Gottfried von Strassburg: Tristan - The Prologue or In Search of Gottfried's werlt of the edele herze PDF Download
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Author: Martin Stepanek Publisher: GRIN Verlag ISBN: 3638162710 Category : Literary Criticism Languages : en Pages : 8
Book Description
Essay from the year 1999 in the subject German Studies - Older German Literature, Medieval Studies, grade: very good, University of Nottingham (German Department), 9 entries in the bibliography, language: English, abstract: Despite two centuries of intensive literary research on Gottfried′s `Tristan′, the poem has remained one of the most discussed and controversial works of medieval literature. The poem has seen many researchers struggle with interpretations and many of the questions researchers came up with in the past proved to be hardly answerable. Especially the prologue to Tristan has remained very difficult to decipher. What was Gottfried trying to convey, when he addressed his poem to the world of the `edelen herzen′ only? What was Gottfried′s idea of an ideal life? And finally, in what way does the conception of his poem coincide with Aristotle′s idea of catharsis? A closer look at the second part of the prologue (vv 45-244) and the literary discourse about it will hopefully throw some light on these questions, or, at least, provide the reader with some useful ideas about Gottfried′s famous love poem. Indeed, to split the prologue into two parts, which (unfortunately?) was to be the starting point of my essay, is a very delicate matter. Considering formal aspects of the text, it seems justifiable to split the prologue into two parts as follows: a part one which consists of the first 44 lines written in four-line rhyming stanzas, and a part two which introduces a new pattern of rhymed couplets, beginning line 45. This way of splitting up the prologue has been the preferred one in the past, though some critics now regard it as out-dated and not very helpful. Dietz1 believes that the prologue has to be seen as a whole and therefore tends to prefer Schöne′s2 suggestion to divide the prologue according to certain keywords, or, as he puts it `Hauptthemen′, which seem to represent the central idea of each of his suggested parts. The `Hauptthemen′ Schöne names are `guot′ (vv 1-40), `werlt′ (vv 41-76), `muoze′ (vv 77-96), `sene′ (vv 97-130), `liebe′ (vv 174-221) and `leben′ and `tot′ (vv 222-244). Schöne chooses these key words according to their frequency of occurrence in the text. In all cases the stated keyword is the word which appears most frequently in the respective part and therefore depicts the central idea of it. Schöne′s analysis of the prologue based on his suggested `Hauptthemen′ is an interesting approach to do justice to the complexity of the prologue. In some respect, however, his choice of the different `Hauptthemen′ may be questionable.
Author: Martin Stepanek Publisher: GRIN Verlag ISBN: 3638162710 Category : Literary Criticism Languages : en Pages : 8
Book Description
Essay from the year 1999 in the subject German Studies - Older German Literature, Medieval Studies, grade: very good, University of Nottingham (German Department), 9 entries in the bibliography, language: English, abstract: Despite two centuries of intensive literary research on Gottfried′s `Tristan′, the poem has remained one of the most discussed and controversial works of medieval literature. The poem has seen many researchers struggle with interpretations and many of the questions researchers came up with in the past proved to be hardly answerable. Especially the prologue to Tristan has remained very difficult to decipher. What was Gottfried trying to convey, when he addressed his poem to the world of the `edelen herzen′ only? What was Gottfried′s idea of an ideal life? And finally, in what way does the conception of his poem coincide with Aristotle′s idea of catharsis? A closer look at the second part of the prologue (vv 45-244) and the literary discourse about it will hopefully throw some light on these questions, or, at least, provide the reader with some useful ideas about Gottfried′s famous love poem. Indeed, to split the prologue into two parts, which (unfortunately?) was to be the starting point of my essay, is a very delicate matter. Considering formal aspects of the text, it seems justifiable to split the prologue into two parts as follows: a part one which consists of the first 44 lines written in four-line rhyming stanzas, and a part two which introduces a new pattern of rhymed couplets, beginning line 45. This way of splitting up the prologue has been the preferred one in the past, though some critics now regard it as out-dated and not very helpful. Dietz1 believes that the prologue has to be seen as a whole and therefore tends to prefer Schöne′s2 suggestion to divide the prologue according to certain keywords, or, as he puts it `Hauptthemen′, which seem to represent the central idea of each of his suggested parts. The `Hauptthemen′ Schöne names are `guot′ (vv 1-40), `werlt′ (vv 41-76), `muoze′ (vv 77-96), `sene′ (vv 97-130), `liebe′ (vv 174-221) and `leben′ and `tot′ (vv 222-244). Schöne chooses these key words according to their frequency of occurrence in the text. In all cases the stated keyword is the word which appears most frequently in the respective part and therefore depicts the central idea of it. Schöne′s analysis of the prologue based on his suggested `Hauptthemen′ is an interesting approach to do justice to the complexity of the prologue. In some respect, however, his choice of the different `Hauptthemen′ may be questionable.
