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Author: Margaret Bent Publisher: Routledge ISBN: 1136534911 Category : Music Languages : en Pages : 350
Book Description
Musica ficta is the practice of sharpening or flattening certain notes to avoid awkward intervals in medieval and Renaissance music. This collection gathers Margaret Bent's influential writings on this controversial subject from the past 30 years, along with an extensive author's introduction discussing the current state of scholarship and responding to critics. Also includes 25 musical examples.
Author: Margaret Bent Publisher: Routledge ISBN: 1136534911 Category : Music Languages : en Pages : 350
Book Description
Musica ficta is the practice of sharpening or flattening certain notes to avoid awkward intervals in medieval and Renaissance music. This collection gathers Margaret Bent's influential writings on this controversial subject from the past 30 years, along with an extensive author's introduction discussing the current state of scholarship and responding to critics. Also includes 25 musical examples.
Author: Margaret Bent Publisher: Routledge ISBN: 1136534849 Category : Music Languages : en Pages : 339
Book Description
Musica ficta is the practice of sharpening or flattening certain notes to avoid awkward intervals in medieval and Renaissance music. This collection gathers Margaret Bent's influential writings on this controversial subject from the past 30 years, along with an extensive author's introduction discussing the current state of scholarship and responding to critics. Also includes 25 musical examples.
Author: Thomas Benjamin Publisher: Routledge ISBN: 1135874387 Category : Music Languages : en Pages : 216
Book Description
"The Craft of Modal Counterpoint" is the companion book to Benjamin's "The Craft of Tonal Counterpoint," recently republished in a second edition by Routledge. Modal counterpoint is the style of composition that was employed until the "tonal" revolution pioneered by Bach; it is the basis for most Early Music. Benjamin, a composer and pedagogue, offers a complete analysis of this important musical style. He begins by covering general aspects of the style, then covers in detail two, three, and four-part counterpoint. The Motet, an important form of vocal composition in this period, is studied separately. The book concludes with a brief anthology of key scores, 15 in all, for the student to study further. Also includes 132 musical examples.
Author: Robert Stewart Publisher: Scarecrow Press ISBN: 1461722942 Category : Music Languages : en Pages : 240
Book Description
This is a music theory text that presents a systematic approach to polyphonic composition in the ecclesiastical style of Palestrina. It is designed for use in beginning and intermediate level courses in modal counterpoint and helps students develop a systematic and reliable method to compare individual composers and stylistic trends of the Renaissance. It contains a comprehensive collection of Palestrina's works as well as selections from Lassus. Tear-out exercises can be used in conjunction with the text.
Author: Karol Berger Publisher: Cambridge University Press ISBN: 9780521543385 Category : Music Languages : en Pages : 296
Book Description
Clarifies the conventions governing the practice of implied accidentals in vocal polyphony from the fourteenth to sixteenth centuries.
Author: Douglass Green Publisher: Routledge ISBN: 1136935096 Category : Music Languages : en Pages : 328
Book Description
Covering modal music from Gregorian chant through the seventeenth-century, The Principles and Practice of Modal Counterpoint is a comprehensive textbook combining stylistic composition, theory and analysis, music history, and performance. By supplementing a modified species approach with a wealth of complete musical examples and historical information, this textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of modal counterpoint and familiarizing students with modal repertoire.
Author: Markand Thakar Publisher: Yale University Press ISBN: 9780300046380 Category : Music Languages : en Pages : 344
Book Description
Counterpoint manuals have long been central to the music education of composers, historians, and theorists. In this book a conductor uses counterpoint exercises to aid musicians in becoming sensitive to the fundamental ingredients of good music making.
Author: Margaret Bent
Author: Margaret Bent
Author: Margaret Bent
Author: Thomas Benjamin
Author: Thomas Benjamin
Author: Robert Stewart
Author: Reginald Owen Morris
Author: Karol Berger
Author: Douglass Green
Author: Stefano Mengozzi
Author: Markand Thakar