Coordinates of Anglo-American Romanticism PDF Download

Author: Richard E. Brantley
Publisher:
ISBN: 9780813011691
Category : Literary Criticism
Languages : en
Pages : 207

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Book Description
"Constructing a transatlantic arc of literature, Brantley explores how John Wesley and Jonathan Edwards provide an empirical as well as evangelical framework for interpreting their spiritual descendants, Thomas Carlyle and Ralph Waldo Emerson. He finds that the four Anglo-American writers share a simultaneously rational and sensational reliance on experience as the avenue to knowledge.

Author: R. Brantley
Publisher: Springer
ISBN: 1137122099
Category : Literary Criticism
Languages : en
Pages : 285

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Book Description
Emily Dickinson (1830-86) recasts British-Romantic themes of natural and spiritual perception for an American audience. Her poems of science and technology reflect her faith in experience. Her lyrics about natural history build on this empiricism and develop her commitment to natural religion. Her poems of revealed religion constitute her experience of faith. Thus Dickinson stands on the experiential common ground between empiricism and evangelicalism in Romantic Anglo-America. Her double perspective parallels the implicit androgyny of her nineteenth-century feminism. Her counterintuitive combination of natural models with spiritual metaphors champions immortality. The experience/faith dialectic of her Late-Romantic imagination forms the heart of her legacy.

Author: Monika Elbert
Publisher: Routledge
ISBN: 1317006887
Category : Literary Criticism
Languages : en
Pages : 282

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Book Description
Offering a variety of critical approaches to late eighteenth- and nineteenth-century Gothic literature, this collection provides a transnational view of the emergence and flowering of the Gothic. The essays expand on now well-known approaches to the Gothic (such as those that concentrate exclusively on race, gender, or nation) by focusing on international issues: religious traditions, social reform, economic and financial pitfalls, manifest destiny and expansion, changing concepts of nationhood, and destabilizing moments of empire-building. By examining a wide array of Gothic texts, including novels, drama, and poetry, the contributors present the Gothic not as a peripheral, marginal genre, but as a central mode of literary exchange in an ever-expanding global context. Thus the traditional conventions of the Gothic, such as those associated with Ann Radcliffe and Monk Lewis, are read alongside unexpected Gothic formulations and lesser-known Gothic authors and texts. These include Mary Rowlandson and Bram Stoker, Frances and Anthony Trollope, Louisa May Alcott, Elizabeth Gaskell, Theodore Dreiser, Rudyard Kipling, and Lafcadio Hearn, as well as the actors Edmund Kean and George Frederick Cooke. Individually and collectively, the essays provide a much-needed perspective that eschews national borders in order to explore the central role that global (and particularly transatlantic) exchange played in the development of the Gothic. British, American, Continental, Caribbean, and Asian Gothic are represented in this collection, which seeks to deepen our understanding of the Gothic as not merely a national but a global aesthetic.

Author: Richard E. Brantley
Publisher:
ISBN: 9780813012476
Category : Literary Criticism
Languages : en
Pages : 352

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Book Description
"This is Brantley's best book yet. It is wonderfully lively and informative, and actually provides a conspectus of much of the current, ongoing scene in academic literary criticism. Brantley is hugely erudite and full of a quiet humor, and he writes in a clear, concise style."--Harold Bloom, Sterling Professor of Humanities, Yale University This is Richard Brantley's most wide-ranging and his most personal book. It connects the epistemology of John Locke to evangelical Christianity, showing how the late ("but not belated") Romanticism of Emerson's prose and Tennyson's In Memoriam A. H. H. exemplifies the period's trust in experience as the best means of knowing what is true. Interpreting their work in light of the eighteenth-century thought of John Wesley (founder of British Methodism) and Jonathan Edwards (leader of the American Great Awakening), Brantley composes a complex harmony of ideas, much as the antiphonal voices in a divided chancel choir rejoice in agreeable, yet complicated, song. With a willingness to risk the widest ramifications of his ideas, Brantley explores the creative tension between empiricism and evangelicalism, reaffirming the hopefulness of Romantic literature and of the Romantic writers who used their poetry and prose to examine issues of personal urgency. He seeks specific answers to the question of ultimate meaning in human existence, boldly asserting that the optimism of Tennyson and Emerson "makes so much sense for their social world that it may even make sense for today's individual-in-society." His method is relatively unsystematic, for he invokes Keats's "Negative Capability," the ability to rest with "uncertainties, Mysteries, doubts, without any irritable reaching after fact and reason." While emphasizing this value amid multiple perspectives and cultures, Brantley, in this concluding volume of his historical-critical tetralogy, aspires to the condition of open mind and warm heart that he finds in Wesley, Edwards, Tennyson, and Emerson. Richard E. Brantley is alumni professor of English at the University of Florida. He is the author of Coordinates of Anglo-American Romanticism: Wesley, Edwards, Carlyle, and Emerson (UPF, 1993), Wordsworth's "Natural Methodism," and Locke, Wesley, and the Method of English Romanticism (UPF, 1984), which won the Conference on Christianity and Literature award for best book of 1984.