Author: Prudence Allen Publisher: Wm. B. Eerdmans Publishing ISBN: 9780802833464 Category : Femininity (Philosophy) Languages : en Pages : 570
Book Description
The culmination of a lifetime's scholarly work, this pioneering study by Sister Prudence Allen traces the concept of woman in relation to man in Western thought from ancient times to the present. Volume I uncovers four general categories of questions asked by philosophers for two thousand years. These are the categories of opposites, of generation, of wisdom, and of virtue. Sister Prudence Allen traces several recurring strands of sexual and gender identity within this period. Ultimately, she shows the paradoxical influence of Aristotle on the question of woman and on a philosophical understanding of sexual coomplemenarity. Supplemented throughout with helpful charts, diagrams, and illustrations, this volume will be an important resource for scholars and students in the fields of women's studies, philosophy, history, theology, literary studies, and political science. In Volume 2, Sister Prudence Allen explores claims about sex and gender identity in the works of over fifty philosophers (both men and women) in the late medieval and early Renaissance periods. Touching on the thought of every philosopher who considered sex or gender identity between A.D. 1250 and 1500, The Concept of Woman provides the analytical categories necessary for situating contemporary discussion of women in relation to men. Adding to the accessibility of this fine discussion are informative illustrations, helpful summary charts, and extracts of original source material (some not previously available in English). In her third and final volume Allen covers the years 1500--2015, continuing her chronological approach to individual authors and also offering systematic arguments to defend certain philosophical positions over against others.
Author: Clare A. Lees Publisher: U of Minnesota Press ISBN: 9780816624263 Category : Social Science Languages : en Pages : 228
Book Description
Since the mid-1970s men's studies, and gender studies has earned its place in scholarship. What's often missing from such studies, however, is the insight that the concept of gender in general, and that of masculinity in particular, can be understood only in relation to individual societies, examined at specific historical and cultural moments. An application of this insight, "Medieval Masculinities" is the first full-length collection to explore the issues of men's studies and contemporary theories of gender within the context of the Middle Ages. Interdisciplinary and multicultural, the essays range from matrimony in medieval Italy to bachelorhood in "Renaissance Venice", from friars and saints to the male animal in the fables of Marie de France, from manhood in "Sir Gawain and the Green Knight", "Beowulf" and the "Roman d'Eneas" to men as "other", whether Muslim or Jew, in medieval Castilian Epic and Ballad. The authors are especially concerned with cultural manifestations of masculinity that transcend this particular historical period - idealized gender roles, political and economic factors in structuring social institutions, and the impact of masculinist ideology in fostering and maintaining power. Together, these essays constitute an important reassessment of traditional assumptions within medieval studies, as well as a major contribution to the evolving study of gender.
Author: June Hall McCash Publisher: University of Georgia Press ISBN: 9780820317021 Category : Literary Criticism Languages : en Pages : 428
Book Description
The Cultural Patronage of Medieval Women is the first volume exclusively devoted to an examination of the significant role played by women as patrons in the evolution of medieval culture. The twelve essays in this volume look at women not simply as patrons of letters but also as patrons of the visual and decorative arts, of architecture, and of religious and educational foundations. Patronage as a means of empowerment for women is an issue that underlies many of the essays. Among the other topics discussed are the various forms patronage took, the obstacles to women's patronage, and the purposes behind patronage. Some women sought to further political and dynastic agendas; others were more concerned with religion and education; still others sought to provide positive role models for women. The amusement of their courts was also a consideration for female patrons. These essays also demonstrate that as patrons women were often innovators. They encouraged vernacular literature as well as the translation of historical works and of the Bible, frequently with commentary, into the vernacular. They led the way in sponsoring a variety of genres and encouraged some of the best-known and most influential writers of the Middle Ages. Moreover, they were at the forefront in fostering the new art of printing, which made books accessible to a larger number of people. Finally, the essays make clear that behind much patronage lay a concern for the betterment of women.
Author: Jerold C. Frakes Publisher: Anniversary Collection ISBN: Category : Literary Criticism Languages : en Pages : 312
Book Description
Examines gender issues that appear in the heroic epics Nibelungenlied, Diu Dlage, and Kudrun, all of which revolve around women. Reviews the conventional scholarship, and discusses property and power, intimate conversations and political strategies, Teuton as Amazon, sovereignty and class, and other topics. Annotation copyright by Book News, Inc., Portland, OR
Author: R. Howard Bloch Publisher: University of Chicago Press ISBN: 0226059901 Category : Social Science Languages : en Pages : 308
Book Description
Until now the advent of Western romantic love has been seen as a liberation from—or antidote to—ten centuries of misogyny. In this major contribution to gender studies, R. Howard Bloch demonstrates how similar the ubiquitous antifeminism of medieval times and the romantic idealization of woman actually are. Through analyses of a broad range of patristic and medieval texts, Bloch explores the Christian construction of gender in which the flesh is feminized, the feminine is aestheticized, and aesthetics are condemned in theological terms. Tracing the underlying theme of virginity from the Church Fathers to the courtly poets, Bloch establishes the continuity between early Christian antifeminism and the idealization of woman that emerged in the twelfth and thirteenth centuries. In conclusion he explains the likely social, economic, and legal causes for the seeming inversion of the terms of misogyny into those of an idealizing tradition of love that exists alongside its earlier avatar until the current era. This startling study will be of great value to students of medieval literature as well as to historians of culture and gender.
Author: Martin Stepanek
Author: Martin Stepanek
Author: Gottfried (von Strassburg)
Author: Gottfried (von Strassburg)
Author: Gottfried (von Strassburg)
Author: Gottfried Weber
Author: Prudence Allen
Author: Clare A. Lees
Author: June Hall McCash
Author: Jerold C. Frakes
Author: R. Howard Bloch