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Author: Perry Meisel Publisher: Taylor & Francis ISBN: 1000571076 Category : Literary Criticism Languages : en Pages : 174
Book Description
The argument of this book is a simple one: that criticism after theory is a single movement of thought defined by synthesis and continuity rather than by conflict and change. The most influential figures in criticism since Saussure—Bakhtin, Derrida, and Foucault—are wholly consistent with Saussure's foundational Course in General Linguistics (1916) no matter the traditions of complaint that have followed in Saussure's wake from Bakhtin forward. These complaints vitiate—despite themselves and often hilariously so—the misconceptions that have made cottage industries out of quarrels with Saussurean semiology that are based on notions of Saussure that are incorrect. The materialist criticism dominant today is actually dependent upon on the legacy of a presumably formalist structuralism rather than a step beyond it. New Historicism, postcolonialism, gender studies, environmental criticism, archive studies, even shared and surface reading are, like deconstruction, the by-products of Saussure's structuralism, not its foils. Saussure's sign is sensory and concrete. Language and materiality are not distinct but one and the same—history, society, the psychological subject, even the environment are systems of signs, material archives read and reread by futures that produce the past after the fact. Without Saussure, contemporary criticism would have no identifiable or effective source. The book begins with chapters on Saussure and Derrida, Bakhtin and Shakespeare, and Freud and Foucault followed by chapters on Victorian and American fiction, D.H. Lawrence and modern poetry, Virginia Woolf and Melanie Klein, and the historicist tropology of psychoanalysis. It concludes with a coda in life writing on the author's epileptic disability.
Author: Perry Meisel Publisher: Taylor & Francis ISBN: 1000571076 Category : Literary Criticism Languages : en Pages : 174
Book Description
The argument of this book is a simple one: that criticism after theory is a single movement of thought defined by synthesis and continuity rather than by conflict and change. The most influential figures in criticism since Saussure—Bakhtin, Derrida, and Foucault—are wholly consistent with Saussure's foundational Course in General Linguistics (1916) no matter the traditions of complaint that have followed in Saussure's wake from Bakhtin forward. These complaints vitiate—despite themselves and often hilariously so—the misconceptions that have made cottage industries out of quarrels with Saussurean semiology that are based on notions of Saussure that are incorrect. The materialist criticism dominant today is actually dependent upon on the legacy of a presumably formalist structuralism rather than a step beyond it. New Historicism, postcolonialism, gender studies, environmental criticism, archive studies, even shared and surface reading are, like deconstruction, the by-products of Saussure's structuralism, not its foils. Saussure's sign is sensory and concrete. Language and materiality are not distinct but one and the same—history, society, the psychological subject, even the environment are systems of signs, material archives read and reread by futures that produce the past after the fact. Without Saussure, contemporary criticism would have no identifiable or effective source. The book begins with chapters on Saussure and Derrida, Bakhtin and Shakespeare, and Freud and Foucault followed by chapters on Victorian and American fiction, D.H. Lawrence and modern poetry, Virginia Woolf and Melanie Klein, and the historicist tropology of psychoanalysis. It concludes with a coda in life writing on the author's epileptic disability.
Author: Daniel Schneider Publisher: Taylor & Francis ISBN: 1000962679 Category : Literary Criticism Languages : en Pages : 238
Book Description
While the it-narrative, the thing-poem and thing theatre have been around for some time, the essay – which is often considered literature’s fourth genre – is still lacking its thing-subgenre. Yet, particularly British and Anglo-Irish literature display a long, albeit so far implicit tradition of texts that can be categorised as ‘thing-essays’: Starting with Jonathan Swift’s “Meditation upon a Broomstick” (1701) and continuing until today, these texts draw broader insights from the contemplation of a material item of daily life. This book provides the first theoretical conceptualisation of this genre. Bringing elements from essay studies and the New Materialisms together, it shows why the essay lends itself particularly well to literarisations of the personal relationships that people foster to everyday objects. While the idiosyncrasies of each essay show the versatility of thing-essays, the study also seeks to unearth changing attitudes towards things – and thus towards people’s material surroundings in general – throughout time. In order to account for such synchronic and diachronic differences in thing-essays, this study develops a typology of three modes via which things can be approached essayistically. In the book’s second part, this framework will be employed in close readings and historicisations of 14 thing-essays from 1701 until 2021. Ranging from satire to sentimental writing, from religion to consumerism, from class to gender differences, from feelings of nationality to exoticism, from the French Revolution to Freud and from art to everyday life, the stylistic and thematic broadness of these thing-essays ultimately shows the multifarious connections between human life and materiality.
Author: Chris Tanasescu Publisher: Taylor & Francis ISBN: 104003800X Category : Computers Languages : en Pages : 281
Book Description
Literature and Computation presents some of the most relevantly innovative recent approaches to literary practice, theory, and criticism as driven by computation and situated in digital environments. These approaches rely on automated analyses, but use them creatively, engage in text modeling but inform it with qualitative[-interpretive] critical possibilities, and contribute to present-day platform culture in revolutionizing intermedial ways. While such new directions involve more and more sophisticated machine learning and artificial intelligence, they also mark a spectacular return of the (trans)human(istic) and of traditional-modern literary or urgent political, gender, and minority-related concerns and modes now addressed in ever subtler and more nuanced ways within human-computer interaction frameworks. Expanding the boundaries of literary and data studies, digital humanities, and electronic literature, the featured contributions unveil an emerging landscape of trailblazing practice and theoretical crossovers ready and able to spawn and/or chart the witness literature of our age and cultures.
