Bill Viola, Slowly Turning Narrative PDF Download

Author: Bill Viola
Publisher: University of Pennsylvania Press
ISBN:
Category : Installations (Art)
Languages : en
Pages : 36

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Author: Bill Viola
Publisher: Center
ISBN:
Category : Installations (Art)
Languages : en
Pages : 32

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Author: Martin Clayton
Publisher:
ISBN:
Category : Drawing, Italian
Languages : en
Pages : 0

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Book Description
At first glance, there may appear to be more to separate Michelangelo (1475-1564) and Bill Viola (b. 1951) than to unite them: one, the great master of the Italian Renaissance; the other, the creator of state-of-the-art immersive sound and video installations. And yet, when Martin Clayton showed Viola Her Majesty The Queen's unsurpassed collection of Michelangelo drawings at Windsor in 2006, parallels began to emerge. This book presents a new perspective on both artists' works. Stills and sequences from ten key video pieces by Viola are reproduced alongside fourteen of Michelangelo's presentation drawings, as well as the Taddei Tondo, the only Michelangelo marble sculpture in the UK and a treasure of the Royal Academy's collection. Texts by Martin Clayton examine how existential concerns - the preoccupation of many Renaissance artists, not least Michelangelo - are explored in Viola's often profoundly moving video installations, while Kira Perov provides insight into Viola's working processes.

Author: Bill Viola
Publisher: Guggenheim Museum
ISBN:
Category : Arts, American
Languages : en
Pages : 156

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Book Description
Introduction by John G. Hanhardt.

Author: Frank Viola
Publisher: David C Cook
ISBN: 1434705587
Category : Religion
Languages : en
Pages : 208

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Book Description
When He came to earth, Jesus Christ was rejected in every quarter in which He stepped. The Creator was rejected by His own creation. “He came to His own and His own received Him not,” said John. For this reason, Jesus Christ had “no where to lay His head.” There was one exception, however. A little village just outside of Jerusalem named Bethany. Bethany was the only place on earth where Jesus was completely received. God’s Favorite Place on Earth is a retelling of Jesus’ many visits to Bethany and a relaying of the message it holds for us today. Frank Viola presents a beautifully crafted narrative from the viewpoint of Lazarus, one of the people who lived in Bethany with his two sisters. This incomparable story not only brings the Gospel narratives to life, but it addresses the struggle against doubt, discouragement, fear, guilt, rejection, and spiritual apathy that challenges countless Christians today. In profoundly moving prose, God’s Favorite Place on Earth will captivate your heart with its beauty, charm, and depth. In this book you will discover how to live as a “Bethany” in our world today, being set free to love and follow Jesus like never before.

Author: Barbara London
Publisher: ABRAMS
ISBN:
Category : Installations (Art)
Languages : en
Pages : 84

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Book Description
Exhibition 6/22-9/12/95, Distributed by Abrams.

Author: Bill Viola
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 96

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Book Description

Author: Jo Lauria
Publisher: Potter Style
ISBN: 0307346471
Category : Decorative arts
Languages : en
Pages : 323

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Book Description
Illustrated with 200 stunning photographs and encompassing objects from furniture and ceramics to jewelry and metal, this definitive work from Jo Lauria and Steve Fenton showcases some of the greatest pieces of American crafts of the last two centuries. Potter Craft

Author: Hans Belting
Publisher: Princeton University Press
ISBN: 1400839785
Category : Art
Languages : en
Pages : 216

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Book Description
A compelling theory that places the origin of human picture making in the body In this groundbreaking book, renowned art historian Hans Belting proposes a new anthropological theory for interpreting human picture making. Rather than focus exclusively on pictures as they are embodied in various media such as painting, sculpture, or photography, he links pictures to our mental images and therefore our bodies. The body is understood as a "living medium" that produces, perceives, or remembers images that are different from the images we encounter through handmade or technical pictures. Refusing to reduce images to their material embodiment yet acknowledging the importance of the historical media in which images are manifested, An Anthropology of Images presents a challenging and provocative new account of what pictures are and how they function. The book demonstrates these ideas with a series of compelling case studies, ranging from Dante's picture theory to post-photography. One chapter explores the tension between image and medium in two "media of the body," the coat of arms and the portrait painting. Another, central chapter looks at the relationship between image and death, tracing picture production, including the first use of the mask, to early funerary rituals in which pictures served to represent the missing bodies of the dead. Pictures were tools to re-embody the deceased, to make them present again, a fact that offers a surprising clue to the riddle of presence and absence in most pictures and that reveals a genealogy of pictures obscured by Platonic picture theory.

Author: Bruce Altshuler
Publisher: Princeton University Press
ISBN: 1400849357
Category : Art
Languages : en
Pages : 208

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Book Description
Collecting the New is the first book on the questions and challenges that museums face in acquiring and preserving contemporary art. Because such art has not yet withstood the test of time, it defies the traditional understanding of the art museum as an institution that collects and displays works of long-established aesthetic and historical value. By acquiring such art, museums gamble on the future. In addition, new technologies and alternative conceptions of the artwork have created special problems of conservation, while social, political, and aesthetic changes have generated new categories of works to be collected. Following Bruce Altshuler's introduction on the European and American history of museum collecting of art by living artists, the book comprises newly commissioned essays by twelve distinguished curators representing a wide range of museums. First considered are general issues including the acquisition process, and collecting by universal survey museums and museums that focus on modern and contemporary art. Following are groups of essays that address collecting in particular media, including prints and drawings, new (digital) media, and film and video; and national- and ethnic-specific collecting (contemporary art from Asia, Africa, and Latin America, and African-American art). The closing essay examines the conservation problems created by contemporary works--for example, what is to be done when deterioration is the artist's intent? The contributors are Christophe Cherix, Vishakha N. Desai, Steve Dietz, Howard N. Fox, Chrissie Iles and Henriette Huldisch, Pamela McClusky, Gabriel Pérez-Barreiro, Lowery Stokes Sims, Robert Storr, Jeffrey Weiss, and Glenn Wharton.