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Author: Michael Gallope Publisher: University of Chicago Press ISBN: 022648372X Category : Music Languages : en Pages : 348
Book Description
We often say that music is ineffable, that it does not refer to anything outside of itself. But if music, in all its sensuous flux, does not mean anything in particular, might it still have a special kind of philosophical significance? In Deep Refrains, Michael Gallope draws together the writings of Arthur Schopenhauer, Friedrich Nietzsche, Ernst Bloch, Theodor Adorno, Vladimir Jankélévitch, Gilles Deleuze, and Félix Guattari in order to revisit the age-old question of music’s ineffability from a modern perspective. For these nineteenth- and twentieth-century European philosophers, music’s ineffability is a complex phenomenon that engenders an intellectually productive sense of perplexity. Through careful examination of their historical contexts and philosophical orientations, close attention to their use of language, and new interpretations of musical compositions that proved influential for their work, Deep Refrains forges the first panoptic view of their writings on music. Gallope concludes that music’s ineffability is neither a conservative phenomenon nor a pious call to silence. Instead, these philosophers ask us to think through the ways in which music’s stunning force might address, in an ethical fashion, intricate philosophical questions specific to the modern world.
Author: Michael Gallope Publisher: University of Chicago Press ISBN: 022648372X Category : Music Languages : en Pages : 348
Book Description
We often say that music is ineffable, that it does not refer to anything outside of itself. But if music, in all its sensuous flux, does not mean anything in particular, might it still have a special kind of philosophical significance? In Deep Refrains, Michael Gallope draws together the writings of Arthur Schopenhauer, Friedrich Nietzsche, Ernst Bloch, Theodor Adorno, Vladimir Jankélévitch, Gilles Deleuze, and Félix Guattari in order to revisit the age-old question of music’s ineffability from a modern perspective. For these nineteenth- and twentieth-century European philosophers, music’s ineffability is a complex phenomenon that engenders an intellectually productive sense of perplexity. Through careful examination of their historical contexts and philosophical orientations, close attention to their use of language, and new interpretations of musical compositions that proved influential for their work, Deep Refrains forges the first panoptic view of their writings on music. Gallope concludes that music’s ineffability is neither a conservative phenomenon nor a pious call to silence. Instead, these philosophers ask us to think through the ways in which music’s stunning force might address, in an ethical fashion, intricate philosophical questions specific to the modern world.
Author: Scott F. Madey Publisher: Cambridge University Press ISBN: 1108956637 Category : Psychology Languages : en Pages : 267
Book Description
Music is a metaphor that connects people to a profound sense of life. In this book, music intersects with wellness and aging as humans adapt to life changes, stay engaged, remain creative, and achieve self-actualization. Along with discussion of cutting-edge research, the book presents stories and interviews from everyday people as well as professional and non-professional musicians. It discusses individual and social wellness, age-related and pathological changes in health, music therapies, personal resilience and growth, interpersonal and community relationships, work and retirement, spirituality, and the psychology of aging. The case studies show how music, wellness, and aging connect to define, direct, and celebrate life, as these three concepts allow people to connect with others, break down barriers, and find common ground.
Author: Vladimir Jankélévitch Publisher: Princeton University Press ISBN: 069126838X Category : Music Languages : en Pages : 201
Book Description
The classic work on the philosophy of music—now available in English to a new generation of readers Vladimir Jankélévitch left behind a remarkable body of work steeped as much in philosophy as in music. His writings on moral quandaries reflect a lifelong devotion to music and performance, and, as a counterpoint, he wrote on music aesthetics and on modernist composers such as Fauré, Debussy, and Ravel. Music and the Ineffable brings together these two threads, the philosophical and the musical, as an extraordinary quintessence of his thought. Jankélévitch deals with classical issues in the philosophy of music, including metaphysics and ontology. These are a point of departure for a sustained examination and dismantling of the idea of musical hermeneutics in its conventional sense. Music, Jankélévitch argues, is not a hieroglyph, not a language or sign system; nor does it express emotions, depict landscapes or cultures, or narrate. On the other hand, music cannot be imprisoned within the icy, morbid notion of pure structure or autonomous discourse. Yet if musical works are not a cipher awaiting the decoder, music is nonetheless entwined with human experience, and with the physical, material reality of music in performance. Music is "ineffable," as Jankélévitch puts it, because it cannot be pinned down, and has a capacity to engender limitless resonance in several domains. Jankélévitch's singular work on music was central to such figures as Roland Barthes and Catherine Clément, and the complex textures and rhythms of his lyrical prose sound a unique note, until recently seldom heard outside the francophone world.
