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Author: N C Narayanan Publisher: Notion Press ISBN: 1685633331 Category : Business & Economics Languages : en Pages : 208
Book Description
‘Lean’ is a strategic organization development intervention that aims to improve the Return On Investment (ROI) of any enterprise in addition to consolidating its competitiveness. It is a transformation vehicle for revisiting customer value and re-engineer the entire organizational value stream by eliminating waste to improve the velocity of information and material flow. The author aims to demystify the myths of Lean and guides its systematic application.
Author: N C Narayanan Publisher: Notion Press ISBN: 1685633331 Category : Business & Economics Languages : en Pages : 208
Book Description
‘Lean’ is a strategic organization development intervention that aims to improve the Return On Investment (ROI) of any enterprise in addition to consolidating its competitiveness. It is a transformation vehicle for revisiting customer value and re-engineer the entire organizational value stream by eliminating waste to improve the velocity of information and material flow. The author aims to demystify the myths of Lean and guides its systematic application.
Author: NC Narayanan, Naveen Narayanan Publisher: Notion Press ISBN: Category : Business & Economics Languages : en Pages : 229
Book Description
Profit Leadership is a groundbreaking business guide that unveils the secrets to achieving sustainable profitability in today's competitive market. Drawing on extensive research and real-world examples, this book provides actionable strategies and insights for leaders to optimize their business operations, maximize revenue growth, and drive long-term success. The book is a must-read for entrepreneurs and executives seeking to navigate the complexities of profit generation and become industry frontrunners.
Author: John Orr Publisher: Edinburgh University Press ISBN: 0748642307 Category : Performing Arts Languages : en Pages : 208
Book Description
In a fresh and invigorating look at British cinema that considers film as an art form among other arts, John Orr takes a critical look at the intriguing relationship between romanticism and modernism that has been much neglected in the study of UK cinema and downplayed in the development of Western cinema. Encompassing a broad selection of films, film-makers and debates, this book brings a fresh perspective to how scholars might understand and interrogate the major traditions that have shaped British cinema history.Covering the period between 1929 and the present, this book examines outstanding directors such as Alfred Hitchcock, David Lean, Carol Reed, Nicholas Roeg, Terence Davies and Bill Douglas, and articulates two genres vital to British cinema - the fugitive film and the trauma film - which bridge the gap between romantic and modern forms. Two detailed chapters also assess the powerful impact of major expatriate directors like Losey, Antonioni, Polanski, Kubrick and Skolimowski on modernism in the 1960s and 1970s. Detailed critical readings explore Blackmail, The Lady Vanishes, Black Narcissus, Odd Man Out, The Passionate Friends, The Innocents, Lawrence of Arabia, The Servant, Blow-Up, A Clockwork Orange, Don't Look Now, The Wicker Man, Moonlighting, the Bill Douglas trilogy and The Long Day Closes. The book concludes with an analysis of the persistence of romantic and modernist forms in the 21st century in two recent prize-winning features, Control and Hunger.
Author: Anthony B. Thompson Publisher: Baker Books ISBN: 1493418718 Category : Biography & Autobiography Languages : en Pages : 256
Book Description
While the murder of his wife devastated Anthony Thompson, he and three other relatives of victims chose to privately and publicly forgive the shooter. Years later, the church and community still struggle to understand the family members' deliberate choice to forgive the racist murderer. But as Charlestonians have witnessed these incredible acts of forgiveness, something significant has happened to the community--black and white leaders and residents have united, coming together peaceably and even showing acts of selfless love. This book is the account of Anthony's wife's murder, the grief he experienced, and how and why he made the radical choice to forgive the killer. But beyond that, Anthony goes on to teach what forgiveness can and should look like in each of our lives--both personally, in our communities, and even in our nation. After much pain, reflection, and study, Thompson shares how true biblical love and mercy differ from the way these ideas are reflected in our culture. Be inspired by this remarkable story and discover how the difficult decision to forgive can become the key to radical change.
Author: Steven C. Caton Publisher: Univ of California Press ISBN: 0520919890 Category : Performing Arts Languages : en Pages : 319
Book Description
Combining ethnography, film criticism, and his extensive knowledge of the Middle East, Steven C. Caton presents an innovative and fascinating examination of the classic film, Lawrence of Arabia. Caton is interested in why this epic film has been so compelling for so many people for more than three decades. In seeking an answer he draws from situations in his own life, biographies of the film's key participants, and analyses of issues relating to class, gender, colonialism, and cultural differences. The result is a many-prismed book that poses important questions of ethnographic representation and the discourse of power. Caton's approach is dialectical, and his readings of the film are situated within different historical periods, from the early 1960s to the present. Among the subjects he highlights are travel and colonialism in fieldwork and filmmaking, orientalism in the representation of the Other, and the film's ambiguous handling of masculinity and homosexuality. Caton looks at his own reactions to the film at various stages in his life and offers a thought-provoking account of the film's reception by today's high school and college students.
