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Author: Andrew Shenton Publisher: Cambridge University Press ISBN: 1107082455 Category : Music Languages : en Pages : 311
Book Description
A systematic and detailed analysis of the work of this extremely popular composer, providing description, context, examples, and commentary.
Author: Andrew Shenton Publisher: Cambridge University Press ISBN: 1107082455 Category : Music Languages : en Pages : 311
Book Description
A systematic and detailed analysis of the work of this extremely popular composer, providing description, context, examples, and commentary.
Author: Andrew Shenton Publisher: Cambridge University Press ISBN: 1108505929 Category : Music Languages : en Pages : 311
Book Description
Statistically the most performed and listened to contemporary composer in the world, Arvo Pärt is a musical and cultural phenomenon. This book is an essential resource for anyone interested in his extraordinarily innovative and uniquely appealing music. Andrew Shenton surveys the full scope of Pärt's oeuvre, providing context and chronological continuity while concentrating in particular on his text-based music, analysing and describing individual pieces and techniques such as tintinnabulation. The book also explores the spiritual and theological contexts of Pärt's creativity, and the challenges of performing his work. This volume is the definitive guide for readers looking to engage with the form, content, and context of Pärt's compositions, as Shenton situates Pärt in the narrative of metamodernism and suggests new ways of understanding this unique and beautiful music.
Author: M. Jennifer Bloxam Publisher: Lexington Books ISBN: 1498549918 Category : Music Languages : en Pages : 264
Book Description
This essay collection celebrates the richness of Christian musical tradition across its two thousand year history and across the globe. Opening with a consideration of the fourth-century lamp-lighting hymn Phos hilaron and closing with reflections on contemporary efforts of Ghanaian composers to create Christian worship music in African idioms, the ten contributors engage with a broad ecumenical array of sacred music. Topics encompass Roman Catholic sacred music in medieval and Renaissance Europe, German Lutheran song in the eighteenth century, English hymnody in colonial America, Methodist hymnody adopted by Southern Baptists in the nineteenth century, and Genevan psalmody adapted to respond to the post-war tribulations of the Hungarian Reformed Church. The scope of the volume is further diversified by the inclusion of contemporary Christian topics that address the evangelical methods of a unique Orthodox Christian composer’s language, the shared aims and methods of African-American preaching and gospel music, and the affective didactic power of American evangelical “praise and worship” music. New material on several key composers, including Jacob Obrecht, J.S. Bach, George Philipp Telemann, C.P.E. Bach, Zoltan Kodály, and Arvo Pärt, appears within the book. Taken together, these essays embrace a stimulating variety of interdisciplinary analytical and methodological approaches, drawing on cultural, literary critical, theological, ritual, ethnographical, and media studies. The collection contributes to discussions of spirituality in music and, in particular, to the unifying aspects of Christian sacred music across time, space, and faith traditions. This collection celebrates the fifteenth anniversary of the Society for Christian Scholarship in Music.
Author: Stephen C. Meyer Publisher: Oxford University Press, USA ISBN: 0190658444 Category : History Languages : en Pages : 844
Book Description
The Oxford Handbook of Music and Medievalism provides a snapshot of the diverse ways in which medievalism--the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages--powerfully transforms many of the varied musical traditions of the last two centuries. Thirty-three chapters from an international group of scholars explore topics ranging from the representation of the Middle Ages in nineteenth-century opera to medievalism in contemporary video game music, thereby connecting disparate musical forms across typical musicological boundaries of chronology and geography. While some chapters focus on key medievalist works such as Orff's Carmina Burana or Peter Jackson's Lord of the Rings films, others explore medievalism in the oeuvre of a single composer (e.g. Richard Wagner or Arvo P�rt) or musical group (e.g. Led Zeppelin). The topics of the individual chapters include both well-known works such as John Boorman's film Excalibur and also less familiar examples such as Eduard Lalo's Le Roi d'Ys. The authors of the chapters approach their material from a wide array of disciplinary perspectives, including historical musicology, popular music studies, music theory, and film studies, examining the intersections of medievalism with nationalism, romanticism, ideology, nature, feminism, or spiritualism. Taken together, the contents of the Handbook develop new critical insights that venture outside traditional methodological constraints and provide a capstone and point of departure for future scholarship on music and medievalism.
Author: Leopold Brauneiss Publisher: ISBN: 9781564787866 Category : Composers Languages : en Pages : 0
Book Description
This collection of essays and interviews is an ideal guide to the work and thought of one of the world's greatest and most original living composers. In Enzo Restagno's extensive interview, P'rt gives an intimate description of his work and life in Soviet Estonia, his emigration, his artistic odyssey, and his worldview. Then, Arvo P'rt's compositional technique is the focus of a musicological essay by Leopold Brauneiss. Finally, Saale Kareda explores the spiritual aspects of the composer's approach to his works. Two acceptance speeches, delivered by P'rt on receiving major European prizes, complete this fascinating and illuminating portrait.
