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Author: Matthew H. Birkhold Publisher: Oxford University Press ISBN: 0192567926 Category : Literary Criticism Languages : en Pages : 320
Book Description
How did authors control the literary fates of fictional characters before the existence of copyright? Could a second author do anything with another author's character? Situated between the decline of the privilege system and the rise of copyright, literary borrowing in eighteenth-century Germany has long been considered unregulated. This book tells a different story. Characters before Copyright documents the surprisingly widespread eighteenth-century practice of writing fan fictionliterary works written by readers who appropriate preexisting characters invented by other authorsand reconstructs the contemporaneous debate about the literary phenomenon. Like fan fiction today, these texts took the form of sequels, prequels, and spinoffs. Analyzing the evolving reading, writing, and consumer habits of late-eighteenth-century Germany, Characters before Copyright identifies the social, economic, and aesthetic changes that fostered the rapid rise of fan fiction after 1750. Based on archival work and an ethnographic approach borrowed from legal anthropology, this book then uncovers the unwritten customary norms that governed the production of these works. Characters before Copyright thus reinterprets the eighteenth-century literary commons, arguing that what may appear to have been the free circulation of characters was actually circumscribed by an exacting set of rules and conditions. These norms translated into a unique type of literature that gave rise to remarkable forms of collaborative authorship and originality. Characters before Copyright provides a new perspective on the eighteenth-century book trade and the rise of intellectual property, reevaluating the concept of literary property, the history of moral rights, and the tradition of free culture.
Author: Matthew H. Birkhold Publisher: Oxford University Press ISBN: 0192567926 Category : Literary Criticism Languages : en Pages : 320
Book Description
How did authors control the literary fates of fictional characters before the existence of copyright? Could a second author do anything with another author's character? Situated between the decline of the privilege system and the rise of copyright, literary borrowing in eighteenth-century Germany has long been considered unregulated. This book tells a different story. Characters before Copyright documents the surprisingly widespread eighteenth-century practice of writing fan fictionliterary works written by readers who appropriate preexisting characters invented by other authorsand reconstructs the contemporaneous debate about the literary phenomenon. Like fan fiction today, these texts took the form of sequels, prequels, and spinoffs. Analyzing the evolving reading, writing, and consumer habits of late-eighteenth-century Germany, Characters before Copyright identifies the social, economic, and aesthetic changes that fostered the rapid rise of fan fiction after 1750. Based on archival work and an ethnographic approach borrowed from legal anthropology, this book then uncovers the unwritten customary norms that governed the production of these works. Characters before Copyright thus reinterprets the eighteenth-century literary commons, arguing that what may appear to have been the free circulation of characters was actually circumscribed by an exacting set of rules and conditions. These norms translated into a unique type of literature that gave rise to remarkable forms of collaborative authorship and originality. Characters before Copyright provides a new perspective on the eighteenth-century book trade and the rise of intellectual property, reevaluating the concept of literary property, the history of moral rights, and the tradition of free culture.
Author: Matthew H. Birkhold Publisher: ISBN: 9780191876752 Category : Copyright Languages : en Pages : 307
Book Description
Based on extensive archival work, Characters before Copyright shows that fan fiction proliferated in the eighteenth century and explains why this phenomenon emerged when it did.
Author: Matthew H. Birkhold Publisher: ISBN: 0198831978 Category : Copyright Languages : en Pages : 307
Book Description
Based on extensive archival work, Characters before Copyright shows that fan fiction proliferated in the eighteenth century and explains why this phenomenon emerged when it did.
