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Author: Enoch Brater Publisher: Oxford University Press, USA ISBN: Category : Literary Criticism Languages : en Pages : 264
Book Description
Samuel Beckett, the only living playwright whose work--including Waiting for Godot and Endgame--guarantees him a place centerstage in the great modernist tradition, will mark his 80th bithday in April. This collection of original essays by thirteen noted critics evaluates the profound impact that Beckett's long and productive career continues to have on the contemporary imagination. From Foxrock, an affluent suburb of Dublin, to the Left Bank of Paris, and on to international--and Nobel Prize-winning--fame, Beckett developed a dramatic style that in many ways represents the theater of our times. A minor figure in the Paris avant-garde of the 1930s, Beckett does not come from nowhere," writes Enoch Brater. "He is very much a writer of his time, shaped by the forces of his time to speak to the new audience of his time." On the eve of his eightieth birthday, this book draws together essays by both established Beckett scholars and by drama specialsists who are commenting on Beckett for the first time. Together they establish a context and a precedent for thinking about Beckett's unique use of dramatic convention. Distinguished contributors include Ruby Cohn on "Growing (Up?) with Godot," John Russell Brown on "Beckett and the Art of the Non-Plus," the late Bernard Beckerman on "Beckett and the Act of Listening," and Martin Esslin on "Samuel Beckett--Infinity, Eternity." That the writers here often appear to be in dialogue with one another is a fitting tribute to that quality of spontaneity so many audiences still find in the Beckett repertory. About the Author: Enoch Brater is Associate Professor of English and Theater at the University of Michigan. He initiated a lecture series in Ann Arbor during 1984-85 which formed the basis for this book. Thirteen experts reevaulate the contributions of the great modernist playwright
Author: Enoch Brater Publisher: Oxford University Press, USA ISBN: Category : Literary Criticism Languages : en Pages : 264
Book Description
Samuel Beckett, the only living playwright whose work--including Waiting for Godot and Endgame--guarantees him a place centerstage in the great modernist tradition, will mark his 80th bithday in April. This collection of original essays by thirteen noted critics evaluates the profound impact that Beckett's long and productive career continues to have on the contemporary imagination. From Foxrock, an affluent suburb of Dublin, to the Left Bank of Paris, and on to international--and Nobel Prize-winning--fame, Beckett developed a dramatic style that in many ways represents the theater of our times. A minor figure in the Paris avant-garde of the 1930s, Beckett does not come from nowhere," writes Enoch Brater. "He is very much a writer of his time, shaped by the forces of his time to speak to the new audience of his time." On the eve of his eightieth birthday, this book draws together essays by both established Beckett scholars and by drama specialsists who are commenting on Beckett for the first time. Together they establish a context and a precedent for thinking about Beckett's unique use of dramatic convention. Distinguished contributors include Ruby Cohn on "Growing (Up?) with Godot," John Russell Brown on "Beckett and the Art of the Non-Plus," the late Bernard Beckerman on "Beckett and the Act of Listening," and Martin Esslin on "Samuel Beckett--Infinity, Eternity." That the writers here often appear to be in dialogue with one another is a fitting tribute to that quality of spontaneity so many audiences still find in the Beckett repertory. About the Author: Enoch Brater is Associate Professor of English and Theater at the University of Michigan. He initiated a lecture series in Ann Arbor during 1984-85 which formed the basis for this book. Thirteen experts reevaulate the contributions of the great modernist playwright
Author: Anthony Uhlmann Publisher: Cambridge University Press ISBN: 1107017033 Category : Literary Criticism Languages : en Pages : 490
Book Description
Provides a comprehensive exploration of Beckett's historical, cultural and philosophical contexts, offering new critical insights for scholars and general readers.
Author: Khaled Besbes Publisher: Universal-Publishers ISBN: 1581129556 Category : Literary Criticism Languages : en Pages : 327
Book Description
Semiotics is an interdisciplinary field of research and Beckett s theatre is one which engages a large spectrum of subjects and concerns that touch upon multiple aspects of human experience. The Beckettian dramatic text, as shall be demonstrated in this book, is a fertile ground for a semiotic investigation that is orchestrated by the profound insights of C. S. Peirce. As it applies semiotics to Beckett s theatre, this book seeks to preserve, communicate and throw into relief those universal values in the playwright s works which remain unchallenged despite every change and every revolution in human societies. What this book will hopefully contribute to the general canon of theatrical studies is its study of the Beckettian dramatic text not as a model of the absurd tradition, but rather as a cultural product whose writer's thinking can scarcely be dissociated from the cultural environment within which it took shape, and whose deciphering requires the use of cultural codes and sub-codes which will undergo detailed examination in the course of analysis, a study that we may so generically call a cultural semiotic study of Beckett.
Author: C. Gardner Publisher: Springer ISBN: 1137014369 Category : Performing Arts Languages : en Pages : 226
Book Description
An expressive dialogue between Deleuze's philosophical writings on cinema and Beckett's innovative film and television work, the book explores the relationship between the birth of the event – itself a simultaneous invention and erasure - and Beckett's attempts to create an incommensurable space within the interstices of language as a (W)hole.
