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Author: Christopher Beach Publisher: Univ. Press of Mississippi ISBN: 1496826760 Category : Performing Arts Languages : en Pages : 214
Book Description
Claude Chabrol (1930–2010) was a founding member of the French New Wave, the group of filmmakers that revolutionized French filmmaking in the late 1950s and early 1960s. One of the most prolific directors of his generation, Chabrol averaged more than one film per year from 1958 until his death in 2010. Among his most influential films, Le Beau Serge, Les Cousins, and Les Bonnes Femmes established his central place within the New Wave canon. In contrast to other filmmakers of the New Wave such as Jean-Luc Godard and Eric Rohmer, Chabrol exhibited simultaneously a desire to create films as works of art and an impulse to produce work that would be commercially successful and accessible to a popular audience. The seventeen interviews in this volume, most of which have been translated into English for the first time, offer new insights into Chabrol’s remarkably wide-ranging filmography, providing a sense of his attitudes and ideas about a number of subjects. Chabrol shares anecdotes about his work with such actors as Isabelle Huppert, Gérard Depardieu, and Jean Yanne, and offers fresh perspectives on other directors including Jean-Luc Godard, Fritz Lang, and Alfred Hitchcock. His mistrust of conventional wisdom often leads him to make pronouncements intended as much to shock as to elucidate, and he frequently questions established ideas and normative attitudes toward moral, ethical, and social behaviors. Chabrol’s intelligence is far-reaching, moving freely between philosophy, politics, psychology, literature, and history, and his iconoclastic spirit, combined with his blend of sarcasm and self-deprecating humor, gives his interviews a tone that hovers between a high moral seriousness and a cynical sense of hilarity in the face of the world’s complexities.
Author: Christopher Beach Publisher: Univ. Press of Mississippi ISBN: 1496826760 Category : Performing Arts Languages : en Pages : 214
Book Description
Claude Chabrol (1930–2010) was a founding member of the French New Wave, the group of filmmakers that revolutionized French filmmaking in the late 1950s and early 1960s. One of the most prolific directors of his generation, Chabrol averaged more than one film per year from 1958 until his death in 2010. Among his most influential films, Le Beau Serge, Les Cousins, and Les Bonnes Femmes established his central place within the New Wave canon. In contrast to other filmmakers of the New Wave such as Jean-Luc Godard and Eric Rohmer, Chabrol exhibited simultaneously a desire to create films as works of art and an impulse to produce work that would be commercially successful and accessible to a popular audience. The seventeen interviews in this volume, most of which have been translated into English for the first time, offer new insights into Chabrol’s remarkably wide-ranging filmography, providing a sense of his attitudes and ideas about a number of subjects. Chabrol shares anecdotes about his work with such actors as Isabelle Huppert, Gérard Depardieu, and Jean Yanne, and offers fresh perspectives on other directors including Jean-Luc Godard, Fritz Lang, and Alfred Hitchcock. His mistrust of conventional wisdom often leads him to make pronouncements intended as much to shock as to elucidate, and he frequently questions established ideas and normative attitudes toward moral, ethical, and social behaviors. Chabrol’s intelligence is far-reaching, moving freely between philosophy, politics, psychology, literature, and history, and his iconoclastic spirit, combined with his blend of sarcasm and self-deprecating humor, gives his interviews a tone that hovers between a high moral seriousness and a cynical sense of hilarity in the face of the world’s complexities.
Author: Guy Austin Publisher: Manchester University Press ISBN: 1526162687 Category : Performing Arts Languages : en Pages : 215
Book Description
This is the first book-length study in English on Chabrol since 1970. Chabrol has always been a neglected figure in the French New Wave but has recently been declared 'possibly the greatest living film director in France'.. Coincides with the recent renewal of interest in Chabrol, which has seen his back catalogue released in the UK on video.. Celebration of Chabrol's fiftieth film recently, Rien ne va plus prompted many festivals and retrospectives. Publication coincides with Chabrol's new film which is discussed in this study.. Writtten by one of the liveliest critics in French cinema - author of Contemporary French Cinema.
Author: Guy Austin Publisher: Manchester University Press ISBN: 1526141264 Category : Performing Arts Languages : en Pages : 208
Book Description
This is the first book-length study in English on Chabrol since 1970. Chabrol has always been a neglected figure in the French New Wave but has recently been declared 'possibly the greatest living film director in France'.. Coincides with the recent renewal of interest in Chabrol, which has seen his back catalogue released in the UK on video.. Celebration of Chabrol's fiftieth film recently, Rien ne va plus prompted many festivals and retrospectives. Publication coincides with Chabrol's new film which is discussed in this study.. Writtten by one of the liveliest critics in French cinema - author of Contemporary French Cinema.