Author: Richard Stim Publisher: NOLO ISBN: 141330074X Category : Law Languages : en Pages : 480
Book Description
Detailed advice (and plenty of sample forms, worksheets and agreements) on everything from getting a business started to kicking out an unwanted partner later. - Los Angeles Times - It is the most definitive, complete and current do-it-yourself patent book ever written and it is written in easy-to-understand laymen's terms. - Mary Bellis, Inventor's Guide at About.com - Every step of the patent process is presented in order in this gem of a book, complete with official forms - San Francisco Chronicle - David Pressman is a practicing patent attorney, a former patent examiner, and the author of Patent It Yourself. His book is easy to understand and can save thousands of dollars by writing your own patent application, or by writing much of it, and having a patent agent or attorney edit and write the claims section. - Jack Lander, The Inventor's Bookstore - Like all law, [patent law] is pretty complex stuff. This clearly written guide will help minimize legal fees by preparing you to do what you can for yourself.- Mike Maza, Dallas Morning News - The book presents complicated procedures in easily digested chunks, with anecdotes, forms and plenty of old-fashioned good advice - The Denver Post - The most complete and authoritative work on patents and inventions for laypersons - InventNet - Contains all necessary forms and instructions plus advice on marketing your invention. - Money Magazine - The best roll-up-your-sleeves guide for filers who don't want to pay a ransom. - Inc.- Patent It Yourself is a top-notch reference for patent and trademark information. - San Francisco Examiner
Author: Julia Alvarez Publisher: Laurel Leaf ISBN: 030743317X Category : Young Adult Fiction Languages : en Pages : 181
Book Description
Anita de la Torre never questioned her freedom living in the Dominican Republic. But by her 12th birthday in 1960, most of her relatives have emigrated to the United States, her Tío Toni has disappeared without a trace, and the government’s secret police terrorize her remaining family because of their suspected opposition of el Trujillo’s dictatorship. Using the strength and courage of her family, Anita must overcome her fears and fly to freedom, leaving all that she once knew behind. From renowned author Julia Alvarez comes an unforgettable story about adolescence, perseverance, and one girl’s struggle to be free.
Author: Jason Hazeley Publisher: Simon and Schuster ISBN: 1501150731 Category : Humor Languages : en Pages : 64
Book Description
The international publishing phenomenon and ridiculously funny new parody series that helps grown-ups learn about the world around them using large clear type, simple and easy-to-grasp words, frequent repetition, and thoughtful matching of text with pictures. Have you been having trouble with the How, Why, and Wheres? Well fear no more. The Fireside Grown-Up Guide series understands that the world is just as confusing to a forty-year-old as it is to a four-year-old. We’re here to help and break down the most pressing and complex issues of our day into easy-to-digest pieces of information paired with vivid illustrations even a child could understand. The husband knows many things. For example, he knows how many stairs there are in his house—in case he arrives home too drunk to see them properly. In this Fireside Grown-Up Guide to the Husband, you can learn about what husbands like (making simple repairs and then droning on about what a struggle they were), what he hates (being wrong), how often he is really listening (only thirty percent of the time), and many other enlightening facts.
Author: Frank L. Baum Publisher: Cosimo, Inc. ISBN: 1616402830 Category : Language Arts & Disciplines Languages : en Pages : 312
Book Description
The Wonderful Wizard of Oz has been enchanting audiences since it was first published in 1900. While many fans may know the work only by its movie counterpart, the world L. Frank Baum built within the books is much more elaborate. Since the more recent publication of Gregory Maguire's Wicked: The Life and Times of the Wicked Witch of the West and the Broadway play of the same name, fans have had a rekindled interest in Baum's original works from which the retellings draw heavily. Anyone interested in fantasy, magic, and silliness is sure to love this American classic.L. Frank Baum (1856-1919) is one of the most recognized and beloved children's authors, though he is often recognized for only one of his many stories. The Wonderful Wizard of Oz is easily his most popular work, though Baum actually wrote 13 sequels in Oz. His writings consist of practically every genre: Baum wrote 55 novels in total, 82 short stories, more than 200 poems, as well as scripts, and other miscellaneous writings. Interestingly, many of his non-Oz works were published under pseudonyms. Baum made many attempts to bring his work to stage and screen, but the most successful productions were not made until after his death.
Author: Sarah Hook Publisher: Taylor & Francis ISBN: 1003835031 Category : Law Languages : en Pages : 189
Book Description
This book argues that moral rights provisions in copyright law rest on a misunderstanding, or romanticisation, of the role of the author. The Romantic conception of authorship, as a lone genius, creating from nothing, sensitive and vulnerable, has helped publishers push for strong copyright reform. But is this conception borne out in practice – especially in a world of meme culture, of artificial intelligence generated art and poetry, and of open source and fan fiction? This book probes the romantic vignette of the author through its legal adoption. Moral rights are rights that attach to the non-economic – for example, intellectual or emotional – interests of an author in their work. Much like defamation, moral rights see the right of reputation as superior to the right of freedom of expression. However, unlike defamation, moral rights are not protecting against defamatory actions against a person. In most jurisdictions, they are provisions set within copyright regimes; regimes whose purpose is to incentivise innovation. Challenging the way we think about authorship and how it should be protected by law, the book draws on a wide range of historical and contemporary examples to demonstrate how moral rights can constitute a barrier to transformative creativity. While authors and artists require strong rights to protect their ability to earn an income and incentivise creativity, moral rights, the book argues, may in turn actually harm their ability to do so. This timely criticism of moral rights will appeal to researchers, students, policy makers and lawyers working in the area of intellectual property law, as well as legal theorists, sociolegal scholars and legal historians with relevant interests.
