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Author: Juan Antonio Suárez Publisher: ISBN: 9780197567012 Category : Experimental film Languages : en Pages : 0
Book Description
"This book shows that experimental cinema revealed a peculiar latency of the modern everyday that can be called queer materiality. Queer materiality designates a sense of queer possibility in modern material culture, which often inspired queer artists and filmmakers to envision wayward bodies and behaviors; it also refers to the way in which sexual and social dissidence was embedded in the objects, technologies, substances, and spaces that make up the hardware of experience. Experimental film offers a rich archive of queer material engagements. This book studies various queer material configurations in the work of well-known filmmakers such as Andy Warhol, Barbara Hammer, Carolee Schneemann, or Jack Smith, but it also explores under-recognized figures such as Tom Chomont, Jim Hubbard, Ashley Hans Scheirl or Teo Hernández. Combining history, formal analysis, and theoretical reflection, the book shows how plastics, glitter, mechanical ensembles, urban ruins, garbage, mood-enhancers such as amphetamine, film grain, or noise have been mobilized in the articulation of queerness for the screen. The book's inquiry into the liveliness of matter and into the interface between sexuality and the material world directly resonates with a growing ecological consciousness and with current concerns about the definition and reach of the human in a universe of intricate post-human entanglements"--
Author: Juan Antonio Suárez Publisher: ISBN: 9780197567012 Category : Experimental film Languages : en Pages : 0
Book Description
"This book shows that experimental cinema revealed a peculiar latency of the modern everyday that can be called queer materiality. Queer materiality designates a sense of queer possibility in modern material culture, which often inspired queer artists and filmmakers to envision wayward bodies and behaviors; it also refers to the way in which sexual and social dissidence was embedded in the objects, technologies, substances, and spaces that make up the hardware of experience. Experimental film offers a rich archive of queer material engagements. This book studies various queer material configurations in the work of well-known filmmakers such as Andy Warhol, Barbara Hammer, Carolee Schneemann, or Jack Smith, but it also explores under-recognized figures such as Tom Chomont, Jim Hubbard, Ashley Hans Scheirl or Teo Hernández. Combining history, formal analysis, and theoretical reflection, the book shows how plastics, glitter, mechanical ensembles, urban ruins, garbage, mood-enhancers such as amphetamine, film grain, or noise have been mobilized in the articulation of queerness for the screen. The book's inquiry into the liveliness of matter and into the interface between sexuality and the material world directly resonates with a growing ecological consciousness and with current concerns about the definition and reach of the human in a universe of intricate post-human entanglements"--
Author: Juan Antonio Suárez Publisher: Oxford University Press ISBN: 0197566995 Category : Performing Arts Languages : en Pages : 313
Book Description
Experimental Film and Queer Materiality studies a rich archive of queer material engagements in work by well-known filmmakers such as Andy Warhol, Barbara Hammer, Carolee Schneemann, and Jack Smith as well as under-recognized figures such as Tom Chomont, Jim Hubbard, Ashley Hans Scheirl, and Teo Hernández.
Author: Federico Windhausen Publisher: John Wiley & Sons ISBN: 1119107903 Category : Performing Arts Languages : en Pages : 484
Book Description
An exploration of what experimental cinema was, is, and might become A Companion to Experimental Cinema is a collection of original essays organized around both theoretical and historical issues of concern to film scholars, programmers, filmmakers, and viewers. Newly-commissioned essays written by specialists in the field, along with dialogues conducted with a diverse range of practitioners, focus on core subjects to present an international array of overlapping and contrasting perspectives. This unique text not only provides detailed accounts of particular films and filmmakers, but also discusses new approaches of understanding, characterizing, and shaping experimental cinema. The Companion offers readers an accessible point of entry to the material while seeking to contribute to scholarly debates. Essays explore a wide range of topics within the realm of experimental film, including the shift from traditional biography to broader contexts, the increased attention afforded to local and transnational circuits of exchange, and the deepening of theoretical considerations regarding cultural identity and cinematic aesthetics. Key themes and concepts are inter-woven throughout the text, offering fresh perspectives on experimental cinema’s dialogues with other modes and practices of film and video, its interactions with the non-cinematic arts, its responses to changing technological landscapes, and more. An essential addition to the field, the Companion: Balances introductory summaries and scholarly dialogue with existing literature Explores how the study of experimental cinema can benefit from scholarship in other disciplines Includes numerous analyses of films that are readily available to view via digital media Discusses both canonical and obscure or neglected works Examines the effects of the growing diversification of experimental film scholarship A Companion to Experimental Cinema is a valuable resource for scholars of film studies and art history, curators and programmers, critics and bloggers, filmmakers and artists, and anyone interested in exploring experimental or avant-garde cinema.
