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Author: Rebecca Bridges Wats Publisher: Univ. Press of Mississippi ISBN: 160473308X Category : History Languages : en Pages : 219
Book Description
In Contemporary Southern Identity, Rebecca Bridges Watts explores the implications of four public controversies about southern identity—debates about the Confederate flag in South Carolina, the gender integration of the Virginia Military Institute, the display of public art in Richmond, and Trent Lott's controversial comments regarding Strom Thurmond's 1948 segregationist presidential bid. While such debates may serve as evidence of the South's “battle over the past,” they can alternatively be seen as harbingers of a changing South. These controversies highlight the diversity of voices in the conversation of what it means to be a southerner. The participants in these conflicts may disagree about what southern identity should be, but they all agree that such discussions are a crucial part of being southern. Recent debates as to the place of Old South symbols and institutions in the South of the new millennium are evidence of a changing order. But a changing South is no less distinctive. If southerners can find unity and distinctiveness in their identification, they may even be able to serve as a model for the increasingly divided United States. The very debates portrayed in the mass media as evidence of an “unfinished Civil War” can instead be interpreted as proof that the South has progressed and is having a common dialogue as to what its diverse members want it to be.
Author: Rebecca Bridges Wats Publisher: Univ. Press of Mississippi ISBN: 160473308X Category : History Languages : en Pages : 219
Book Description
In Contemporary Southern Identity, Rebecca Bridges Watts explores the implications of four public controversies about southern identity—debates about the Confederate flag in South Carolina, the gender integration of the Virginia Military Institute, the display of public art in Richmond, and Trent Lott's controversial comments regarding Strom Thurmond's 1948 segregationist presidential bid. While such debates may serve as evidence of the South's “battle over the past,” they can alternatively be seen as harbingers of a changing South. These controversies highlight the diversity of voices in the conversation of what it means to be a southerner. The participants in these conflicts may disagree about what southern identity should be, but they all agree that such discussions are a crucial part of being southern. Recent debates as to the place of Old South symbols and institutions in the South of the new millennium are evidence of a changing order. But a changing South is no less distinctive. If southerners can find unity and distinctiveness in their identification, they may even be able to serve as a model for the increasingly divided United States. The very debates portrayed in the mass media as evidence of an “unfinished Civil War” can instead be interpreted as proof that the South has progressed and is having a common dialogue as to what its diverse members want it to be.
Author: James Charles Cobb Publisher: University of Georgia Press ISBN: 9780820321394 Category : History Languages : en Pages : 268
Book Description
Cobb, "surveys the remarkable story of southern identity and its persistence in the face of sweeping changes in the South's economy, society and political structure."--dust jacket.
Author: James C. Cobb Publisher: Oxford University Press ISBN: 9780198025016 Category : History Languages : en Pages : 416
Book Description
From the seventeenth century Cavaliers and Uncle Tom's Cabin to Civil Rights museums and today's conflicts over the Confederate flag, here is a brilliant portrait of southern identity, served in an engaging blend of history, literature, and popular culture. In this insightful book, written with dry wit and sharp insight, James C. Cobb explains how the South first came to be seen--and then came to see itself--as a region apart from the rest of America. As Cobb demonstrates, the legend of the aristocratic Cavalier origins of southern planter society was nurtured by both northern and southern writers, only to be challenged by abolitionist critics, black and white. After the Civil War, defeated and embittered southern whites incorporated the Cavalier myth into the cult of the "Lost Cause," which supplied the emotional energy for their determined crusade to rejoin the Union on their own terms. After World War I, white writers like Ellen Glasgow, William Faulkner and other key figures of "Southern Renaissance" as well as their African American counterparts in the "Harlem Renaissance"--Cobb is the first to show the strong links between the two movements--challenged the New South creed by asking how the grandiose vision of the South's past could be reconciled with the dismal reality of its present. The Southern self-image underwent another sea change in the wake of the Civil Rights movement, when the end of white supremacy shook the old definition of the "Southern way of life"--but at the same time, African Americans began to examine their southern roots more openly and embrace their regional, as well as racial, identity. As the millennium turned, the South confronted a new identity crisis brought on by global homogenization: if Southern culture is everywhere, has the New South become the No South? Here then is a major work by one of America's finest Southern historians, a magisterial synthesis that combines rich scholarship with provocative new insights into what the South means to southerners and to America as well.
Author: James C. Cobb Publisher: Oxford University Press ISBN: 0199839301 Category : History Languages : en Pages : 416
Book Description
From the seventeenth century Cavaliers and Uncle Tom's Cabin to Civil Rights museums and today's conflicts over the Confederate flag, here is a brilliant portrait of southern identity, served in an engaging blend of history, literature, and popular culture. In this insightful book, written with dry wit and sharp insight, James C. Cobb explains how the South first came to be seen--and then came to see itself--as a region apart from the rest of America. As Cobb demonstrates, the legend of the aristocratic Cavalier origins of southern planter society was nurtured by both northern and southern writers, only to be challenged by abolitionist critics, black and white. After the Civil War, defeated and embittered southern whites incorporated the Cavalier myth into the cult of the "Lost Cause," which supplied the emotional energy for their determined crusade to rejoin the Union on their own terms. After World War I, white writers like Ellen Glasgow, William Faulkner and other key figures of "Southern Renaissance" as well as their African American counterparts in the "Harlem Renaissance"--Cobb is the first to show the strong links between the two movements--challenged the New South creed by asking how the grandiose vision of the South's past could be reconciled with the dismal reality of its present. The Southern self-image underwent another sea change in the wake of the Civil Rights movement, when the end of white supremacy shook the old definition of the "Southern way of life"--but at the same time, African Americans began to examine their southern roots more openly and embrace their regional, as well as racial, identity. As the millennium turned, the South confronted a new identity crisis brought on by global homogenization: if Southern culture is everywhere, has the New South become the No South? Here then is a major work by one of America's finest Southern historians, a magisterial synthesis that combines rich scholarship with provocative new insights into what the South means to southerners and to America as well.