Author: James Carney Publisher: Cambridge Scholars Publishing ISBN: 1443835382 Category : Literary Criticism Languages : en Pages : 285
Book Description
Beckett Re-Membered showcases some of the most recent scholarship on the Irish novelist, poet, and playwright, Samuel Beckett. As well as essays on Beckett’s literary output, it contains a section on the philosophical dimension of his work – an important addition, given the profound impact Beckett has had on European philosophy. Rather than attempting to circumscribe Beckett scholarship by advocating a theoretical position or thematic focus, Beckett Re-Membered reflects the exciting and diverse range of critical interventions that Beckett studies continues to generate. In the nineteen essays that comprise this volume, every major articulation of Beckett’s work is addressed, with the result that it offers an unusually comprehensive survey of its target author. Beckett Re-Membered will appeal to any reader who is interested in provocative responses to one of the twentieth century’s most important European writers.
Author: David Pattie Publisher: Routledge ISBN: 1135120323 Category : Literary Criticism Languages : en Pages : 240
Book Description
Samuel Beckett's work forever changed the concepts of literature and theatre. His work remains a core part of introductory courses on literary history, drama, theatre or performance and also features in more specialist modules such as Modernism or The Absurd. Samuel Beckett is a comprehensive introduction to his life and work as well as an outline of the critical issues surrounding his work. This guidebook leaves judgements up to the student by explaining the full range of often very different critical views and interpretations and offers guides to further reading in each area discussed.
Author: Andrew Gibson Publisher: Reaktion Books ISBN: 1861897138 Category : Biography & Autobiography Languages : en Pages : 207
Book Description
Writer Samuel Beckett (1906–89) is known for depicting a world of abject misery, failure, and absurdity in his many plays, novels, short stories, and poetry. Yet the despair in his work is never absolute, instead it is intertwined with black humor and an indomitable will to endure––characteristics best embodied by his most famous characters, Vladimir and Estragon, in the play Waiting for Godot. Beckett himself was a supremely modern, minimalist writer who deeply distrusted biographies and resisted letting himself be pigeonholed by easy interpretation or single definition. Andrew Gibson’s accessible critical biography overcomes Beckett’s reticence and carefully considers the writer’s work in relation to the historical circumstances of his life. In Samuel Beckett, Gibson tracks Beckett from Ireland after independence to Paris in the late 1920s, from London in the ’30s to Nazi Germany and Vichy France, and finally through the cold war to the fall of communism in the late ’80s. Gibson narrates the progression of Beckett’s life as a writer—from a student in Ireland to the 1969 Nobel Prize winner for literature—through chapters that examine individual historical events and the works that grew out of those experiences. A notoriously private figure, Beckett sought refuge from life in his work, where he expressed his disdain for the suffering and unnecessary absurdity of much that he witnessed. This concise and engaging biography provides an essential understanding of Beckett's work in response to many of the most significant events of the past century.
Author: David Pattie Publisher: Psychology Press ISBN: 0415202531 Category : Literary Criticism Languages : en Pages : 238
Book Description
This book is the first introduction to unite accessible accounts not only of Beckett's life and work, but of the key literary and theoretical concepts used in the study of his writing.
Author: Andrea Oppo Publisher: Peter Lang ISBN: 9783039118243 Category : Aesthetics Languages : en Pages : 272
Book Description
This book examines the role of Samuel Beckett in contemporary philosophical aesthetics, primarily through analysis of both his own essays and the various interpretations that philosophers (especially Adorno, Blanchot, Deleuze, and Badiou) have given to his works. The study centres around the fundamental question of the relationship between art and truth, where art, as a negative truth, comes to its complete exhaustion (as Deleuze terms it) by means of a series of 'endgames' that progressively involve philosophy, writing, language and every individual and minimal form of expression. The major thesis of the book is that, at the heart of Beckett's philosophical project, this 'aesthetics of truth' turns out to be nothing other than the real subject itself, within a contradictory and tragic relationship that ties the Self/Voice to the Object/Body. Yet a number of questions remain open. 'What' or 'who' lies behind this process? What is left of the endgame of art and subjectivity? Finally, what sustains and renders possible Beckett's paradoxical axiom of the 'impossibility to express' alongside the 'obligation to express'? By means of a thorough overview of the most recent criticism of Beckett, this book will try to answer these questions.
Author: Sidney Homan Publisher: Bucknell University Press ISBN: 9780838752340 Category : Art Languages : en Pages : 148
Book Description
If in the theater the rehearsal process is a way of "discovering" the play, of suggesting alternative readings, would the same hold true if the critic encountered works like Eh Joe, Ghost Trio, or Quad by going through the actual process of filming and then editing them?
Author: Enoch Brater
Author: Enoch Brater
Author: Anthony Uhlmann
Author: Khaled Besbes
Author: C. Gardner
Author: James Carney
Author: David Pattie
Author: Andrew Gibson
Author: David Pattie
Author: Andrea Oppo
Author: Sidney Homan