Conducting Made Easy PDF Download

Author: Charles J. Meek
Publisher: Scarecrow Press
ISBN: 9780810821675
Category : Music
Languages : en
Pages : 158

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Book Description
A practictical guide for effective directing.

Author: Michael Miller
Publisher: Penguin
ISBN: 1101588756
Category : Music
Languages : en
Pages : 277

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Book Description
The complex art of conducting may look effortless to the casual onlooker, however, it requires a great deal of knowledge and skill. The success of a performance hinges on the director's ability to keep the group playing together and interpreting the music as the composer intended. The Complete Idiot's Guide® to Conducting Music shows student and novice conductors how to lead bands, orchestras, choirs, and other ensembles effectively through sight-reading, rehearsals, and performances.

Author: Brock McElheran
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 164

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Book Description
Conducting Technique has been accepted as a standard text for both choral and orchestral conducting courses taught at universities, colleges, and conservatories throughout the English-speaking world. For this revised edition the author has made a number of corrections and additions, includinga new preface.

Author: Amber L. Valentino
Publisher: New Harbinger Publications
ISBN: 1684037840
Category : Psychology
Languages : en
Pages : 206

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Book Description
Learn how you can make a name for yourself in the field of applied behavior analysis research. If you’re like many practitioners in the field of applied behavior analysis (ABA), you may encounter barriers when conducting research—including limited resources, competing contingencies, an absence of a formal institutional review board, and rigorous methodology requirements. This book addresses these limitations directly, and offers strategies for contributing to research literature, advancing your career, and making professional scholarly submissions over the course of your career. In this book, you’ll find a thorough discussion about the research-to-practice gap, arguments for why ABA practitioners should publish, tips for ensuring ethical research practices, time management skills to help you stay productive, and strategies for overcoming common obstacles in research. Also included are practical ways to conduct research in applied settings, information about receiving mentorship, tips for writing, a quick reference guide to the editorial process, examples of applied studies, and resources to help you get started right away.

Author: Christopher Seaman
Publisher: University Rochester Press
ISBN: 1580464114
Category : Biography & Autobiography
Languages : en
Pages : 286

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Book Description
Exactly what does a conductor do in front of an orchestra? Internationally renowned conductor Christopher Seaman offers lively and informative answers in this wise yet humorous book. What does a conductor actually do? How much effect does he or she have? Can the orchestra manage without one? Why don't the players look at the conductor more? Is it necessary for the conductor to play every instrument? What about interpretation? What happens at rehearsals? Why do some conductors "thrash around" more than others? Who's the boss in a concerto: the soloist or the conductor? These are some of the questions that receive lively andinformative answers in this book by renowned conductor Christopher Seaman. Composed of short articles on individual topics, it is accessible and easy to consult. Each article begins with an anecdote or saying and ends with quotations from musicians, often expressing opposing views. There are many books on the art of conducting, but none like this. Music lovers wondering what the figure on the podium actually does, and aspiring conductors eager to learn more about the art and craft of leading an orchestra, will all treasure this wise yet humorous book. Christopher Seaman has been successful at both ends of the baton. After four years as principal timpanist of the London Philharmonic Orchestra, he was appointed principal conductor of the BBC Scottish Symphony Orchestra and has enjoyed a busy international conducting career for over forty years. He is now Conductor Laureate for Life of the Rochester Philharmonic Orchestra, New York, and he continues to bring great music and wise words to audiences, students, and readers around the world.

Author: Jeffrey O. Stull
Publisher: Government Institutes
ISBN: 1591919770
Category : Social Science
Languages : en
Pages : 654

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Book Description
Using an easy-to-use checklist format, author Jeffrey Stull, an internationally recognized expert in the area of protective clothing, examines the types of industrial and fire hazards that warrant PPE protection. He also covers how to select equipment from the range of products available, which materials are affected by the hazards, and how that influences selection, care, and maintenance of PPE.

Author: Mark Wigglesworth
Publisher: University of Chicago Press
ISBN: 022662255X
Category : Music
Languages : en
Pages : 261

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Book Description
The conductor—tuxedoed, imposingly poised above an orchestra, baton waving dramatically—is a familiar figure even for those who never set foot in an orchestral hall. As a veritable icon for classical music, the conductor has also been subjected to some ungenerous caricatures, presented variously as unhinged gesticulator, indulged megalomaniac, or even outright impostor. Consider, for example: Bugs Bunny as Leopold Stokowski, dramatically smashing his baton and then breaking into erratic poses with a forbidding intensity in his eyes, or Mickey Mouse in Fantasia, unwittingly conjuring dangerous magic with carefree gestures he doesn’t understand. As these clichés betray, there is an aura of mystery around what a conductor actually does, often coupled with disbelief that he or she really makes a difference to the performance we hear. The Silent Musician deepens our understanding of what conductors do and why they matter. Neither an instruction manual for conductors, nor a history of conducting, the book instead explores the role of the conductor in noiselessly shaping the music that we hear. Writing in a clever, insightful, and often evocative style, world-renowned conductor Mark Wigglesworth deftly explores the philosophical underpinnings of conducting—from the conductor’s relationship with musicians and the music, to the public and personal responsibilities conductors face—and examines the subtler components of their silent art, which include precision, charisma, diplomacy, and passion. Ultimately, Wigglesworth shows how conductors—by simultaneously keeping time and allowing time to expand—manage to shape ensemble music into an immersive, transformative experience, without ever making a sound.

Author:
Publisher:
ISBN: 9780849735684
Category :
Languages : en
Pages :

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Book Description

Author: David P. DeVenney
Publisher: Roger Dean Publishing Company
ISBN: 9781429117531
Category : Music
Languages : en
Pages : 100

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Book Description
Intended for beginning conductors, this volume offers a conceptual approach to conducting rather than an imitative one. Students begin by building right-hand and then left-hand gestures and are provided with exercises designed to increase independence and expressiveness. Approaches to repertory and programming are also introduced, as are score marking, rehearsal strategies and preparation, and singing technique. In total, it is a concise guide that offers a wealth of practical information and stands alone as a resource for even part-time choir directors.

Author: Liz Garnett
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754663799
Category : Music
Languages : en
Pages : 250

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Book Description
It is a truism in teaching choral conducting that the director should look like s/he wishes the choir to sound. But how can these forms of physical communication be explained? Do they belong to a pre-cultural realm of primate social bonding, or do they rely on the context and conventions of a particular choral culture? Is body language an inherent part of musical performance styles, or does it come afterwards, in response to music? This book explores these questions at both theoretical and practical levels. Its findings will be of interest both to those engaged in the study of music as a cultural practice, and to practitioners involved in a choral conducting context that increasingly demands fluency in a variety of styles.