Author: Glenys DaviesPublisher:
ISBN: 0521842735
Category : Art
Languages : en
Pages : 371
Book Description
Analysis of the body language of statues of men and women as an indicator of gender relations in Roman society.
Gender and Body Language in Roman Art
Author: Glenys DaviesPublisher:
ISBN: 0521842735
Category : Art
Languages : en
Pages : 371
Book Description
Analysis of the body language of statues of men and women as an indicator of gender relations in Roman society.
Body Language in the Greek and Roman Worlds
Author: Douglas CairnsPublisher: Classical Press of Wales
ISBN: 1910589640
Category : History
Languages : en
Pages : 258
Book Description
A distinguished cast of scholars discusses models of gesture and non-verbal communication as they apply to Greek and Roman culture, literature and art. Topics include dress and costume in the Homeric poems; the importance of looking, eye-contact, and face-to-face orientation in Greek society; the construction of facial expression in Greek and Roman epic; the significance of gesture and body language in the visual meaning of ancient sculpture; the evidence for gesture and performance style in the texts of ancient drama; the erotic significance of feet and footprints; and the role of gesture in Roman law. The volume seeks to apply a sense of history as well as of theory in interpreting non-verbal communication. It looks both at the cross-cultural and at the culturally specific in its treatment of this important but long-neglected aspect of Classical Studies.
Women and the Roman City in the Latin West
Author: Emily HemelrijkPublisher: BRILL
ISBN: 9004255958
Category : History
Languages : en
Pages : 430
Book Description
Roman Cities, as conventionally studied, seem to be dominated by men. Yet as the contributions to this volume—which deals with the Roman cities of Italy and the western provinces in the late Republic and early Empire—show, women occupied a wide range of civic roles. Women had key roles to play in urban economies, and a few were prominent public figures, celebrated for their generosity and for their priestly eminence, and commemorated with public statues and grand inscriptions. Drawing on archaeology and epigraphy, on law and art as well as on ancient texts, this multidisciplinary study offers a new and more nuanced view of the gendering of civic life. It asks how far the experience of women of the smaller Italian and provincial cities resembled that of women in the capital, how women were represented in sculptural art as well as in inscriptions, and what kinds of power or influence they exercised in the societies of the Latin West.
Women's Dress in the Ancient Greek World
Author: Lloyd Llewellyn-JonesPublisher: Classical Press of Wales
ISBN: 1914535235
Category : History
Languages : en
Pages : 277
Book Description
The clothing and ornament of Greek women signalled much about the status and the morality assigned to them. Yet this revealing aspect of women's history has been little studied. In this collection of new studies by an international team, ancient visual evidence from vase-painting and sculpture is used extensively alongside Greek literature to reconstruct how women of the Greek world were perceived, and also, in important ways, how they lived.
A History of Roman Art
Author: Steven L. TuckPublisher: John Wiley & Sons
ISBN: 1119653290
Category : Literary Criticism
Languages : en
Pages : 448
Book Description
The new edition of the leading textbook on Roman art, updated with new images and expanded geographic and cultural scope A History of Roman Art is an expansive survey of the painting, mosaic, sculpture, decorative arts, and architecture of ancient Rome. This acclaimed textbook provides a fully-illustrated narrative history of Roman art that spans a millennium, from the early origins of Rome to the era of Emperor Constantine. Interwoven throughout the text are themes of Rome's cultural inclusiveness and the importance of art in promoting Roman values, helping students understand how diverse cultures contributed to Roman life. Accessible, chronologically-organized chapters provide numerous examples of the arts, their cultural and historical context, descriptions of artistic techniques, and writings by ancient authors—enabling students to develop a rich appreciation of art’s importance in the Roman world. Now in its second edition, this market-leading textbook features thoroughly revised content throughout. Additional images and excerpts from literary sources are complemented by new historical discussions of metalwork, carved gems, glass, and sarcophagi. This edition features more maps and illustrations, in-depth analysis of iconography, greater emphasis on the types of objects used to decorate the lives of ordinary Romans, expanded coverage of freedmen and women as artists, subjects, and patrons, and much more. A number of works that represent popular art have been added. That is, art in the everyday Roman world, rather than just the large scale works of sculpture and architecture of elite patrons. It also reveals patterns of artistic workshops, trade, and social and economic networks. Additionally, this edition takes into account new approaches in scholarship. This comprehensive textbook: Provides a thorough introduction to Roman art history featuring more than 400 high quality images and illustrations Includes a full set of pedagogical tools, such as historical timelines, key term definitions, and updated references and further reading suggestions Offers “Scholarly Perspective,” “A View from the Provinces,” “More on Myth,” and “Art and Literature” textboxes in each chapter Includes a companion website containing PowerPoint slides and additional instructor resources A History of Roman Art, Second Edition is an ideal primary o
A Cultural History of the Emotions in Antiquity
Author: Douglas CairnsPublisher: Bloomsbury Publishing
ISBN: 1350091642
Category : History
Languages : en
Pages : 386
Book Description
This volume provides an overview of some of the salient aspects of emotions and their role in life and thought of the Greco-Roman world, from the beginnings of Greek literature and history to the height of the Roman Empire. This is a wide remit, dealing with a wide range of sources in two ancient languages, and in the full range of contexts that are covered by the format of this series. The volume's chapters survey the emotional worlds of the ancient Greeks and Romans from multiple perspectives – philosophical, scientific, medical, literary, musical, theatrical, religious, domestic, political, art-historical and historical. All chapters consider both Greek and Roman evidence, ranging from the Homeric poems to the Roman Imperial period and making extensive use of both elite and non-elite texts and documents, including those preserved on stone, papyrus and similar media, and in other forms of material culture. The volume is thus fully reflective of the latest research in the emerging discipline of ancient emotion history.