Author: Dr Julia M Wright
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409478858
Category : Social Science
Languages : en
Pages : 238

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Book Description
Exploring the ways in which transatlantic relationships functioned in the nineteenth century to unsettle hierarchical models of gender, race, and national and cultural differences, this collection demonstrates the generative potential of transatlantic studies to loosen demographic frames and challenge conveniently linear histories. The contributors take up a rich and varied range of topics, including Charlotte Smith's novelistic treatment of the American Revolution, The Old Manor House; Anna Jameson's counter-discursive constructions of gender in a travelogue; Felicia Hemans, Herman Melville, and the 'Queer Atlantic'; representations of indigenous religion and shamanism in British Romantic literary discourse; the mid-nineteenth-century transatlantic abolitionist movement; the transatlantic adventure novel; the exchanges of transatlantic print culture facilitated by the Minerva Press; British and Anglo-American representations of Niagara Falls; and Charles Brockden Brown's intervention in the literature of exploration. Taken together, the essays underscore the strategic power of the concept of the transatlantic to enable new perspectives on the politics of gender, race, and cultural difference as manifested in late eighteenth- and nineteenth-century Britain and North America.

Author: Eve Tavor Bannet
Publisher: Cambridge University Press
ISBN: 1139504649
Category : Literary Criticism
Languages : en
Pages : 297

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Book Description
The recently developed field of transatlantic literary studies has encouraged scholars to move beyond national literatures towards an examination of communications between Britain and the Americas. The true extent and importance of these material and literary exchanges is only just beginning to be discovered. This collection of original essays explores the transatlantic literary imagination during the key period from 1660 to 1830: from the colonization of the Americas to the formative decades following political separation between the nations. Contributions from leading scholars from both sides of the Atlantic bring a variety of approaches and methods to bear on both familiar and undiscovered texts. Revealing how literary genres were borrowed and readapted to a different context, the volume offers an index of the larger literary influences going backwards and forwards across the ocean.

Author: R. Brantley
Publisher: Springer
ISBN: 113710791X
Category : Literary Criticism
Languages : en
Pages : 425

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Book Description
Emily Dickinson's Rich Conversation is a comprehensive account of Emily Dickinson's aesthetic and intellectual life. Contrary to the image of the isolated poet, this ambitious study reveals Dickinson's agile mind developing through conversation with a community of contemporaries.

Author: Samantha C Harvey
Publisher: Edinburgh University Press
ISBN: 0748681388
Category : Literary Criticism
Languages : en
Pages : 232

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Book Description
This new study argues that Coleridge was so influential in America because he provided a framework for American intellectuals to address one of the great questions of European Romanticism: what is the relationship between the Romantic triad of nature, spi

Author: Robert F. Gleckner
Publisher: Bucknell University Press
ISBN: 9780838754702
Category : Literary Criticism
Languages : en
Pages : 316

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Book Description
These essays express a common belief that the study of Romantic literature must be at once professionally serious and personally engaging. Topics discussed range from Wordsworth to Lady Caroline Lamb, and from Blake and Burke to the contemporary Irish poet Paul Muldoon. Each essay also offers close readings of essential works on English and Irish Romanticism. Introducing the collection is a tribute by the celebrated Romanticist Peter Manning.

Author: Patrick J. Keane
Publisher: University of Missouri Press
ISBN: 0826264964
Category : Literary Collections
Languages : en
Pages : 575

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Book Description
"Comparative study in transatlantic Romanticism that traces the links between German idealism, British Romanticism (Wordsworth, Coleridge, Carlyle), and American Transcendentalism. Focuses on Emerson's development and use of the concept of intuitive Reason, which became the intellectual and emotional foundation of American Transcendentalism"--Provided by publisher.