Author: John Earley Publisher: John Wiley & Sons ISBN: 1119096200 Category : Business & Economics Languages : en Pages : 272
Book Description
An essential guide to bringing lean to your business and your life The Lean Book of Leanprovides a succinct overview of the concepts of Lean, explains them in everyday terms, and shows how the general principles can be applied in any business or personal situation. Disengaging the concept of Lean from any particular industry or sector, this book brings Lean out of the factory to help you apply it anywhere, anytime. You'll learn the major points and ideas along with practical tips and hints, and find additional insight in the illustrative examples. Lean is all about achieving the desired outcome with the minimum amount of fuss and effort, and this book practises what it preaches — concise enough to be read in a couple of sittings, it nonetheless delivers a wealth of information distilled into the essential bits you need to know. The Lean Book of Lean discards unnecessary specialisation and minute detail, and gets to the point quickly, so you can get started right away. Understand the basic principles of lean Recognise lean behaviours that come naturally Study examples of lean practices, policies, behaviours, and operations Apply lean concepts to both your business and personal life Lean is about being agile, efficient, responsive, productive, and smart. It applies to any and every aspect of life, from the factory floor to your morning routine. The Lean Book of Lean is the quick, smart guide to employing lean principles every day, so you can start doing more with less.
Author: Mike Peros Publisher: Univ. Press of Mississippi ISBN: 1496830164 Category : Biography & Autobiography Languages : en Pages : 278
Book Description
José Ferrer (1912–1992) became the first Puerto Rican actor to win the Best Actor Academy Award for the 1950 film version of Cyrano de Bergerac. His iconic portrayal of the lovelorn poet/swordsman had already won him the Tony in 1947, and he would be identified with Cyrano for the rest of his life. Ferrer was a theatrical dynamo with limitless energy; in 1952 he directed Stalag 17, The Fourposter, and The Shrike (which he starred in) on Broadway, while New York City movie marquees were heralding his appearance in Anything Can Happen. At his apex in the 1950s, Ferrer was in constant demand both in theater and movies. He capitalized on his Oscar with such triumphs as Moulin Rouge and The Caine Mutiny. Not content with merely acting, Ferrer soon became a force behind the camera, acting and directing such critically well-received films as The Shrike and The Great Man. Success proved difficult to sustain. In the late 1950s, such ambitious theatrical productions as Edwin Booth and Juno were critical and commercial flops, while film studios also lost their patience with him. By the mid-1960s, Ferrer took whatever roles he could get in films, television, or regional theater. In addition, Ferrer had a turbulent personal life. His first marriage to actress Uta Hagen ended in divorce and scandal. His personal and professional relationship with his Othello costar Paul Robeson landed Ferrer before the House Un-American Activities Committee. Ferrer’s marriage to actress/dancer Phyllis Hill was marred by his infidelity, while his initial wedded bliss with singer Rosemary Clooney eroded as his career began to ebb while hers started to peak. In spite of everything, Ferrer managed to endure and was working practically right up to his death. Ferrer maintained his pride in his Puerto Rican heritage, donating his Oscar to the University of Puerto Rico while championing the work of Latino poets and playwrights. He continuously evolved, striving to remain relevant, stretching his talents (including cabaret, operas, musicals, and yes, ballet!), and writing the occasional guest column for major newspapers. Ferrer’s life is an American success story and a testament to reinvention and resilience.
Author: Kim R. Holston Publisher: McFarland ISBN: 0786460628 Category : Performing Arts Languages : en Pages : 383
Book Description
This work examines a film distribution system paralleling the rise of early features and persisting until 1972, when Man of La Mancha was the final roadshow to require reserved seating. Synonymous with Hollywood's star-studded premieres, roadshows were longer and cost more than regular features, making the experience similar to attending the legitimate theater. Roadshows, often epic in subject matter, played selected (usually only one) theaters in major urban centers until demand decreased. De rigueur by the 1960s were musical overtures, intermissions, entre'acte and exit music and souvenir programs for sale in the lobby. Throughout the text are recollections by people who attended roadshows, including actor John Kerr and actresses Barbara Eden and Ingrid Pitt. The focus is on roadshows released in the United States but an appendix identifies international roadshows and films forecast but not released as roadshows. Included are plots, contemporary critical reaction, premiere dates, production background, and methods of promotion--i.e., the ballyhoo.
Author: N C Narayanan
Author: N C Narayanan
Author: NC Narayanan, Naveen Narayanan
Author: John Orr
Author: George Boase
Author: George Clement Boase
Author: Anthony B. Thompson
Author: Steven C. Caton
Author: John Earley
Author: Mike Peros
Author: Kim R. Holston