Arnold Schönberg and his God PDF Download

Author: Christian Meyer
Publisher:
ISBN:
Category : Music
Languages : de
Pages : 412

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Author: Alexander L. Ringer
Publisher: Oxford University Press
ISBN: 9780198163541
Category : Biography & Autobiography
Languages : en
Pages : 260

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Book Description
A new feature of this paperback is the addition of a chronicle of contemporary events - such as the birth of Hitler - which put Schoenberg's life into its historical context and help significantly in understanding his music. The essays collected in this volume, now including corrections, represent a comprehensive attempt to shed light on the work and personality of Schoenberg in the pertinent yet unaccountably neglected context of his preoccupation with Judaism and biblical themes.

Author: Charlotte M. Cross
Publisher: Routledge
ISBN: 1135654018
Category : Music
Languages : en
Pages : 340

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Book Description
The original essays in this collection chronicle the transformation of Arnold Schoenberg's works from music as pure art to music as a vehicle of religious and political ideas, during the first half of the twentieth century. This interdisciplinary volume includes contributions from musicologists, music theorists, and scholars of German literature and of Jewish studies.

Author: Charlotte Marie Cross
Publisher: Taylor & Francis
ISBN: 9780815328315
Category : 1874-1951
Languages : en
Pages : 340

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Book Description
The original essays in this collection chronicle the transformation of Arnold Schoenberg's works from music as pure art to music as a vehicle of religious and political ideas, during the first half of the twentieth century. This interdisciplinary volume includes contributions from musicologists, music theorists, and scholars of German literature and of Jewish studies.

Author: Matthew Arndt
Publisher: Routledge
ISBN: 1351975781
Category : Music
Languages : en
Pages : 330

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This book examines the origin, content, and development of the musical thought of Heinrich Schenker and Arnold Schoenberg. One of the premises is that Schenker’s and Schoenberg’s inner musical lives are inseparable from their inner spiritual lives. Curiously, Schenker and Schoenberg start out in much the same musical-spiritual place, yet musically they split while spiritually they grow closer. The reception of Schenker’s and Schoenberg’s work has sidestepped this paradox of commonality and conflict, instead choosing to universalize and amplify their conflict. Bringing to light a trove of unpublished material, Arndt argues that Schenker’s and Schoenberg’s conflict is a reflection of tensions within their musical and spiritual ideas. They share a particular conception of the tone as an ideal sound realized in the spiritual eye of the genius. The tensions inherent in this largely psychological and material notion of the tone and this largely metaphysical notion of the genius shape both their musical divergence on the logical (technical) level in theory and composition, including their advocacy of the Ursatz versus twelvetone composition, and their spiritual convergence, including their embrace of Judaism. These findings shed new light on the musical and philosophical worlds of Schenker and Schoenberg and on the profound artistic and spiritual questions with which they grapple.

Author: Michael Haas
Publisher: Yale University Press
ISBN: 0300154313
Category : Music
Languages : en
Pages : 505

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DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div

Author: Sabine Feisst
Publisher: Oxford University Press
ISBN: 0199792631
Category : Music
Languages : en
Pages : 400

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Book Description
Arnold Schoenberg was a polarizing figure in twentieth century music, and his works and ideas have had considerable and lasting impact on Western musical life. A refugee from Nazi Europe, he spent an important part of his creative life in the United States (1933-1951), where he produced a rich variety of works and distinguished himself as an influential teacher. However, while his European career has received much scholarly attention, surprisingly little has been written about the genesis and context of his works composed in America, his interactions with Americans and other ?migr?s, and the substantial, complex, and fascinating performance and reception history of his music in this country. Author Sabine Feisst illuminates Schoenberg's legacy and sheds a corrective light on a variety of myths about his sojourn. Looking at the first American performances of his works and the dissemination of his ideas among American composers in the 1910s, 1920s and early 1930s, she convincingly debunks the myths surrounding Schoenberg's alleged isolation in the US. Whereas most previous accounts of his time in the US have portrayed him as unwilling to adapt to American culture, this book presents a more nuanced picture, revealing a Schoenberg who came to terms with his various national identities in his life and work. Feisst dispels lingering negative impressions about Schoenberg's teaching style by focusing on his methods themselves as well as on his powerful influence on such well-known students as John Cage, Lou Harrison, and Dika Newlin. Schoenberg's influence is not limited to those who followed immediately in his footsteps-a wide range of composers, from Stravinsky adherents to experimentalists to jazz and film composers, were equally indebted to Schoenberg, as were key figures in music theory like Milton Babbitt and David Lewin. In sum, Schoenberg's New World contributes to a new understanding of one of the most important pioneers of musical modernism.

Author: Pamela Cooper-White
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 368

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Book Description
The last great composer of the romantic tradition and the greatest musical revolutionary of the twentieth century, Arnold Schoenberg, like Beethoven a century earlier, bridges two musical eras. His abandonment of the rules of harmony in the early years of the century in favor of atonalism, and his subsequent invention of the twelve-note method after 1918, were decisive moments in the development of modern music. Every important composer since 1910 has to some extent been influenced by his music and teaching. The story of Schoenberg's struggle against prejudice and incomprehension, even up to his death in 1951, makes gripping and poignant reading. He died with much important work still unfinished, teaching music theory and composition in order to earn a living in the United States, before during and after the war. The author's account of his struggles is accompanied by detailed analyses of the main works and contains much new information, making this essential reading for students, musicians and the musically-interested general reader.

Author:
Publisher: Cambridge University Press
ISBN: 0521550351
Category :
Languages : en
Pages : 275

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Book Description

Author: Mark Berry
Publisher: Reaktion Books
ISBN: 1789140900
Category : Biography & Autobiography
Languages : en
Pages : 240

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Book Description
The most radical and divisive composer of the twentieth century, Arnold Schoenberg remains a hero to many, and a villain to many others. In this refreshingly balanced biography, Mark Berry tells the story of Schoenberg’s remarkable life and work, situating his tale within the wider symphony of nineteenth- and twentieth-century history. Born in the Jewish quarter of his beloved Vienna, Schoenberg left Austria for his early career in Berlin as a leading light of Weimar culture, before being forced to flee in the dead of night from Hitler’s Third Reich. He found himself in the United States, settling in Los Angeles, where he would inspire composers from George Gershwin to John Cage. Introducing all of Schoenberg’s major musical works, from his very first compositions, such as the String Quartet in D Major, to his invention of the twelve-tone method, Berry explores how Schoenberg’s revolutionary approach to musical composition incorporated Wagnerian late Romanticism and the brave new worlds of atonality and serialism. Essential reading for anyone interested in the music and history of the twentieth century, this book makes clear Schoenberg changed the history of music forever.