... An inspiring collection of poems that celebrates powerful emotions in their ever-evolving forms of everyday challenges of life.” —Mirza Iqbal Ashraf, (Retired Professor and Author)
Author: Mirza Iqbal Ashraf Publisher: Archway Publishing ISBN: 1665749598 Category : Education Languages : en Pages : 364
Book Description
The word civilization, which is a relatively recent application from eighteenth-century, when came into currency, is generally invoked more with a rhetorical flourish than argued in philosophical perspective. But history of knowledge considers its true object is the study of human mind, to know what his mind has believed, thought, and felt in diverse periods of its progression in the history of a civilization. Mirza Iqbal Ashraf, as a research scholar of Islamic and Western philosophies identifying the “Four Explosions of Knowledge” from ancient to modern time of history of knowledge, offers the readers in Progression of Knowledge in the Western Civilization uniquely within philosophical perspective that the Western world is a civilization of knowledge. This also means, whereas it is important to understand today’s world so that we can deal with our contemporary period’s civilizational challenges, it will be incomplete if we do not assess that modernity is born from the progress made by the knowledge of the past thinkers. But knowledge does not arrive fully formed; it requires many minds, specifically those minds which are free from the civilization’s religious, cultural, and geophysical trappings. In the Progression of Knowledge in Western Civilization, Ashraf has expounded that even in modern time, no knowledge is complete without visiting the knowledge of the past, especially of the great thinkers of Classical Greek period, the scholars at the House of Wisdom in Baghdad, and the famous centers of knowledge at Cairo, and Cordova of Arab Spain. In this book, the author has discussed when some other regions of the world might be familiar with philosophy and science, in one way or another, why such a treasure of knowledge emerged particularly in Greece that became a foundation of voluminous work of literature in almost every field of knowledge, and how it amazingly became the foundation of the history of progression of knowledge in the Western civilization, which is timelessly flourishing until today.
Author: Judith B. Hecker Publisher: The Museum of Modern Art ISBN: 0870707566 Category : Art Languages : en Pages : 98
Book Description
Encompassing black-and-white linoleum cuts made at community art centres in the 1960s and 1970s, resistance posters and other political art of the 1980s, and the wide variety of subjects and techniques explored by artists in printships over the last two decades, printmaking has been a driving force in contemporary South African artistic and political expression. Impressions from South Africa: 1965 to Now, published to accompany an exhibition at The Museum of Modern Art, introduces the vital role of printmaking through works by more than twenty artists in the Museum's collection. The volume features prints by John Muafangejo and Dan Rakgoathe, a selection of posters produced for anti-apartheid coalitions in the 1980s, and nuanced political work by SueWilliamson, Norman Catherine andWilliam Kentridge. The book features many more recent projects, demonstrating the contemporary relevance of the medium in South Africa today. The work, presented in a generous plate section, is contextualized in an introduction by Judith B. Hecker, and accompanied by brief biographies of the artists, a timeline of relevant events in South African history, and a selected bibliography.
Author: Masood Ashraf Raja, Publisher: McFarland ISBN: 0786485558 Category : Social Science Languages : en Pages : 225
Book Description
In twelve critical and interdisciplinary essays, this text examines the relationship between the fantastic in novels, movies and video games and real-world debates about nationalism, globalization and cosmopolitanism. Topics covered include science fiction and postcolonialism, issues of ethnicity, nation and transnational discourse. Altogether, these essays chart a new discursive space, where postcolonial theory and science fiction and fantasy studies work cooperatively to expand our understanding of the fantastic, while simultaneously expanding the scope of postcolonial discussions.
Author: Kamran Talattof Publisher: Syracuse University Press ISBN: 9780815628187 Category : Literary Criticism Languages : en Pages : 272
Book Description
Emerging in the late nineteenth and twentieth centuries as a secular activity, Persian literature acquired its own modernity by redefining past aesthetic practices of identity and history. By analyzing selected work of major pre- and post-revolutionary literary figures, Talattof shows how Persian literary history has not been an integrated continuum but a series of distinct episodic movements shaped by shifting ideologies. Drawing on western concepts, modern Persian literature has responded to changing social and political conditions through complex strategies of metaphorical and allegorical representations that both construct and denounce cultural continuities. The book provides a unique contribution in that it draws on texts that demonstrate close affinity to such diverse ideologies as modernism, Marxism, feminism, and Islam. Each ideological standard has influenced the form, characterization, and figurative language of literary texts as well as setting the criteria for literary criticism and determining which issues are to be the focus of literary journals.
Author: Arindam Chakrabarti Publisher: Bloomsbury Publishing ISBN: 1472525973 Category : Philosophy Languages : en Pages : 440
Book Description
The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art provides an extensive research resource to the burgeoning field of Asian aesthetics. Featuring leading international scholars and teachers whose work defines the field, this unique volume reflects the very best scholarship in creative, analytic, and comparative philosophy. Beginning with a philosophical reconstruction of the classical rasa aesthetics, chapters range from the nature of art-emotions, tones of thinking, and aesthetic education to issues in film-theory and problems of the past versus present. As well as discussing indigenous versus foreign in aesthetic practices, this volume covers North and South Indian performance practices and theories, alongside recent and new themes including the Gandhian aesthetics of surrender and self-control and the aesthetics of touch in the light of the politics of untouchability. With such unparalleled and authoritative coverage, The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art represents a dynamic map of comparative cross-cultural aesthetics. Bringing together original philosophical research from renowned thinkers, it makes a major contribution to both Eastern and Western contemporary aesthetics.
Author: Ian Watson Publisher: Routledge ISBN: 1317357744 Category : Social Science Languages : en Pages : 258
Book Description
Originally published in 1983. Song has always been a natural way to record everyday experiences – an expression of celebration, commiseration, complaint and protest. This innovative book is a study of popular and working-class song combining several approaches to the subject. It is a history of working-class song in Britain which concentrates not simply on the songs and the singers but attempts to locate such song in its cultural context and apply principles of literary criticism to this essentially oral medium. It triggered controversy: some critics castigated its Marxist approach, others enthused that ‘such unabashed partisanship amply reveals the outstanding characteristic of Watson's book’. The author discusses the way in which the popular song, from Victorian times onwards, has been forced by the entertainment industry out of its roots in popular culture, to become a blander form of art with minimal critical potential. The book ends by considering the possibilities for a continued flourishing of a genuine popular song culture in an electronic age. It has become a standard title in bibliographies and curricula. Much has changed since 1983, not least in music; but this then innovative book still has a lot to say about popular song in its social and historical context.
Author: Mirza Iqbal Ashraf
Author: Mirza Iqbal Ashraf
Author: Esma Ashraf
Author: Mirza Iqbal Ashraf
Author: Judith B. Hecker
Author: 
Author: Masood Ashraf Raja,
Author: Kamran Talattof
Author: Arindam Chakrabarti
Author: Ian Watson
Author: Robert Atwan