Author: David Walton Publisher: Lexington Books ISBN: 1498521665 Category : Social Science Languages : en Pages : 196
Book Description
Culture, Space and Power: Blurred Lines collects a series of essays dedicated to critiques of public and private spaces in multiple cultural contexts and media from a variety of theoretical perspectives. Topics such as globalization, city design, nationalism, and others are investigated to examine the public and private spatial configurations of culture in day-to-day life.
Author: Barbara Hammer Publisher: The Feminist Press at CUNY ISBN: 9781558616851 Category : Performing Arts Languages : en Pages : 288
Book Description
HAMMER! is the first book by influential filmmaker Barbara Hammer, whose life and work have inspired a generation of queer, feminist, and avant-garde artists and filmmakers. The wild days of non-monogamy in the 1970s, the development of a queer aesthetic in the 1980s, the fight for visibility during the culture wars of the 1990s, and her search for meaning as she contemplates mortality in the 2000s—HAMMER! includes texts from these periods, new writings, and fully contextualized film stills to create a memoir as innovative and disarming as her work has always been. HAMMER! was the winner for the 2010 Judy Grahn Award for Lesbian Nonfiction.
Author: Melissa L. Mednicov Publisher: Routledge ISBN: 1351187376 Category : Art Languages : en Pages : 142
Book Description
This book offers an innovative and interdisciplinary approach to Pop art scholarship through a recuperation of popular music into art historical understandings of the movement. Jukebox modernism is a procedure by which Pop artists used popular music within their works to disrupt decorous modernism during the sixties. Artists, including Peter Blake, Pauline Boty, James Rosenquist, and Andy Warhol, respond to popular music for reasons such as its emotional connectivity, issues of fandom and identity, and the pleasures and problems of looking and listening to an artwork. When we both look at and listen to Pop art, essential aspects of Pop’s history that have been neglected—its sounds, its women, its queerness, and its black subjects—come into focus.
Author: Nicholas Thoburn Publisher: U of Minnesota Press ISBN: 1452951993 Category : Literary Criticism Languages : en Pages : 379
Book Description
No, Anti-Book is not a book about books. Not exactly. And yet it is a must for anyone interested in the future of the book. Presenting what he terms “a communism of textual matter,” Nicholas Thoburn explores the encounter between political thought and experimental writing and publishing, shifting the politics of text from an exclusive concern with content and meaning to the media forms and social relations by which text is produced and consumed. Taking a “post-digital” approach in considering a wide array of textual media forms, Thoburn invites us to challenge the commodity form of books—to stop imagining books as transcendent intellectual, moral, and aesthetic goods unsullied by commerce. His critique is, instead, one immersed in the many materialities of text. Anti-Book engages with an array of writing and publishing projects, including Antonin Artaud’s paper gris-gris, Valerie Solanas’s SCUM Manifesto, Guy Debord’s sandpaper-bound Mémoires, the collective novelist Wu Ming, and the digital/print hybrid of Mute magazine. Empirically grounded, it is also a major achievement in expressing a political philosophy of writing and publishing, where the materiality of text is interlaced with conceptual production. Each chapter investigates a different form of textual media in concert with a particular concept: the small-press pamphlet as “communist object,” the magazine as “diagrammatic publishing,” political books in the modes of “root” and “rhizome,” the “multiple single” of anonymous authorship, and myth as “unidentified narrative object.” An absorbingly written contribution to contemporary media theory in all its manifestations, Anti-Book will enrich current debates about radical publishing, artists’ books and other new genre and media forms in alternative media, art publishing, media studies, cultural studies, critical theory, and social and political theory.
Author: Barbara Mennel Publisher: University of Illinois Press ISBN: 0252054806 Category : Performing Arts Languages : en Pages : 144
Book Description
Auteurism expanded With acclaimed films like Sink or Swim and The Odds of Recovery, Su Friedrich’s body of work stands at the forefront of avant-garde and Queer cinema. Barbara Mennel examines the career of an experimental auteur whose merger of technical innovation and political critique connects with both cinephiles and activists. Friedrich’s integration of cinematic experimentation with lesbian advocacy serves as a beginning rather than an end point of analysis. With that in mind, Mennel provides an essential overview of the filmmaker’s oeuvre while highlighting the defining characteristics of her artistic and political signature. She also situates Friedrich within the cultural, political, and historical contexts that both shape the films and are shaped by them. Finally, Mennel expands our notion of auteurism to include directors who engage in collaborative and creative processes rooted in communities.
Author: Juan Antonio Suárez
Author: Juan Antonio Suárez
Author: Juan Antonio Suárez
Author: Federico Windhausen
Author: Holly Rogers (Professor of music)
Author: David Walton
Author: Barbara Hammer
Author: Melissa L. Mednicov
Author: Nicholas Thoburn
Author: Barbara Mennel
Author: P. Adams Sitney