Author: Christopher A. Cooper Publisher: UNC Press Books ISBN: 1469631067 Category : History Languages : en Pages : 149
Book Description
The American South has experienced remarkable change over the past half century. Black voter registration has increased, the region's politics have shifted from one-party Democratic to the near-domination of the Republican Party, and in-migration has increased its population manyfold. At the same time, many outward signs of regional distinctiveness have faded--chain restaurants have replaced mom-and-pop diners, and the interstate highway system connects the region to the rest of the country. Given all of these changes, many have argued that southern identity is fading. But here, Christopher A. Cooper and H. Gibbs Knotts show how these changes have allowed for new types of southern identity to emerge. For some, identification with the South has become more about a connection to the region's folkways or to place than about policy or ideology. For others, the contemporary South is all of those things at once--a place where many modern-day southerners navigate the region's confusing and omnipresent history. Regardless of how individuals see the South, this study argues that the region's drastic political, racial, and cultural changes have not lessened the importance of southern identity but have played a key role in keeping regional identification relevant in the twenty-first century.
Author: Keith D. Dickson Publisher: LSU Press ISBN: 0807140058 Category : Biography & Autobiography Languages : en Pages : 333
Book Description
Keith D. Dickson's Sustaining Southern Identity offers a masterful intellectual biography of Douglas Southall Freeman as well as a comprehensive analysis of how twentieth-century southerners came to remember the Civil War, fashion their values and ideals, and identify themselves as citizens of the South.
Author: Mary Weaks-Baxter Publisher: Univ. Press of Mississippi ISBN: 1496819608 Category : History Languages : en Pages : 224
Book Description
Millions of southerners left the South in the twentieth century in a mass migration that has, in many ways, rewoven the fabric of American society on cultural, political, and economic levels. Because the movements of southerners--and people in general--are controlled not only by physical boundaries marked on a map but also by narratives that define movement, narrative is central in building and sustaining borders and in breaking them down. In Leaving the South: Border Crossing Narratives and the Remaking of Southern Identity, author Mary Weaks-Baxter analyzes narratives by and about those who left the South and how those narratives have remade what it means to be southern. Drawing from a broad range of narratives, including literature, newspaper articles, art, and music, Weaks-Baxter outlines how these displacement narratives challenged concepts of southern nationhood and redefined southern identity. Close attention is paid to how depictions of the South, particularly in the media and popular culture, prompted southerners to leave the region and changed perceptions of southerners to outsiders as well as how southerners saw themselves. Through an examination of narrative, Weaks-Baxter reveals the profound effect gender, race, and class have on the nature of the migrant's journey, the adjustment of the migrant, and the ultimate decision of the migrant either to stay put or return home, and connects the history of border crossings to the issues being considered in today's national landscape.
Author: Katherine Henninger Publisher: UNC Press Books ISBN: 0807831123 Category : Literary Criticism Languages : en Pages : 255
Book Description
Proposing a new way to map intersections of photography and American literature, Katherine Henninger demonstrates the importance of pinpointing specific cultural and subcultural history. "Ordering the Facade" traces the visual and literary cultures of sou
Author: Angie Maxwell Publisher: LSU Press ISBN: 0807147583 Category : History Languages : en Pages : 295
Book Description
More than fifty years after its initial publication, C. Vann Woodward's landmark work, The Burden of Southern History, remains an essential text on the southern past. Today, a "southern burden" still exists, but its shape and impact on southerners and the world varies dramatically from the one envisioned by Woodward. Recasting Woodward's ideas on the contemporary South, the contributors to The Ongoing Burden of Southern History highlight the relevance of his scholarship for the twenty-first-century reader and student. This interdisciplinary retrospective tackles questions of equality, white southern identity, the political legacy of Reconstruction, the heritage of Populism, and the place of the South within the nation, along with many others. From Woodward's essays on populism and irony, historians find new insight into the burgeoning Tea Party, while they also shed light on the contemporary legacy of the redeemer Democrats. Using up-to-date election data, scholars locate a "shrinking" southern identity and point to the accomplishments of the recent influx of African American voters and political candidates. This penetrating analysis reinterprets Woodward's classic for a new generation of readers interested in the modern South. Contributors: Josephine A. V. Allen, Charles S. Bullock III, James C. Cobb, Donald R. Deskins Jr., Leigh Anne Duck, Angie Maxwell, Robert C. McMath, Wayne Parent, Sherman C. Puckett, Todd Shields, Hanes Walton Jr., Jeannie Whayne, Patrick G. Williams.
Author: Rebecca Bridges Wats
Author: Rebecca Bridges Wats
Author: James Charles Cobb
Author: James C. Cobb
Author: James C. Cobb
Author: Christopher A. Cooper
Author: Keith D. Dickson
Author: Mary Weaks-Baxter
Author: Katherine Henninger
Author: Angie Maxwell
Author: Zandria F. Robinson