Author: Kevin A. Morrison Publisher: Taylor & Francis ISBN: 1000890155 Category : History Languages : en Pages : 183
Book Description
Although historical research undertaken in different disciplines often requires speculation and imagination, it remains relatively rare for scholars to foreground these processes explicitly as a knowing method. Historical Research, Creative Writing, and the Past brings together researchers in a wide array of disciplines, including literary studies and history, ethnography, design, film, and sound studies, who employ imagination, creativity, or fiction in their own historical scholarship or who analyze the use of imagination, creativity, or fiction to make historical claims by others. This volume is organized into four topical sections related to representations of the past—textual and conceptual approaches; material and emotional approaches; speculative and experiential approaches; and embodied methodologies—and covers a variety of temporal periods and geographical contexts. Reflecting on the methodological, theoretical, and ethical underpinnings of writing history creatively or speculatively, the essays situate themselves within current debates over epistemology and interdisciplinarity. They yield new insights into historical research methods, including archival investigations and source criticisms, while offering readers tangible examples of how to do history differently.
Author: Virginia Woolf Publisher: ISBN: Category : Languages : en Pages : 153
Book Description
A Room of One's Own is an essay by Virginia Woolf, first published in 1929. The title comes from the author's theory that 'a woman must have money and a room of her own if she is to write fiction'. It's considered an important feminist text and discusses how woman have been historically kept from writing because of constraints imposed upon them by the dominant patriarchy. The essay is based on a couple of lectures that Woolf gave at two women's colleges at the University of Cambridge. This book has 85 pages in the PDF version, and was originally published in 1929.
Author: Virginia Woolf Publisher: Read Books Ltd ISBN: 1473363144 Category : Literary Criticism Languages : en Pages : 253
Book Description
Adeline Virginia Woolf (1882–1941) was an English writer. She is widely hailed as being among the most influential modernist authors of the 20th century and a pioneer of stream of consciousness narration. Woolf was a central figure in the feminist criticism movement of the 1970s, her works having inspired countless women to take up the cause. She suffered numerous nervous breakdowns during her life primarily as a result of the deaths of family members, and it is now believed that she may have suffered from bipolar disorder. In 1941, Woolf drowned herself in the River Ouse at Lewes, aged 59. This volume contains a fantastic collection of some of Woolf's best essays and lectures on various subjects ranging from American fiction to the works of Jane Austen, Daniel Defoe, and others. Highly recommended for literature lovers and fans of Woolf's seminal work. Contents include: “Virginia Woolf”, “Joseph Conrad”, “'Jane Eyre' and 'Wuthering Heights'”, “Henry James: The Old Order”, “Modern Fiction”, “Defoe”, “Addison”, “Henry James: Within the Rim”, “The Letters of Henry James”, “Sir Walter Scott. The Antiquary”, “American Fiction”, “Jane Austen”, etc. Read & Co. Great Essays is publishing this brand new collection of classic essays now complete with a specially-commissioned biography of the author.
Author: Virginia Woolf Publisher: Wiley-Blackwell ISBN: 9780631178842 Category : Literary Criticism Languages : en Pages : 190
Book Description
This extensively annotated edition of Virgina Woolf?s lastnovel is based on the text of the first English edition, emended onthe basis of a comparison of it with her final typescript. Represents an authoritative new edition of one of VirginaWoolf?s most challenging and subtle books, and the first ofher books to be published posthumously. Features the text of the first English edition of Betweenthe Acts, emended on the basis of a comparison of it withWoolf?s final typescript . Contains an introduction and extensive notes, which demonstratethat in writing the book, Woolf drew upon a capacious memory filledby a lifetime of reading, writing, listening and observing. Forms part of the prestigious Shakespeare Head Press series ofWoolf's works.
Author: Rosa Boshier Publisher: ABDO Publishing Company ISBN: 1614801592 Category : Juvenile Nonfiction Languages : en Pages : 114
Book Description
This title explores the creative works of famous author Virginia Woolf. Works analyzed include Mrs. Dalloway, A Room of One's Own, To The Lighthouse, and Orlando. Clear, comprehensive text gives background biographical information of Woolf. The "You Critique It" feature invites readers to analyze other creative works on their own. A table of contents, timeline, list of works, resources, source notes, glossary, and an index are also included. Aligned to Common Core Standards and correlated to state standards. Essential Library is an imprint of Abdo Publishing, a division of ABDO.
Author: Daniel T. O'Hara Publisher: Springer ISBN: 1137580062 Category : Literary Criticism Languages : en Pages : 123
Book Description
Sublime Woolf was written in a burst of enthusiasm after the author, Daniel T. O'Hara was finally able to teach Virginia Woolf's modernist classics again. This book focuses on those uncanny visionary passages when in elaborating 'a moment of being,' as Woolf terms it, supplements creatively the imaginative resonance of the scene.
Author: Chris Baldick Publisher: Routledge ISBN: 1317900979 Category : Literary Criticism Languages : en Pages : 344
Book Description
Presents a coherent and accessible historical account of the major phases of British and American Twentieth-century criticism, from 'decadent' aestheticism to feminist, decontsructonist and post-colonial theories. Special attention is given to new perspectives on Shakesperean criticism, theories of the novel and models of the literary canon. The book will help to define and account for the major developments in literary criticism during this century exploring the full diversity of critical work from major critics such as T S Eliot and F R Leavis to minor but fascinating figures and critical schools. Unlike most guides to modern literary theory, its focus is firmly on developments within the English speaking world.
Author: Perry Meisel
Author: Perry Meisel
Author: Daniel Schneider
Author: Chris Tanasescu
Author: Kevin A. Morrison
Author: Virginia Woolf
Author: Virginia Woolf
Author: Virginia Woolf
Author: Rosa Boshier
Author: Daniel T. O'Hara
Author: Chris Baldick