Author: Andrew Shenton Publisher: Cambridge University Press ISBN: 1107495660 Category : Music Languages : en Pages : 272
Book Description
Arvo Pärt is one of the most influential and widely performed contemporary composers. Around 1976 he developed an innovative new compositional technique called 'tintinnabuli' (Latin for 'sounding bells'), which has had an extraordinary degree of success. It is frequently performed around the world, has been used in award-winning films, and pieces such as Für Alina and Spiegel im Siegel have become standard repertoire. This collection of essays, written by a distinguished international group of scholars and performers, is the essential guide to Arvo Pärt and his music. The book begins with a general introduction to Pärt's life and works, covering important biographical details and outlining his most significant compositions. Two chapters analyze the tintinnabuli style and are complemented by essays which discuss Pärt's creative process. The book also examines the spiritual aspect of Pärt's music and contextualizes him in the cultural milieu of the twenty-first century and in the marketplace.
Author: Peter C. Bouteneff Publisher: Fordham University Press ISBN: 082328977X Category : Music Languages : en Pages : 261
Book Description
Scholarly writing on the music of Arvo Pärt is situated primarily in the fields of musicology, cultural and media studies, and, more recently, in terms of theology/spirituality. Arvo Pärt: Sounding the Sacred focuses on the representational dimensions of Pärt’s music (including the trope of silence), writing and listening past the fact that its storied effects and affects are carried first and foremost as vibrations through air, impressing themselves on the human body. In response, this ambitiously interdisciplinary volume asks: What of sound and materiality as embodiments of the sacred, as historically specific artifacts, and as elements of creation deeply linked to the human sensorium in Pärt studies? In taking up these questions, the book “de-Platonizes” Pärt studies by demystifying the notion of a single “Pärt sound.” It offers innovative, critical analyses of the historical contexts of Pärt’s experimentation, medievalism, and diverse creative work; it re-sounds the acoustic, theological, and representational grounds of silence in Pärt’s music; it listens with critical openness to the intersections of theology, sacred texts, and spirituality in Pärt’s music; and it positions sensing, performing bodies at the center of musical experience. Building on the conventional score-, biography-, and media-based approaches, this volume reframes Pärt studies around the materiality of sound, its sacredness, and its embodied resonances within secular spaces.
Author: Andrew Shenton Publisher: Routledge ISBN: 1351558463 Category : Music Languages : en Pages : 312
Book Description
For Olivier Messiaen, music was a way of expressing his faith. He considered it his good fortune to have been born a Catholic and declared that 'the illumination of the theological truths of the Catholic faith is the first aspect of my work, the noblest and no doubt the most useful'. Messiaen is one of the most widely performed and recorded composers of the twentieth-century and his popularity is increasing, but the theological component of his music has so far largely been neglected, or dealt with superficially, and continues to provide a serious impediment to understanding and appreciating his music for some of his audience. Messiaen the Theologian makes a significant contribution to Messiaen studies by providing cultural and historical context to Messiaen's theology. An international array of Messiaen scholars cover a wide variety of topics including Messiaen's personal spirituality, the context of Catholicism in France in the twentieth century, and comparisons between Messiaen and other artists such as Dante and T.S. Eliot. Interdisciplinary methodologies such as exegesis, theological studies and analysis are used to contribute to the understanding of several major works includinglairs sur l'au-del., Sept Ha nd Saint Fran‘s d'Assise. By approaching Messiaen and his music from such important and original perspectives, this book will be of interest not only to musicians and theologians, but also to readers interested in the connection between spirituality and the arts.
Author: Peter Bouteneff Publisher: St. Vladimir's Seminary Press ISBN: 9780881415124 Category : Music Languages : en Pages : 0
Book Description
Points of entry: Spirituality and religion - Part's spiritual reach - The role of text; Out of silence: Music lost to silence - Music found in silence - Excusus: silence in the tradition; Bright sadness: Bright sadness in the tradition - Bright sadness in the music of Arvo Part.
Author: Andrew Shenton
Author: Andrew Shenton
Author: Andrew Shenton
Author: M. Jennifer Bloxam
Author: Stephen C. Meyer
Author: Leopold Brauneiss
Author: Andrew Shenton
Author: Laura Dolp
Author: Peter C. Bouteneff
Author: Andrew Shenton
Author: Peter Bouteneff