Authenticating Art and Artifacts: An Introduction to Methods and Issues PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Authenticating Art and Artifacts: An Introduction to Methods and Issues PDF full book. Access full book title Authenticating Art and Artifacts: An Introduction to Methods and Issues by David Cycleback. Download full books in PDF and EPUB format.
Author: David Cycleback Publisher: Lulu.com ISBN: 1387447459 Category : History Languages : en Pages : 208
Book Description
Written by the prominent art and artifacts scholar Cycleback, this book is a primer and survey of standard methods and issues in the identification, authentication, fake and forgery detection of art, artifacts and collectibles, from ancient artifacts and famous paintings to antique toys and trading cards. Topics include stylistic and historical analysis, scientific testing (including radiometric dating, thermoluminescence testing, spectroscopy, microscopy and artificial intelligence analysis), basic research methods, material and process identification, provenance, altered forgeries, the limits of science and analysis, and more. Authentication involves many aspects and perspectives working together, from nuclear physics to art history, and this book is written for all those invested or interested in the topic, including museum workers, scientists, historians, students, appraisers, lawyers, collectors and those simply interested in how famous artworks and relics are authenticated and forgeries identified.
Author: David Cycleback Publisher: Lulu.com ISBN: 1387447459 Category : History Languages : en Pages : 208
Book Description
Written by the prominent art and artifacts scholar Cycleback, this book is a primer and survey of standard methods and issues in the identification, authentication, fake and forgery detection of art, artifacts and collectibles, from ancient artifacts and famous paintings to antique toys and trading cards. Topics include stylistic and historical analysis, scientific testing (including radiometric dating, thermoluminescence testing, spectroscopy, microscopy and artificial intelligence analysis), basic research methods, material and process identification, provenance, altered forgeries, the limits of science and analysis, and more. Authentication involves many aspects and perspectives working together, from nuclear physics to art history, and this book is written for all those invested or interested in the topic, including museum workers, scientists, historians, students, appraisers, lawyers, collectors and those simply interested in how famous artworks and relics are authenticated and forgeries identified.
Author: James R. Bennett Publisher: ISBN: 9781574325553 Category : Indians of North America Languages : en Pages : 0
Book Description
Arrowhead collector Jim Bennett wrote this book to help other collectors know they are purchasing authentic artifacts, not reproductions or altered points.
Author: Paul Craddock Publisher: Taylor & Francis ISBN: 1136436014 Category : Antiques & Collectibles Languages : en Pages : 642
Book Description
The faking and forgery of works of art and antiquities is probably now more extensive than ever before. The frauds are aided by new technologies, from ink jet printers to epoxy resins, and driven by the astronomic prices realised on the global market. This book aims to provide a comprehensive survey of the subject over a wide range of materials, emphasising how the fakes and forgeries are produced and how they may be detected by technical and scientific examination. The subject is exemplified by numerous case studies, some turning out not to be as conclusive as is sometimes believed. The book is aimed at those likely to have a serious interest in these investigations, be they curator, collector, conservator or scientist. Paul Craddock has recently retired from the Department of Conservation, Documentation and Science at the British Museum, where he was a materials scientist.
Author: Jehane Ragai Publisher: ISBN: 9781783267392 Category : Science Languages : en Pages : 258
Book Description
'The scientific techniques described encompass relevant examples of forgery detection and of authentication. The book deals, to name a few, with the Chagall, the Jackson Pollock and the Beltracchi affairs and discusses the Isleworth Mona Lisa as well as La Bella Principessa both thought to be a Leonardo creation. The authentication, amongst others, of two van Gogh paintings, of Vermeer's St Praxedis, of Leonardo's Lady with an Ermine and of Rembrandt's Old Man with a Beard are also described.'Over the last few decades there has been a disconcerting increase in the number of forged paintings. In retaliation, there has been a rise in the use, efficiency and ability of scientific techniques to detect these forgeries. The scientist has waged war on the forger.The Scientist and the Forger describes the cutting-edge and traditional weapons in this battle, showing how they have been applied to the most notorious cases. The book also provides fresh insights into the psychology of both the viewer and the forger, shedding light on why the discovery that a work of art is a forgery makes us view it so differently and providing a gripping analysis of the myriad motivations behind the most egregious incursions into deception.The book concludes by discussing the pressing problems faced by the art world today, stressing the importance of using appropriate tools for a valid verdict on authenticity. Written in an approachable and amenable style, the book will make fascinating reading for non-specialists, art historians, curators and scientists alike.
Author: Valentina Vadi Publisher: Springer Science & Business Media ISBN: 3642450946 Category : Law Languages : en Pages : 342
Book Description
In the age of economic globalisation, do art and heritage matter? Once the domain of elitist practitioners and scholars, the governance of cultural heritage and the destiny of iconic artefacts have emerged as the new frontier of international law, making headlines and attracting the varied interests of academics and policy-makers, museum curators and collectors, human rights activists and investment lawyers and artists and economists, just to mention a few. The return of cultural artefacts to their legitimate owners, the recovery of underwater cultural heritage and the protection and promotion of artistic expressions are just some of the pressing issues addressed by this book. Contemporary intersections between art, cultural heritage and the market are complicated by a variety of ethical and legal issues, which often describe complex global relations. Should works of art be treated differently from other goods? What happens if a work of art, currently exhibited in a museum, turns out to have originally been looted? What is the relevant legal framework? What should be done with ancient shipwrecks filled with objects from former colonies? Should such objects be kept by the finders? Should they be returned to the country of origin? This book addresses these different questions while highlighting the complex interplay between legal and ethical issues in the context of cultural governance. The approach is mainly legal but interdisciplinary aspects are considered as well.
Author: Tom McNulty Publisher: McFarland ISBN: 0786466715 Category : Art Languages : en Pages : 333
Book Description
This book is for art market researchers at all levels. A brief overview of the global art market and its major stakeholders precedes an analysis of the various sales venues (auction, commercial gallery, etc.). Library research skills are reviewed, and advanced methods are explored in a chapter devoted to basic market research. Because the monetary value of artwork cannot be established without reference to the aesthetic qualities and art historical significance of our subject works, two substantial chapters detail the processes involved in researching and documenting the fine and decorative arts, respectively, and provide annotated bibliographies. Methods for assigning values for art objects are explored, and sources of price data, both in print and online, are identified and described in detail. In recent years, art historical scholarship increasingly has addressed issues related to the history of art and its markets: a chapter on resources for the historian of the art market offers a wide range of sources. Finally, provenance and art law are discussed, with particular reference to their relevance to dealers, collectors, artists and other art market stakeholders.
Author: David Cycleback
Author: David Cycleback
Author: Maria Luisa Vitobello
Author: 
Author: James R. Bennett
Author: 
Author: Andrew W. Brainerd
Author: Paul Craddock
Author: Jehane Ragai
Author: Valentina Vadi
Author: Tom McNulty