Author: Jacob Leigh Publisher: Bloomsbury Publishing USA ISBN: 1501312502 Category : Performing Arts Languages : en Pages : 208
Book Description
A member of the French New Wave group of filmmakers who first came to prominence at the end of the 1950s, Claude Chabrol has received the least amount of critical and scholarly attention, although he was the more prolific and commercially successful of them all. Jacob Leigh fills this lacuna by focusing on the last nine feature films of Chabrol's career, exploring his imagery, camerawork, use of sound and music, and performances, revealing the stylistic characteristics of his films while identifying the fundamental thematic issues that lie at the heart of his career-length exploration of the relationship between individuals and societies. Key areas of focus includes Chabrol's careful depiction of upper-class settings in films such as La Cérémonie (1995), Merci pour le chocolat (2000) and La Fille coupée en deux (2007) and on what Robin Wood and Michael Walker call 'the beast in man' (1970), the quasi-sympathetic 'id-figures' of which Le Boucher's Popaul is the most celebrated. Chabrol's 'id-figures' inherit the traits of Shadow of a Doubt's Uncle Charlie, Rope's Brandon and Strangers on a Train's Bruno, all three of whom have characteristics of the Nietzsche-quoting psychopath familiar in crime fiction. Additionally, The Late Films of Claude Chabrol considers the influence on Chabrol of a range of significant writers, including Patrick Hamilton, Patricia Highsmith, Charlotte Armstrong and Ruth Rendell.
Author: Marcia J. Citron Publisher: Cambridge University Press ISBN: 1139489631 Category : Music Languages : en Pages :
Book Description
Opera can reveal something fundamental about a film, and film can do the same for an opera, argues Marcia J. Citron. Structured by the categories of Style, Subjectivity, and Desire, this volume advances our understanding of the aesthetics of the opera/film encounter. Case studies of a diverse array of important repertoire including mainstream film, opera-film, and postmodernist pastiche are presented. Citron uses Werner Wolf's theory of intermediality to probe the roles of opera and film when they combine. The book also refines and expands film-music functions, and details the impact of an opera's musical style on the meaning of a film. Drawing on cinematic traditions of Hollywood, France, and Britain, the study explores Coppola's Godfather trilogy, Jewison's Moonstruck, Nichols's Closer, Chabrol's La Cérémonie, Schlesinger's Sunday, Bloody Sunday, Boyd's Aria, and Ponnelle's opera-films.
Author: Jacob Leigh Publisher: Bloomsbury Publishing USA ISBN: 1501312499 Category : Performing Arts Languages : en Pages : 209
Book Description
Studies the unique achievements of Chabrol’s last fourteen years of filmmaking, during which he made nine remarkable films which combine a formally complex and highly self-conscious style with a thematic focus on the opacity of the relationship between human thought and action.
Author: Ruth Rendell Publisher: Open Road Media ISBN: 1453210997 Category : Fiction Languages : en Pages : 212
Book Description
From the New York Times–bestselling author of A Dark-Adapted Eye: A unique psychological thriller about a gentle young man tempted to kill for love. Philip Wardman is disgusted by murder. He cannot tolerate violent films or the local news, and when his friends discuss such things he often leaves the room. At his sister’s wedding, Philip becomes infatuated with a strange, silver-haired woman named Senta Pelham. They sleep together after the reception, and Philip finds himself falling headfirst into obsessive, all-consuming love. He wants to marry Senta and live an ordinary life—but before they can, she has a murderous idea. To prove the unconventionality of their love, Senta proposes that each of them commit a murder. Shocked by the idea, but unable to resist his beloved, Philip is drawn into a maze of violence and deceit—and is horrified to find that he feels quite at home. “Subdued tones, stultifying atmosphere, and omniscient narration mark this telling depiction of mutual psychological obsession,” writes Library Journal. Ruth Rendell was one of the twentieth century’s finest thriller writers, and The Bridesmaid is one of her most chilling.
Author: Christopher Beach
Author: Christopher Beach
Author: Guy Austin
Author: Robin Wood
Author: Guy Austin
Author: Catherine Dousteyssier-Khoze
Author: Jacob Leigh
Author: Eric Rohmer
Author: Marcia J. Citron
Author: Jacob Leigh
Author: Ruth Rendell