British Film Institute Film and Television Handbook 1994 PDF Download

Author: David Leafe
Publisher: British Film Institute
ISBN: 9780851704111
Category : Performing Arts
Languages : en
Pages : 328

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Author: Nicholas Thomas
Publisher: British Film Institute
ISBN: 9780851704920
Category : Performing Arts
Languages : en
Pages : 332

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Book Description
The 1995 guide brings together a range of statistics on the cinema, television and video. Produced in consultation with leading trade publications and organizations, it includes coverage of producers, distributors, cinema, feature film releases, awards, press contacts and film workshops.

Author: Thomas Austin
Publisher: Manchester University Press
ISBN: 9780719057755
Category : Performing Arts
Languages : en
Pages : 270

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Book Description
This book traces the circulation in Britain of three Hollywood films--Basic Instinct, Bram Stoker's Dracula and Natural Born Killers --from marketing and critical reception to consumption in cinemas and on video. It draws on economic discursive contexts and original audience research to trace how meanings, pleasures, and uses are derived from popular film. A significant intervention into methodological debates in film studies and a timely investigation of film culture, it focuses on key questions about genre, taste, sexual pleasure and screen violence.

Author: Eddie Dyja
Publisher: British Film Institute
ISBN: 9780851705521
Category : Performing Arts
Languages : en
Pages : 376

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Book Description
This definitive reference guide to the film and television year provides more statistical information than any other publication. It is easy to use, up-to-date and covers producers, cinemas, awards, feature film releases and video workshops.

Author: Robert Murphy
Publisher: Bloomsbury Publishing
ISBN: 1838714774
Category : Performing Arts
Languages : en
Pages : 273

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Book Description
This work examines major box office hits like 'The Full Monty' as well as critically acclaimed films like 'Under the Skin'. It explores the role of distribution and exhibition, the Americanisation of British film culture, Hollywood and Europe, changing representations of sexuality and ethnicity.

Author: David Clarke
Publisher: Routledge
ISBN: 1134797974
Category : Art
Languages : en
Pages : 264

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Book Description
The Cinematic City offers an innovative and thought-provoking insight into cityscape and screenscape and their inter-connection. Illustrated throughout with movie stills, a diverse selection of films (from 'Bladerunner' to 'Little Caesar'), genres, cities and historical periods are examined by leading names in the field. The key dimensions of film and urban theory are introduced before detailed analysis of the various cinematic forms which relate most significantly to the city. From early cinema and documentary film, to film noir, 'New Wave' and 'postmodern cinema', the contributors provide a wealth of empirical material and illustration whilst drawing on the theoretical insights of contemporary feminism, Benjamin, Baudrillard, Foucault, Lacan, and others. The Cinematic City shows how the city has been undeniably shaped by the cinematic form, and how cinema owes much of its nature to the historical development of urban space. Engaging with current theoretical debates, this is a book that is set to change the way in which we think about both the nature of the city and film. Contributors: Giuliana Bruno, Iain Chambers, Marcus Doel, David Clarke, Anthony Easthope, Elisabeth Mahoney, Will Straw, Stephen Ward, John Gold, James Hay, Rob Lapsley, Frank Krutnik

Author: Eddie Dyja
Publisher: British Film Institute
ISBN:
Category : Performing Arts
Languages : en
Pages : 452

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Author: Andrew Higson
Publisher: Bloomsbury Publishing
ISBN: 0857718975
Category : Performing Arts
Languages : en
Pages : 304

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In a film business increasingly transnational in its production arrangements and global in its scope, what space is there for culturally English filmmaking? In this groundbreaking book, Andrew Higson demonstrates how a variety of Englishnesses have appeared on screen since 1990, and surveys the genres and production modes that have captured those representations. He looks at the industrial circumstances of the film business in the UK, government film policy and the emergence of the UK Film Council. He examines several contemporary 'English' dramas that embody the transnationalism of contemporary cinema, from 'Notting Hill' to 'The Constant Gardener'. He surveys the array of contemporary fiction that has been re-worked for the big screen, and the pervasive - and successful - Jane Austen adaptation business. Finally, he considers the period's diverse films about the English past, including big-budget, Hollywood-led action-adventure films about medieval heroes, intimate costume dramas of the modern past, such as 'Pride and Prejudice', and films about the very recent past, such as 'This is England'.

Author: Robin Nelson
Publisher: Springer
ISBN: 1349256234
Category : Literary Criticism
Languages : en
Pages : 286

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Book Description
TV Drama in Transition reflects upon changing dramatic forms on television in the context of broad cultural shifts over the past two decades. Analyses of a wide range of series (from Heartbeat to Middlemarch and Our Friends in the North; from NYPD Blue to Twin Peaks to The X-Files) are interspersed with accounts of new technologies, viewing dispositions and the political economy of culture. This book is generally concerned as much with the condition of culture in the 1980s and 1990s, as specifically with TV drama.

Author: Richard Collins
Publisher: Institute for Public Policy Research
ISBN: 9780745617862
Category : Social Science
Languages : en
Pages : 260

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Book Description
We are in the middle of a communications revolution, expressed in a proliferation of media forms and media technologies. Are these changes a threat or a promise? Who is to control access to the media, old and new? What role should competition play in their further development? The United Kingdom is something of a global 'laboratory' for the deregulation and liberalization of media and communications. This is the first book to look systematically at the implications of the UK's experience and to provide clear guidelines for the future. Richard Collins and Cristina Murroni question orthodox views of both Left and Right concerning media and communication policies. Unlike many in the Left, they acknowledge the achievements of liberalism and in fact advocate an expansion of competition in some contexts. In contrast to the Right they argue that media and communications are too important to society to be left solely to the market - not least because markets often fail. Regulation is needed for effective competition, to ensure affordable access to essential services and to protect citizens and consumers. Collins's and Murroni's study was undertaken at the Institute for Public Policy Research - the UK's leading centre-left 'think tank'. Their findings are essential reading for policy-makers, students and professionals in the area of modern media and communications.