Rabbinic Body Language: Non-Verbal Communication in Palestinian Rabbinic Literature of Late Antiquity
Author: Catherine HezserPublisher: BRILL
ISBN: 900433906X
Category : Religion
Languages : en
Pages : 308
Book Description
In Rabbinic Body Language Catherine Hezser examines the literary representation of non-verbal communication within rabbinic circles and in encounters with others in Palestinian rabbinic documents of late antiquity.
Gender, Identity and the Body in Greek and Roman Sculpture
Author: Rosemary BarrowPublisher: Cambridge University Press
ISBN: 1108583865
Category : Art
Languages : en
Pages : 245
Book Description
Gender and the Body in Greek and Roman Sculpture offers incisive analysis of selected works of ancient art through a critical use of cutting-edge theory from gender studies, body studies, art history and other related fields. The book raises important questions about ancient sculpture and the contrasting responses that the individual works can be shown to evoke. Rosemary Barrow gives close attention to both original context and modern experience, while directly addressing the question of continuity in gender and body issues from antiquity to the early modern period through a discussion of the sculpture of Bernini. Accessible and fully illustrated, her book features new translations of ancient sources and a glossary of Greek and Latin terms. It will be an invaluable resource and focus for debate for a wide range of readers interested in ancient art, gender and sexuality in antiquity, and art history and gender and body studies more broadly.
Julia Augusta
Author: Tracene HarveyPublisher: Routledge
ISBN: 0429648502
Category : History
Languages : en
Pages : 482
Book Description
Julia Augusta examines the socio-political impact of coin images of Augustus’s wife, Livia, within the broader context of her image in other visual media and reveals the detailed visual language that was developed for the promotion of Livia as the predominant female in the Roman imperial family. The book provides the most comprehensive examination of all extant coins of Livia to date, and provides one of the first studies on the images on Roman coins as gender-infused designs, which created a visual dialogue regarding Livia’s power and gender-roles in relation to those of male members of the imperial family. While the appearance of Roman women on coins was not entirely revolutionary, having roughly coincided with the introduction of images of powerful Roman statesmen to coins in the late 40s BCE, the degree to which Livia came to be commemorated on coins in the provinces and in Rome was unprecedented. This volume provides unique insights into the impact of these representations of Livia, both on coins and in other visual media. Julia Augusta: Images of Rome’s First Empress on the Coins of the Roman Empire will be of great interest to students of women and imperial imagery in the Roman Empire, as well as the importance of visual representation and Roman imperial ideology.
Shakespeare’s Body Language
Author: Miranda Fay ThomasPublisher: Bloomsbury Publishing
ISBN: 1350035483
Category : Drama
Languages : en
Pages : 262
Book Description
Why do the Capulets bite their thumbs at the Montagues? Why do the Venetians spit upon Shylock's Jewish gaberdine? What is it about Volumnia's act of kneeling that convinces Coriolanus not to assault the city of Rome? Shakespeare's Body Language is a ground-breaking new study of Shakespearean drama, revealing the previously unseen history of social tensions found within the performance of gestures – and how such gestures are used to shame those within the body politic of early modern England. The first full study of shaming gestures in Shakespearean drama, this book establishes how shame is often rooted in the gendered expectations of the Renaissance era. Exploring how the performance of gestures such as figging, the cuckold's horns, and even the in-action of stillness created shaming spectacles on the early modern stage and its wider society, Shakespeare's Body Language argues that gestures are embodied social metaphors which epitomise the personal as political. It reveals the tensions of everyday life as key motivators behind the actions of Shakespeare's characters, and considers how honour and its opposite, shame, are constructed in terms of gender norms. Featuring in-depth analyses of plays across Shakespeare's career, this book explores how the playwright's understanding of shame and humiliation is rooted in performance anxiety and gender politics, explaining how theatrical gestures can create dramatic tension in a way that words alone cannot. It offers both rich insights into the early modern context of Shakespeare's drama and confirms the startling relevance of his work to modern audiences.