Author: Ruth Livesey Publisher: Oxford University Press ISBN: 0191082260 Category : Literary Criticism Languages : en Pages : 240
Book Description
Why is it that so many of the best-loved novels of the Victorian era take place not in the steam-powered railway present in which they were published, but in the very recent past? Most works by Dickens, Brontë, Eliot, and Hardy set action neither in the present nor in a definitively historical epoch but rather in a 'just' past of collective memory, a vanishing but still tangible world moving by stage and mail coach. It is easy to overlook the fact that Jane Eyre, Bleak House, and Middlemarch, for example, are in this sense historical novels, recreating places and times that are just slipping from the horizon of here and now. Ruth Livesey brings to the surface the historical consciousness of such novels of the 'just' past and explores how they convey an idea of a national belonging that can be experienced through a sense of local place. The journey by public coach had long been an analogy for the form of the novel as it took shape in the eighteenth century; smooth engineered roads and the rapid circulation of print was one means by which Britain was reimagined as a modern, peaceable, and communicative nation in the aftermath of the Napoleonic wars. But by the later 1840s the end of the stage coach was assured and that made it a highly charged figure of a lost national modernity. In its halts, relays, stops at inns, and crossing points, the stage and mail coach system offered a different experience of mobility and being-in-place—passages of flight and anchoring points—from the vectors of the railway that radiated out from industrial and urban centres. This book opens by examining the writing of the stage coach nation in Walter Scott's fiction and in the work of the radical journalists William Hazlitt and William Cobbett. Livesey suggests that in turning to the 'just' past of the stage coach imaginary, later novels by Dickens, Brontë, and Eliot reach out to the possibility of a nation knitted together by the affect of strongly felt local belonging. This vision is of a communicative nation at its liveliest when the smooth passage of characters and words are interrupted and overset, delivering readers and protagonists to local places, thick with the presence of history writ small.
Author: Lisa Siraganian Publisher: Oxford University Press ISBN: 0192639633 Category : Literary Criticism Languages : en Pages : 287
Book Description
Winner, Matei Calinescu Prize, Modern Language Association Winner, 2021 Modernist Studies Award, Modernist Studies Association Long before the US Supreme Court announced that corporate persons freely "speak" with money in Citizens United v. Federal Election Commission (2010), they elaborated the legal fiction of American corporate personhood in Santa Clara v. Southern Pacific Railroad (1886). Yet endowing a non-human entity with certain rights exposed a fundamental philosophical question about the possibility of collective intention. That question extended beyond the law and became essential to modern American literature. This volume offers the first multidisciplinary intellectual history of this story of corporate personhood. The possibility that large collective organizations might mean to act like us, like persons, animated a diverse set of American writers, artists, and theorists of the corporation in the first half of the twentieth century, stimulating a revolution of thought on intention. The ambiguous status of corporate intention provoked conflicting theories of meaning—on the relevance (or not) of authorial intention and the interpretation of collective signs or social forms—still debated today. As law struggled with opposing arguments, modernist creative writers and artists grappled with interrelated questions, albeit under different guises and formal procedures. Combining legal analysis of law reviews, treatises, and case law with literary interpretation of short stories, novels, and poems, this volume analyzes legal philosophers including Oliver Wendell Holmes, Jr., Frederic Maitland, Harold Laski, Maurice Wormser, and creative writers such as Theodore Dreiser, Muriel Rukeyser, Gertrude Stein, Charles Reznikoff, F. Scott Fitzgerald, and George Schuyler.
Author: Matthew H. Birkhold
Author: Matthew H. Birkhold
Author: Matthew H. Birkhold
Author: Matthew H. Birkhold
Author: Richard Stim
Author: Julia Alvarez
Author: Jason Hazeley
Author: Frank L. Baum
Author: Sarah Hook
Author: Ruth Livesey
Author: Lisa Siraganian