Author: Lucy Valerie Graham Publisher: Bloomsbury Publishing ISBN: 1350152056 Category : Literary Criticism Languages : en Pages : 465
Book Description
J. M. Coetzee – novelist, essayist, public intellectual, and Nobel Laureate in Literature (2003) – is widely recognized as one of the towering literary figures of the last half century. With chapters written by leading and emerging scholars from across the world, The Bloomsbury Handbook to J. M. Coetzee offers the most comprehensive available exploration of the variety, range and significance of his work. The volume covers a wealth of topics, including: · The full span of Coetzee's work from his poetry to his essays and major fiction, including Waiting for the Barbarians, Disgrace and the Jesus novels · Biographical details and archival approaches · Coetzee's sources and influences, including engagements with Modernism, South African, Australian, Russian and Latin American literatures · Interdisciplinary perspectives, including on visual cultures, music, philosophy, computational systems and translation. The Bloomsbury Handbook to J. M. Coetzee provides indispensable scholarly perspectives, covers emerging debates and maps the future direction of Coetzee studies.
Author: Carlo Caballero Publisher: Cambridge University Press ISBN: 110869439X Category : Music Languages : en Pages : 279
Book Description
Fauré Studies showcases new research from leading scholars in the United States, United Kingdom, and France into this influential French composer of the fin de siècle. This book features interpretations of individual works and musical analyses, as well as studies of compositional pedagogy, social history, and aesthetics. Accessible to a wide range of readers, this volume also provides a valuable overview of Fauré research from the composer's lifetime to the present. As part of Cambridge Composer Studies, Fauré Studies adds momentum to new research into this major composer, which includes recently launched critical editions of his music.
Author: Peter E. Gordon Publisher: John Wiley & Sons ISBN: 1119146925 Category : Philosophy Languages : en Pages : 664
Book Description
A definitive contribution to scholarship on Adorno, bringing together the foremost experts in the field As one of the leading continental philosophers of the last century, and one of the pioneering members of the Frankfurt School, Theodor W. Adorno is the author of numerous influential—and at times quite radical—works on diverse topics in aesthetics, social theory, moral philosophy, and the history of modern philosophy, all of which concern the contradictions of modern society and its relation to human suffering and the human condition. Having authored substantial contributions to critical theory which contain searching critiques of the ‘culture industry’ and the ‘identity thinking’ of modern Western society, Adorno helped establish an interdisciplinary but philosophically rigorous study of culture and provided some of the most startling and revolutionary critiques of Western society to date. The Blackwell Companion to Adorno is the largest collection of essays by Adorno specialists ever gathered in a single volume. Part of the acclaimed Blackwell Companions to Philosophy series, this important contribution to the field explores Adorno’s lasting impact on many sub-fields of philosophy. Seven sections, encompassing a diverse range of topics and perspectives, explore Adorno’s intellectual foundations, his critiques of culture, his views on ethics and politics, and his analyses of history and domination. Provides new research and fresh perspectives on Adorno’s views and writings Offers an authoritative, single-volume resource for Adorno scholarship Addresses renewed interest in Adorno’s significance to contemporary questions in philosophy Presents over 40 essays written by international-recognized experts in the field A singular advancement in Adorno scholarship, the Companion to Adorno is an indispensable resource for Adorno specialists and anyone working in modern European philosophy, contemporary cultural criticism, social theory, German history, and aesthetics.
Author: Roger Mathew Grant Publisher: Fordham University Press ISBN: 0823288072 Category : Music Languages : en Pages : 172
Book Description
Peculiar Attunements places the recent turn to affect into conversation with a parallel movement in European music theory of the eighteenth century. During that time the affects—or passions, as they were also called—formed a vital component of a mimetic model of the arts. Eighteenth-century critics held that artworks imitated or copied the natural world in order to produce copies of the affects in their beholders. But music caused a problem for such theories, since it wasn’t apparent that musical tones could imitate anything with any dependability, beyond the rare thunderclap or birdcall. Struggling to articulate how it was that music managed to move its auditors without imitation, certain theorists developed a new affect theory crafted especially for music, postulating that music’s physical materiality as sound vibrated the nerves of listeners and attuned them to the affects through sympathetic resonance. This was a theory of affective attunement that bypassed the entire structure of representation, offering a non-discursive, corporeal alternative. It is a pendant to contemporary theories of affect, and one from which they have much to learn. Inflecting our current intellectual moment through eighteenth-century music theory and aesthetics, this book offers a reassessment of affect theory’s common systems and processes. It offers a new way of thinking through affect dialectically, drawing attention to patterns and problems in affect theory that we have been given to repeating. Finally, taking a cue from eighteenth-century theory, it gives renewed attention to the objects that generate affects in subjects.
