Author: M. Ruth MegawPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Early Celtic Art in Britain and Ireland
Author: M. Ruth MegawEarly Celtic Art
Author: Publisher: Transaction Publishers
ISBN: 0202365719
Category : Art, Celtic
Languages : en
Pages : 85
Book Description
"For many, perhaps most, the title Early Celtic Art summons up images of Early Christian stone crosses in Ireland, Scotland, Wales, or Cornwall; of Glendalough, lona or Tintagel; of the Ardagh Chalice or the Monymusk Reliquary; of the great illuminated gospels of Durrow or Lindisfame. But as Stuart Piggott notes, the consummate works of art produced under the aegis of the early churches in Britain or Ireland, in regions Celtic by tradition or language, have an ancestry behind them only partly Celtic. One strain in an eclectic style was borrowed from the ornament of the northern Germanic world, the classical Mediterranean, and even the Eastern churches. Early Celtic art, originating in the fifth century b.c. in Central Europe, was already seven or eight centuries old when it was last traced in the pagan, prehistoric world, and the transmission of some of its modes and motifs over a further span of centuries into the Christian Middle Ages was an even later phenomenon. This volume presents the art of the prehistoric Celtic peoples, the first great contribution of the barbarians to European arts. It is an art produced in circumstances that the classical world and contemporary societiesunhesitatingly recognize as uncivilized. Its appearance, it has been said by N.K. Sandars in Prehistoric Art in Europe: "is perhaps one of the oddest and most unlikely things to have come out of a barbarian continent. Its peculiar refinement, delicacy, and equilibrium are not altogether what one would expect of men who, though courageous and not without honor even in the records of their enemies, were also savage, cruel and often disgusting; for the archaeological refuse, as well as the reports of Classical antiquity, agree in this verdict."This book comprises the first major exhibition of Early Celtic Art from its origins and beginnings to its aftermath, and was assembled by Stuart Piggott who taught later European prehistory to Honors students in Archaeolog"--Provided by publisher
The Sea Kingdoms
Author: Alistair MoffatPublisher: Birlinn
ISBN: 0857901168
Category : History
Languages : en
Pages : 405
Book Description
'The most powerful representation yet of the race which has repeatedly changed history as we know it' - The Scotsman Alistair Moffat's journey, from the Scottish islands and Scotland, to the English coast, Wales, Cornwall and Ireland, ignores national boundaries to reveal the rich fabric of culture and history of Celtic Britain which still survives today. This is a vividly told, dramatic and enlightening account of the oral history, legends and battles of a people whose past stretches back many hundred of years. The Sea Kingdoms is a story of great tragedies, ancient myths and spectacular beauty.
Early Celtic Art
Author: Joel GibbonsPublisher: Routledge
ISBN: 1351521403
Category : Art
Languages : en
Pages : 77
Book Description
For many, perhaps most, the title Early Celtic Art summons up images of Early Christian stone crosses in Ireland, Scotland, Wales, or Cornwall; of Glendalough, lona or Tintagel; of the Ardagh Chalice or the Monymusk Reliquary; of the great illuminated gospels of Durrow or Lindisfame. But as Stuart Piggott notes, the consummate works of art produced under the aegis of the early churches in Britain or Ireland, in regions Celtic by tradition or language, have an ancestry behind them only partly Celtic. One strain in an eclectic style was borrowed from the ornament of the northern Germanic world, the classical Mediterranean, and even the Eastern churches. Early Celtic art, originating in the fifth century b.c. in Central Europe, was already seven or eight centuries old when it was last traced in the pagan, prehistoric world, and the transmission of some of its modes and motifs over a further span of centuries into the Christian Middle Ages was an even later phenomenon. This volume presents the art of the prehistoric Celtic peoples, the first great contribution of the barbarians to European arts. It is an art produced in circumstances that the classical world and contemporary societiesunhesitatingly recognize as uncivilized. Its appearance, it has been said by N. K. Sandars in Prehistoric Art in Europe: "is perhaps one of the oddest and most unlikely things to have come out of a barbarian continent. Its peculiar refinement, delicacy, and equilibrium are not altogether what one would expect of men who, though courageous and not without honor even in the records of their enemies, were also savage, cruel and often disgusting; for the archaeological refuse, as well as the reports of Classical antiquity, agree in this verdict." This book comprises the first major exhibition of Early Celtic Art from its origins and beginnings to its aftermath, and was assembled by Stuart Piggott who taught later European prehistory to Honors students in Archaeolog
Celts
Author: Julia FarleyPublisher: British museum Press
ISBN:
Category : Art, Celtic
Languages : en
Pages : 306
Book Description
A beautifully illustrated study of Celtic arts -- style, development and revival - and the relationship between art objects and identity, covering 2500 years of history.
Early Celtic Art
Author: Celtic Art
Author: Ian FinlayPublisher: Park Ridge, N.J : Noyes Press
ISBN:
Category : Art
Languages : en
Pages : 200
Book Description
Celtic Britain and Ireland
Author: Lloyd Robert LaingPublisher: Palgrave Macmillan
ISBN: 9780312126131
Category : Art
Languages : en
Pages : 223
Book Description
Examines treasures of Celtic art dating from the Iron Age to the Viking invasions and discusses how they reflect the history and society of the Celts
British and Irish Archaeology
Author: Publisher: Manchester University Press
ISBN: 9780719018756
Category : Excavations (Archaeology)
Languages : en
Pages : 344
Book Description
The Archaeology of Celtic Art
Author: D.W. HardingPublisher: Routledge
ISBN: 1134264631
Category : Art
Languages : en
Pages : 336
Book Description
More wide ranging, both geographically and chronologically, than any previous study, this well-illustrated book offers a new definition of Celtic art. Tempering the much-adopted art-historical approach, D.W. Harding argues for a broader definition of Celtic art and views it within a much wider archaeological context. He re-asserts ancient Celtic identity after a decade of deconstruction in English-language archaeology. Harding argues that there were communities in Iron Age Europe that were identified historically as Celts, regarded themselves as Celtic, or who spoke Celtic languages, and that the art of these communities may reasonably be regarded as Celtic art. This study will be indispensable for those people wanting to take a fresh and innovative perspective on Celtic Art.