Author: Russell Fourie-Kidson Publisher: Celenic Earth Publications ISBN: 1776475437 Category : Fiction Languages : en Pages : 47
Book Description
In the enchanting world of "Reveries and Refrains Vol. 1: Daydreams at Dusk," author Russell Fourie-Kidson invites you to a journey where the boundaries between music and literature blur, where the melodies of life intertwine with the poetic verses of Ben Howard's songs. Step into the Twilight: Within these pages, you'll discover a collection of short stories that resonate with the lyrical magic of Ben Howard's music. Each story is a window into the complex emotions and profound moments that echo in Howard's melodies, providing a unique interpretation of his songs. A Melodic Odyssey: From the wistful longing of "Nica Libres at Dusk" to the introspective depths of "Someone in the Doorway," and the enigmatic allure of "Murmurations," this volume takes you on a captivating journey through the landscapes of the human heart. Russell Fourie-Kidson masterfully weaves tales that mirror the emotional complexity found in Howard's lyrics. An Exploration of Human Experience: "Daydreams at Dusk" delves into themes of love, longing, personal revelation, and the intricacies of existence. It's an invitation to immerse yourself in the ever-passionate world of human emotion—a world where stories and songs meld together seamlessly. A Symphony of Words: As you turn each page, you'll find that the charm of this collection lies not only in the stories themselves but in the profound connection you'll form with them. Just as cherished songs reveal new layers of meaning with each listen, these stories will touch your soul and resonate with you deeply. Conclusion: "Reveries and Refrains Vol. 1: Daydreams at Dusk" is more than just a book; it's a journey into the heart of music and literature. Whether you're a long-time admirer of Ben Howard's melodies or new to his world, this volume promises to speak to you, touch you, and carry you into a realm where emotions dance to the rhythm of words and music. Join Russell Fourie-Kidson on this exquisite exploration of human experience through the lens of Ben Howard's music. Dive into "Daydreams at Dusk" and let the harmonious blend of song and story transport you to a place where reveries and refrains come together in perfect harmony.
Author: Various Authors Publisher: Library of Alexandria ISBN: 1465615539 Category : Fiction Languages : en Pages : 548
Book Description
In the preparation of these volumes there has been no attempt at completeness. The literature from which the materials are drawn is much too vast to be compressed into two little volumes like these. The aim has been simply to make the collection fairly representative in character, and to include in it those pieces relating to our several wars which best reflect the spirit of the times that produced them. The work of selection in such a case must always be difficult and the result more or less unsatisfactory. There are many reasons for this, some of which no one who has not undertaken a task of this kind can fully appreciate. There is no fixed standard of judgment by which to make a certainly just comparative estimate of the quality of several poems, some of which must be taken and the others left. Merit, in the case of war poems, is the composite result of so many different things that no criticism can hope to make an entirely satisfactory qualitative analysis of such literature. The poetic quality of some pieces entitles them to editorial acceptance, quite irrespective of other considerations, while there are other pieces having very little poetic quality, or none at all, whose claim to consideration on other grounds is incontestable. Mr. Stedman's "Wanted—A Man," Mr. William Winter's exquisitely tender poem "After All," Miss Osgood's "Driving Home the Cows," and Mr. George Parsons Lathrop's "Keenan's Charge," may serve as examples of pieces which no editor with the least capacity of poetic appreciation would hesitate to include in such a collection on the ground of merit even if their character were somewhat at variance, as in this case it is not, with the scheme of the collection. On the other hand there are such things as "Three Hundred Thousand More," several of the rude songs of the war of 1812, and many other pieces, which make equally imperative claims to favor on grounds that have no relation to the question of poetic merit. The song concerning the "Constitution and Guerrière," for example, is very nearly as destitute of poetic quality as metrical writing can be, and yet no editor of a collection like this would think of omitting a piece that had for so many years stirred the hearts of patriots and moved them to rejoice in the achievements of their country's heroes. The complex nature of the considerations that must determine the choice of poems for inclusion is but one of several difficulties encountered in the execution of such a task as this. In any event, many things must be omitted which merit insertion, and the reader who misses a favorite piece is prompt to point to others which seem to him less worthy, and to ask why these were not made to give place to the one omitted. There are three answers to be made to the challenge of such a reader: first, that his judgment in the matter may be wrong; second, that the editor, being human, may have erred in his choice; and third, that in a collection intended to be broadly representative rather than complete, preference must sometimes be given to the less worthy piece which happens to reflect some phase of sentiment not otherwise presented, even at the cost of sacrificing the worthier one which illustrates aspects otherwise sufficiently shown.
Author: Michael Gallope
Author: Michael Gallope
Author: Scott F. Madey
Author: Vladimir Jankélévitch
Author: Lucy Valerie Graham
Author: Carlo Caballero
Author: Peter E. Gordon
Author: Roger Mathew Grant
Author: Russell Fourie-Kidson
Author: George Cary Eggleston
Author: Various Authors